| | Notebook Soundtrack CD (7 Customer Reviews)
The soundtrack for THE NOTEBOOK is equal parts 1940s time capsule--as befits this WWII-era love story--and early-21st-century symphonic scoring. The evocative "Main Title," featuring generously pedaled solo piano bathed in dreamy reverb, brings ... Full Descriptionto mind an updated Edvard Grieg "Lyric Piece." While the inspiration for composer Aaron Zigman's lush orchestrations, performed by the Hollywood Studio Symphony orchestra, is certainly rooted in late-19th-century European romanticism, the themes themselves suggest that bittersweet blend of melancholy and optimism that clearly points to 20th-century Americana. The interspersed tunes from the '30s and '40s, for the most part, offer a jaunty, jitterbug counterpoint. The four giants represented here are Duke Ellington, Benny Goodman, Glenn Miller, and Billie Holiday, all performing signature tunes. Because of this broad variety of material, the collection manages to create its own little slide-show journey from start to finish, shifting moods between haunted introspection and joyous exuberance.
Composer: Aaron Zigman.
Personnel: Hollywood Studio Symphony.
Recording information: Sony Pictures Studios, Culver City, CA. Hide Description Notebook Soundtrack Music Notebook Soundtrack Songs Notebook Soundtrack Music Review Purchase Notebook Soundtrack CD To buy, Click on price to add to cart | Original Cast Album: Company DVD (1971)
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TOMMY PELTIER, musician, composer, cornet player and innovator has reinvented himself several times over during the pass four decades and is still discovering new horizons. During the '60s, cornetist Peltier put together an avant-garde group The Jazz Corps. They often played and recorded at the Lighthouse in Hermosa Beach, CA. In 1966, jazz giant Rashaan Roland Kirk joined the band to recorded an album for Pacific Jazz entitled "The Jazz Corps." Two more CD's are now available on Cadence Jazz Records "Live at the Lighthouse ...
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Biography:Rob Griffith, a native of Gloucester, Massachusetts, began playing electric and acoustic bass at the age of fifteen. He went on to major in music, philosophy and religion at Vassar College in New York, taking active rolls in area Jazz ensembles, Bluegrass and Roots music, as well as Vassars own Orchestra. Employing a fresh perspective on rhythm, and his arsenal of exotic harmonies and playing techniques, Rob's music often took center stage, landing him in several touring acts.Towards the end of his stay in New York, he began performing solo on the electric bass. Beginning in intimate cafés and galaries, then expanding with a growing audience into larger and larger venues, Rob melded Jazz, classical and funk sounds into an immersive and emotional experience for audiences large and small. To achieve this, Rob often plays two and even three parts simultaneously on the four string bass, and with the aid of looping tracks recorded live on the spot, the sound of a whole band surrounds him alone on the stage. In the spring of 2000, Rob began his first solo bass tour, sharing his solo sounds with of over 3,000, on stage with Rhode Islands The Slip at Vassar Colleges Founders Day Festival, and has since returned to perform the annual event twice more.In November of 2000, Rob was brought on as bass player and eventual musical director for a new project by Grammy winner Doodle Bug from the hip-hop jazz fusion group Digable Planets. Touring coast to coast several times, the music received amazing reaction and support, with fans locking into what vocalist Gnomia Gray characterized as "The Cosmic Funk Experience." This experience included frequent guest appearances from noted hip-hop vocalists, members of avant-guard pioneers the Sun Ra Arkestra, Tyrone Hill's Deep Space Posse, and a twelve-minute piece featuring Rob on Didjeridoo and bass at once.In addition to new solo material, Rob is working on productions with a variety of artists. Rob conducts lessons and seminars ...
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