| | Bob Dylan Blonde On Blonde CD Bob Dylan Discography of CDs
 (4 Customer Reviews)
Only a year after HIGHWAY 61 REVISITED, Dylan miraculously topped himself with further epigrams of surrealistic poetry and emotional intrigue. The pressure of a punishing touring schedule and high public profile helped drive him to an unbelievable ... Full Descriptionfit of creativity as he spontaneously scribbled these gems in his hotel rooms. We were spoiled with a double album, more Dylan music than we had previously heard, yet still destined to endure. BLONDE ON BLONDE surrounds the folk-rock bard with the likes of Al Kooper, Robbie Robertson, Charlie McCoy and Kenny Buttrey, all seasoned musicians giving this album a relaxed confidence quite unlike the youthful energy of HIGHWAY 61 REVISITED. Decades later this album still rewards and surprises. A gigantic record in every sense.
Personnel: Bob Dylan (vocals, guitar, harmonica); Robbie Robertson (guitar); Charlie McCoy (harmonica); Hargus Robbins (piano); Al Kooper (organ); Kenneth Buttrey (drums); Henry Strzelecki, Jerry Kennedy, Joe South, Wayne Moss, Bill Aitken.
Recording information: Columbia Recording Studios, Nashville, Tennessee (1966).
Rolling Stone (12/11/03, p.90) - Ranked #9 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Dylan delivered some of his finest, clearest songs of comfort and desire..."
Q (1/00, p.136) - 5 stars out of 5 - "...easily Dylan's most melodically honed albums....an insane rush of ideas carried by what he'd later call 'that thin, wild mercury sound'....Tunes, tunes, tunes....Dylan the tunesmith never had better days than these."
Q (Magazine) (p.110) - "[BLONDE ON BLONDE] captured him at his most feverishly prolific....[With] an unstoppable flood of greet songs."
Mojo (Publisher) (10/03, pp.124-6) - 5 stars out of 5 - "...The music takes on a genuine grandeur..."
NME (Magazine) (10/2/93, p.29) - Ranked #17 in NME's list of the "Greatest Albums Of All Time." Hide Description Blonde On Blonde Music | List Price | $9.99 (You save $0.64) | | Category | Rock/Pop Albums, Rock CDs, Latin, Singer/Songwriter, Folk Rock | | Label | Legacy | | Orig Year | 1966 | | All Time Sales Rank |  2913  | | CD Universe Part number | 6738817 | | Catalog number | 92400 | | Discs | 1 | | Release Date | Jun 01, 2004 | | Studio/Live | Studio | | Producer | Bob Johnston | | Personnel | Bob Dylan - vocals, guitar, harmonica
Bob Dylan - vocals, guitar, harmonica
Charlie Mccoy - harmonica
Hargus "Pig" Robbins - piano
Wayne Moss
Henry Strzelecki
Kenneth Buttrey - drums
Jerry Kennedy
Bill Aitken
Also: Al Kooper, Robbie Robertson, Joe South | | Additional Info | Reissue; Remastered |
Bob Dylan Blonde On Blonde Songs Blonde On Blonde Music Review Average Rating: (4 out of 5 stars)   great
Please be careful when you give stars, this is a must have not only for Bob's fans.
It's universal music, able to give you deep feelings even after years and years of listenings.
One of his best, among the magnificent discography of one of the best genius of all time
Submitted by Daniele - samp91 (Venice, Italy)
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 You're Wrong
The person who gave this album only three stars has no idea what he's talking about. Obviously not a Dylan fan. He didn't even mention Bringing It All Back Home.
Submitted by Adam Carver (Equinunk, PA)
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Favorite Dylan
Better than Highway 61 Revisited, better than Blood on The Tracks. It's simply amazing. Every song is unforgettable and great in its own way. Favorites Song: Sad Eyed Lady of The Lowlands
Submitted by Brian (Boston, MA, USA)
Was This Review Helpful? Yes No BEST DYLAN ALBUM
BLONDE ON BLONDE (1966)
This has to be Bob Dylans best album EVER. He has so many of them and most of them are crap. This and "Highway 61 Revisited" (1965) are the best two. Get those two and "The Essential Bob Dylan" 2- disc set and thats enough Bob Dylan for the casual fan like me.
Submitted by keithsilvers (Wausau, WI, USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Blonde On Blonde CD To buy, Click on price to add to cart | Bob Dylan Blood On The Tracks CD (1975) Reissue; Remastered
Blonde On Blonde album
 $9.29  
By the mid-'70s, even Dylan's most ardent supporters began taking his artistic decline for granted. Albums like NEW MORNING and PLANET WAVES were fine works, but lacked the visionary spark of his seminal '60s recordings. At 34 he was already being written off as a has-been. That presumption is what made BLOOD ON THE TRACKS such a glorious sucker-punch of a record.
One of Dylan's most mournful efforts, this album, which easily ranks among his best, is full of stories about lost love and the struggle for peace of mind. With a simple, country-flavored backing somewhat akin to NASHVILLE SKYLINE, he recounts shattered love affairs in heart-breaking detail on songs like "Simple Twist Of Fate" and "If You See Her Say Hello." ...
| | Bob Dylan Nashville Skyline CD (1969) Reissue; Remastered
Blonde On Blonde CD music
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Dylan's (first) country record helped provide template for Americana movement, and yielded top-10 hit "Lay Lady Lay."
