| | Bob Dylan Bringing It All Back Home CD Bob Dylan Discography of CDs
 (2 Customer Reviews)
Howls of rage greeted Bob Dylan as he presented the world with rock music--he was roundly booed at both the Newport Folk Festival and the Royal Albert Hall. Yet here is one of those moments of cross-influence that changed the course of popular music. BRINGING IT ALL BACK HOME gave Dylan an audience on a plate; it was a massive breakthrough. An album of two different sides, acoustic (his past) and electric (his future), it contains milestones in the blues-rockers "Maggie's Farm" and "Subterranean Home Sick Blues," the future Byrds hit "Mr. Tambourine Man," and the transcendently poetic "It's Alright, Ma." You can debate the "is it folk or is it rock" argument forever. It's merely Dylan at one of his many peaks.
Recorded at Columbia Recording Studios, New York, New York in January 1965. Includes liner notes by Bob Dylan.
Personnel: Bob Dylan (vocals, acoustic guitar, harmonica); Al Gorgone, John Hammond, Jr., Bruce Langhorne, Kenneth Rankin (guitar); Paul Griffin, Frank Owens (piano); William E. Lee, Joseph Macho, Jr., John Sebastian (bass); Bobby Gregg (drums).
Rolling Stone (12/11/03, p.106) - Ranked #31 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Dylan amplifies his cryptic, confrontational songwriting with guitar lighting and galloping drums..."
NME (Magazine) (10/2/93, p.29) - Ranked #48 in NME's list of the "Greatest Albums Of All Time." Bringing It All Back Home Music Bob Dylan Bringing It All Back Home Songs Bringing It All Back Home Music Bringing It All Back Home Music Review Buy Bringing It All Back Home CD Purchase Bringing It All Back Home CD To buy, Click on price to add to cart | Bob Dylan Blonde On Blonde CD (1966) Reissue; Remastered
Bringing It All Back Home album
 $9.35   
Only a year after HIGHWAY 61 REVISITED, Dylan miraculously topped himself with further epigrams of surrealistic poetry and emotional intrigue. The pressure of a punishing touring schedule and high public profile helped drive him to an unbelievable fit of creativity as he spontaneously scribbled these gems in his hotel rooms. We were spoiled with a double album, more Dylan music than we had previously heard, yet still destined to endure. BLONDE ON BLONDE surrounds the folk-rock bard with the likes of Al Kooper, Robbie Robertson, Charlie McCoy and Kenny Buttrey, all seasoned musicians giving this album a relaxed confidence quite unlike the youthful energy of HIGHWAY 61 REVISITED. Decades later this album still rewards and surprises. A gigantic record in every sense.
If Highway 61 Revisited played as a garage rock record, the double ...
| | Bob Dylan Blood On The Tracks CD (1975) Reissue; Remastered
Bringing It All Back Home CD music
$9.59
By the mid-'70s, even Dylan's most ardent supporters began taking his artistic decline for granted. Albums ...
| | Another Side Of Bob Dylan CD (1964) Reissue; Remastered
Bringing It All Back Home music CDs
$6.79 
| | Bob Dylan Highway 61 Revisited CD (1965) Reissue; Remastered
Bringing It All Back Home songs
$6.25 
Recorded in Columbia Studios, New York, New York in June-August 1965.
Though ...
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Bringing It All Back Home album
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Bringing It All Back Home CD music
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| | Bernadette Brown Love Life CDs (2000)
Bringing It All Back Home music CDs
$6.95
Bernadette Brown has a fine voice that simply oozes with soul and feeling. It's a shame that it's full potential is by no means fulfilled on this album of fluff. This album is one cut above the easy listening, with track after track of songs burdened with a variety of synthesizer created instrumentation in tempos that rarely vary from one to another. It is simply hard to distinguish one track from another. It's all very highly polished and smooth without any edge or tension to it. As the CD moves on, there is a feeling that each cut is a bigger production and more ostentatious than the one preceding it. But despite this competition, the fullness of Brown's voice comes through. One of the cuts where she doesn't have to compete unfairly with the ersatz orchestration is on a reprise of "Ocean's Breath" where the full effect of her voice can be appreciated. One can only imagine what it could do with more substantial material than ...
| | Amy Studt False Smiles CD (2004) Import
Bringing It All Back Home songs
$12.79
Following the tradition of teenage talents such as Fiona Apple and Debbie Gibson, 17-year-old Amy Studt sang and co-wrote all 15 tracks on FALSE SMILES, her debut album.
Teenage rebellion. Bags of attitude. An album full of radio-friendly guitar pop tunes. You can understand the comparisons with Avril Lavigne. But that would be a disservice to Amy Studt, as while the Canadian Sk8er Girl's rock chick persona sometimes appears contrived, Studt's debut is carried out with conviction. One look at the credits reveals that it would be unfair to lump Studt in with the majority of her manager Simon Fuller's other manufactured acts, as she penned every one of the rather prolific 14 tracks, alongside some more illustrious songwriters such as Gary Barlow, Cathy Dennis, and Karen Poole. And it's this mixture of the pop writing establishment and raw talent that makes her debut all the more refreshing. "Misfit," an ode to reveling in being a nonconformist, is as loud and brash a call to arms you could possibly get as Studt growls "Anything you can do, I can do better." It's a ploy repeated on the glorious single that never was, "Ladder in My Tights," as she playfully fantasizes about using dynamite to get revenge against her enemies. It might be a bit of a one-trick pony act if the rest of the album were in the same vein. Luckily, she's got more than just the teenage angst string ...
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Bringing It All Back Home album
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Bringing It All Back Home CD music
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| | Rene Froger Toppers In Concert CD (2005) (Import)
Bringing It All Back Home music CDs
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Bringing It All Back Home songs
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| | Forcefeed CD (2008) (Import) Import
Bringing It All Back Home album
$17.99
'Loud, proud and guaranteed to rock the crowd', those were the words Metal Hammer (UK) used to describe the stomping Metal of Holland's Forcefeed. And in deed, with their sound, charactarized by downtuned, incredibly heavy riffs and intensely melodic choruses, it will be hard to remain ...
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