| | Meus Caros Pianistas CD - Import
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MEUS CAROS PIANISTAS features many of the top pianists of Brazil, such as Leandro Braga and Antonio Adolfo, performing the works of Francis Hime.
Beautiful CD; Francis Hime's songs performed by great Brazilian pianists: Wagner Tiso, Clara Sverner, Leandro Braga, Antonio Adolfo, Gilson Peranzzetta and others. Meus Caros Pianistas Music Meus Caros Pianistas Songs Meus Caros Pianistas Review
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Purchase Meus Caros Pianistas CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Meus Caros Pianistas
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French confection "Ou Est Ma Tete?" While Pink Martini gets almost too cute for their own good with "And Then You're Gone" and "But Now I'm Back," a pair of songs about a quarreling couple inspired by Franz Schubert's "Fantasy Piano for Four Hands" and featuring NPR justice correspondent Ari Shapiro on the latter's vocals, SPLENDOR IN THE GRASS' second half ...
| | Buena Vista Social Club DVD (1999)
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No one can recall exactly where the Buena Vista Social Club once stood in pre- revolutionary Havana but ...
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In the wake of the tremendous impact of the BUENA VISTA SOCIAL CLUB album, film, and tour, it is easy to see Ry Cooder as a historian, a cultural ambassador, and a gifted humanist interested in revitalizing all people through music. If this sounds like an overstatement, you probably haven't heard 2005's CHAVEZ RAVINE yet. Like BUENA VISTA, CHAVEZ RAVINE locates itself in a cultural and musical context, this time in a vibrant, culturally rich Mexican-American community in post-war Los Angeles.
With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ballads, rhumba, and R&B. Yet the whole feels so rooted in history, so packed with real characters (like boxer Carlos Chavez) and stories (like a Pachuco-slang-speaking UFO sighting) that it plays as an organic whole. Playful, ...
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French chanteuse Francoise Hardy gets her yesars with the Vogue label covered in this extensive collection; includes 50 tracks and original artwork.
More so even than her countryman and fellow pop star Serge Gainsbourg did in the 1960s, Francoise Hardy synthesized mainstream pop and rock elements into her take on the French chanson tradition. Influenced by Phil Spector's girl-group sound and the loungy, orchestral pop of commercial radio, Hardy's music of the 1960s is dense and breezy at once, marked by lush, hip production and the chanteuse's measured, bittersweet vocals.
BMG's superb two-disc set, THE VOGUE YEARS, compiles Hardy's work for Vogue during the '60s. With a whopping 50 tracks, well-selected and arranged chronologically, the set provides an excellent overview of the singer's early work, and her maturation during this pivotal period. Everything else about the package--from the liner notes to ...
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Regardless of the names above the title, the scary, omniscient tones and heart-stopping atmospheres of STALKER appear indelibly stamped with Lustmord's characteristic signature. ...
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Randolph studied Jazz/composition with the world reknowned David Baker at Indiana University. A well known TV Guest-star, and a 15 year headliner musical comedian, opening for Ray Charles, Aaron Neville. This sound, referred to as "Euphonic Jazz" is created from Randy Thompson's original compositions/arrangements which utilize traditional ...
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