It is hard to recall now how deeply unfashionable country music was in 1969-- Dylan's label, Columbia, dismayed at his apparent retrogression, begged him to remove the word NASHVILLE from the album's title. However, as usual, he proved ahead of the game; his embrace of country ushered in Gram Parsons, the Flying Burrito Brothers, and scores of subsequent artists under the Americana banner. ...
| | Bob Dylan Highway 61 Revisited CD (1965) Reissue; Remastered
Blonde On Blonde music CDs
$7.59 
Recorded in Columbia Studios, New York, New York in June-August 1965.
Though 1966's BLONDE ON BLONDE is usually singled out as the most innovative Bob Dylan album, its predecessor HIGHWAY 61 REVISITED is the one that definitively marks Dylan's transformation from progressive folk singer to visionary rock poet. It's Dylan's first fully electric album, powered by the manic intensity of Mike Bloomfield's skull-and-crossbones blues-rock guitar leads and Al Kooper's rich organ fills.
While many of the songs are presented in a traditional 12-bar blues format, the lyrics find Dylan finally abandoning conventional linear narrative in favor of poetic abstraction, surreal imagery, and biting sarcasm. In the rock world, there has never been a lambasting harsher or more cathartic than the excoriation of "Ballad of a Thin Man," and no challenge ...
| | Bob Dylan Bringing It All Back Home CD (1965) Reissue; Remastered
Blonde On Blonde songs
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Howls of rage greeted Bob Dylan as he presented the world with rock music--he was roundly booed at both the Newport Folk Festival and the Royal Albert Hall. Yet here is one of those moments of cross-influence that changed the course of popular music. BRINGING IT ALL BACK HOME gave Dylan an audience on a plate; it was a massive breakthrough. An album of two different sides, acoustic (his past) and electric (his future), it contains milestones in the blues-rockers "Maggie's Farm" and "Subterranean Home ...
| | Bob Dylan Freewheelin' CD (1963) Reissue; Remastered
Blonde On Blonde album
$7.59
Also available in a 3-pack with THE TIMES THEY ARE A-CHANGIN' and ANOTHER SIDE OF BOB DYLAN.
Recorded in Columbia Sound Studios, New York, New York in 1963.
With this album Dylan emerged from the cloak of Woody Guthrie and proclaimed his own unique talent. No longer detached--the ...
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Blonde On Blonde CD music
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“One of Chicago’s hottest rising talents. While the idea of a Chicago alt-country outfit blending folkie chords with experimental soundscapes isn’t exactly a new one, Riviera carves out its own niche by adding a healthy dose of pithy lyrics worthy of Pavement’s Stephen Malkmus.” — Chicago Tribune’s Metromix “Riviera never lets its influences lead the dance, instead dizzying them with literate doses of absurdist humor and liberal doses of the hidden hooch in that hollow bible.” — All Music Guide “Richly textured melodies, creative uses of feedback and electronic washes and the exploitation of all the colors in their sonic palette to create some memorable and moody rock and roll.” — The Rock and Roll Report “Riviera is able to sound sincere in its wholesale borrowing of classic rock elements. I imagine it’s much easier to divine in a live setting, but Riviera never seems to labor during their songs. They trigger a certain satisfying déjà vu but through it all there’s an awareness that they’re operating on a platform well trampled by many bands, a certain self-effacing approach that keeps the focus squarely on the songs and not on the band’s influences.” — Stylus “Their collective wit is literate and wry, backed by rock swagger and a willingness to let a tinge of rock noise creep in occasionally.” — Miles of Music“Chicago-based Riviera assumes the burden of channeling crates and crates full of everyone's favorite albums… While labels such alt-country or Americana certainly fit Riviera's sound, At The End of the American Century also borrows from 70’s classic FM rock and the most accessible of contemporary indie rock, covering multiple aesthetic touch points without the self-conscious dress code of hipster hang-ups...” — Blue Mag“Spot on for those who dig the sad bastard music that’s not so sad sounding. It actually makes for a great soundtrack for an indie flick that doesn’t exist yet.” — Punk Planet# # # # # # # # # # # # Riviera’s musical palette contains shades of artists you already love (Neil Young, Rolling Stones, George Harrison) blended together with colors unique to each of the band’s three singer-songwriters.On Capital, the second full-length album by Riviera on Glorious Noise Records, the band stretches their sounds past the distorted Americana that pervaded their debut, At the End of the American Century… While that album had a palpable sense of paranoia throughout, Capital is the sound of a band resigned to live in troubled world: “There’s a change coming on, and I don’t think I know what it means” (“White Limousine”). And it’s not going to get better anytime soon: “Evolution’s slower than a snail” (“Snails).Musically, Capital is deceptively more upbeat than its predecessor. “Snails” and “Giving Blood,” in particular, are rockers that will get even the most jaded hipster on their feet. Of course, there’s no shortage of the poignant mid-tempo heartbreakers that Riviera is known for (“Here’s to Us,” “Golden Lies”), and there’s even a healthy dose of blue-eyed soul (“White Limousine”).Riviera continues to move forward and expand beyond their roots while acknowledging ...
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