| | Bob Dylan Blonde On Blonde CD Bob Dylan Discography of CDs
(5 Customer Reviews)
Only a year after HIGHWAY 61 REVISITED, Dylan miraculously topped himself with further epigrams of surrealistic poetry and emotional intrigue. The pressure of a punishing touring schedule and high public profile helped drive him to an unbelievable fit of creativity as he spontaneously scribbled these gems in his hotel rooms. We were spoiled with a double album, more Dylan music than we had previously heard, yet still destined to endure. BLONDE ON BLONDE surrounds the folk-rock bard with the likes of Al Kooper, Robbie Robertson, Charlie McCoy and Kenny Buttrey, all seasoned musicians giving this album a relaxed confidence quite unlike the youthful energy of HIGHWAY 61 REVISITED. Decades later this album still rewards and surprises. A gigantic record in every sense.
If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again. [In 2004, Columbia/Legacy reissued the two-CD remastered Blonde on Blonde as a single disc.] ~ Stephen Thomas Erlewine
Audio Remixers: Mark Wilder; Vic Anesini.
Recording information: Columbia Recording Studios, Nashville, TN.
Author: Stephen Saper.
Unknown Contributor Role: Robbie Robertson.
Personnel: Bob Dylan (vocals, guitar, harmonica, piano, keyboards); Bob Dylan; Rick Danko (vocals, violin); Richard Manuel (vocals, keyboards, drums); Garth Hudson (saxophone, keyboards); Wayne Butler (trombone); Paul Griffin (piano); Bill Atkins (keyboards); Sanford Konikoff (drums); Robbie Robertson, Wayne Moss (vocals, guitar); Charlie McCoy (guitar, harmonica, trumpet); Al Kooper (guitar, horns, organ, keyboards); Jerry Kennedy, Joe South (guitar); Hargus "Pig" Robbins (piano, keyboards); Kenneth A. Buttrey (drums); Henry Strzelecki, Bill Aitken.
Audio Remasterer: Mark Wilder.
Rolling Stone (12/11/03, p.90) - Ranked #9 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Dylan delivered some of his finest, clearest songs of comfort and desire..." Q (1/00, p.136) - 5 stars out of 5 - "...easily Dylan's most melodically honed albums....an insane rush of ideas carried by what he'd later call 'that thin, wild mercury sound'....Tunes, tunes, tunes....Dylan the tunesmith never had better days than these." Q (Magazine) (p.110) - "[BLONDE ON BLONDE] captured him at his most feverishly prolific....[With] an unstoppable flood of greet songs." Mojo (Publisher) (10/03, pp.124-6) - 5 stars out of 5 - "...The music takes on a genuine grandeur..." NME (Magazine) (10/2/93, p.29) - Ranked #17 in NME's list of the "Greatest Albums Of All Time." Blonde On Blonde Music | List Price | $9.99 (You save $0.50) | | Category | Rock/Pop Albums, Rock CDs, Latin, Folk Rock, Singer/Songwriter | | Label | Legacy | | Orig Year | 1966 | | All Time Sales Rank | 2809  | | CD Universe Part number | 6738817 | | Catalog number | 92400 | | Discs | 1 | | Release Date | Jun 01, 2004 | | Studio/Live | Studio | | Producer | Bob Johnston; Amy Herot (Reissue) | | Personnel | Bob Dylan - vocals, guitar, harmonica, piano, keyboards Hargus "Pig" Robbins - piano, keyboards Charlie Mccoy - guitar, harmonica, trumpet Garth Hudson - saxophone, keyboards Kenneth A. Buttrey - drums Rick Danko - vocals, violin Richard Manuel - vocals, keyboards, drums Henry Strzelecki Jerry Kennedy Wayne Moss - vocals, guitar Sanford Konikoff - drums Bill Aitken Bill Atkins - keyboards Wayne Butler - trombone
Also: Al Kooper, Robbie Robertson, Joe South | | Additional Info | Reissue; Remastered |
Bob Dylan Blonde On Blonde Songs Blonde On Blonde Music Review Average Rating: (4.2 out of 5 stars)   Like myself most reviewers wish to give this 5 stars The silly 'Drop Down' box automatically settles on 3; therefore those who are not accustomed end up giving this a 3 instead of the intended 5 stars. CD Universe should modify the system to correct this issue.
Blonde on Blonde, Bringing it all back home and Highway 61 revisted - obviously all 5+ stars! Submitted by faust8577 (Lorraine, Que. Canada) Was This Review Helpful? Yes No
great Please be careful when you give stars, this is a must have not only for Bob's fans.
It's universal music, able to give you deep feelings even after years and years of listenings.
One of his best, among the magnificent discography of one of the best genius of all time Submitted by Daniele - samp91 (Venice, Italy) Was This Review Helpful? Yes No
You're Wrong The person who gave this album only three stars has no idea what he's talking about. Obviously not a Dylan fan. He didn't even mention Bringing It All Back Home. Submitted by Adam Carver (Equinunk, PA) Was This Review Helpful? Yes No
Favorite Dylan Better than Highway 61 Revisited, better than Blood on The Tracks. It's simply amazing. Every song is unforgettable and great in its own way. Favorites Song: Sad Eyed Lady of The Lowlands Submitted by Brian (Boston, MA, USA) Was This Review Helpful? Yes No
BEST DYLAN ALBUM BLONDE ON BLONDE (1966)
This has to be Bob Dylans best album EVER. He has so many of them and most of them are crap. This and "Highway 61 Revisited" (1965) are the best two. Get those two and "The Essential Bob Dylan" 2- disc set and thats enough Bob Dylan for the casual fan like me. Submitted by keithsilvers (Wausau, WI, USA) Was This Review Helpful? Yes No
| Have you heard this album? |  |
Purchase Blonde On Blonde CD To buy, Click on price to add to cart | Bob Dylan Blood On The Tracks CD (1975) Reissue; Remastered
Blonde On Blonde album
$9.59 By the mid-'70s, even Dylan's most ardent supporters began taking his artistic decline for granted. Albums like NEW MORNING and PLANET WAVES ...
| | Bob Dylan Nashville Skyline CD (1969) Reissue; Remastered
Blonde On Blonde CD music
$6.75
| | Bob Dylan Highway 61 Revisited CD (1965) Reissue; Remastered
Blonde On Blonde music CDs
$6.25 Recorded in Columbia Studios, New York, New York in June-August 1965.
Though 1966's BLONDE ON BLONDE is usually singled out as the most innovative Bob Dylan album, its predecessor HIGHWAY 61 REVISITED is the one that definitively marks Dylan's transformation ...
| | Bob Dylan Bringing It All Back Home CD (1965) Reissue; Remastered
Blonde On Blonde songs
$6.25
| | Bob Dylan Freewheelin' CD (1963) Reissue; Remastered
Blonde On Blonde album
$6.75
| | Bob Dylan CD (1962) Remastered
Blonde On Blonde CD music
$6.75
| | Pist On Sell-Out CD (1999)
Blonde On Blonde music CDs
$13.05
| | Kraan Andy Nogger CD (1975) Import
Blonde On Blonde songs
$11.65
| | Billy Vera Oh What A Night CD (1999)
Blonde On Blonde album
$14.69
| | Genocide In Sudan CD (2004)
Blonde On Blonde CD music
$12.09 Proceeds from this CD will go to the United Nations Refuge Agency and UNICEF.
From a strictly musical point of view, charity albums often lack in quality due to the erratic nature of the songs, chosen understandably for name value over musical quality, and the fact that few artist have an extra A-game cut at the ready, just waiting to be used to save the world. Not that the songs on these discs are even always rarities. But it's a fine balance. Use a song that's too popular, and the buying public will likely already own the song and the need to purchase the charity disc goes down. Use an unreleased cut, and the artist risks putting out a lower quality product on a hopefully high-profile release.
Miraculously, Waxploitation manages to avoid all of these obstacles on their hastily released compilation meant to raise money and awareness about the current genocide in the East African nation ...
| | Moncef Genoud Aqua CD (2005) (Import) Japan
Blonde On Blonde music CDs
$44.69
| | Musicals: The Best Of CDs (2005)
Blonde On Blonde songs
$11.65
| | Paul St Hilaire Divine State Of Mind CD (2006)
Blonde On Blonde album
$13.45 Paul St. Hilaire hails from Dominica Island, but his ...
| | Riviera Capital CD (2006)
Blonde On Blonde CD music
$12.15 “One of Chicago’s hottest rising talents. While the idea of a Chicago alt-country outfit blending folkie chords with experimental soundscapes isn’t exactly a new one, Riviera carves out its own niche by adding a healthy dose of pithy lyrics worthy of Pavement’s Stephen Malkmus.” – Chicago Tribune’s Metromix “Riviera never lets its influences lead the dance, instead dizzying them with literate doses of absurdist humor and liberal doses of the hidden hooch in that hollow bible.” – All Music Guide “Richly textured melodies, creative uses of feedback and electronic washes and the exploitation of all the colors in their sonic palette to create some memorable and moody rock and roll.” – The Rock and Roll Report “Riviera is able to sound sincere in its wholesale borrowing of classic rock elements. I imagine it’s much easier to divine in a live setting, but Riviera never seems to labor during their songs. They trigger a certain satisfying déjà vu but through it all there’s an awareness that they’re operating on a platform well trampled by many bands, a certain self-effacing approach that keeps the focus squarely on the songs and not on the band’s influences.” – Stylus “Their collective wit is literate and wry, backed by rock swagger and a willingness to let a tinge of rock noise creep in occasionally.” – Miles of Music“Chicago-based Riviera assumes the burden of channeling crates and crates full of everyone's favorite albums… While labels such alt-country or Americana certainly fit Riviera's sound, At The End of the American Century also borrows from 70’s classic FM rock and the most accessible of contemporary indie rock, covering multiple aesthetic touch points without the self-conscious dress code of hipster hang-ups...” – Blue Mag“Spot on for those who dig the sad bastard music that’s not so sad sounding. It actually makes for a great soundtrack for an indie flick that doesn’t exist yet.” – Punk Planet# # # # # # # # # # # # Riviera’s musical palette contains shades of artists you already love (Neil Young, Rolling Stones, George Harrison) blended together with colors unique to each of the band’s three singer-songwriters.On Capital, the second full-length album by Riviera on Glorious Noise Records, the band stretches their sounds past the distorted Americana that pervaded their debut, At the End of the American Century… While that album had a palpable sense of paranoia throughout, Capital is the sound of a band resigned to live in troubled world: “There’s a change coming on, and I don’t ...
|
|
|