Part of Brian Wilson's appeal has always been that, despite the sophistication of his songwriting and production skills, he is the eternal man-child. On GETTING' IN OVER MY HEAD, the 62-year-old ex-Beach Boy has lost neither his childlike innocence nor his knack for crafting pop-perfect mini-symphonies. His first studio recording in six years is closer to the vintage Beach Boys sound than any of his solo work to date, and Wilson's wide-eyed sense of wonder at the beautiful mysteries of the world is fully present. Though some superstar guests pop up (Paul McCartney, Elton John, Eric Clapton), they almost pass unnoticed amid the summery sheen and sonic grandeur of Wilson's sun-dappled vision. Wall-of-sound arrangements? Check. Closely layered sheets of vocal harmony? Check. Winsome, infectious pop melodies? Check. It's as if no time had passed between 1966 (or at least '71) and this undeniable return to form.
2004 release features Eric Clapton, Elton John & Paul McCartney. 13 tracks
Liner Note Author: David Leaf.
Recording information: Oceanway Studios; Olympic Studios, London, England; Your Place Or Mine Recording, Glendale, CA.
Photographers: Melinda Jean Wilson; Zach Cordner.
Arranger: Brian Wilson .
Personnel: Brian Wilson (vocals, piano, keyboards, background vocals); Brian Wilson ; Carl Wilson (vocals); Scott Bennett (guitar, keyboards, vibraphone, bass guitar, percussion); Sandra Jensen, Susan Jensen (violin); Joe Thomas , John Thomas (keyboards); Michael Rhodes , Bob Lizik (bass guitar); Paul McCartney (vocals, acoustic guitar); Elton John (vocals, piano); Probyn Gregory (guitar, trumpet, French horn, trombone, keyboards); Jeffrey Foskett (guitar, background vocals); Eric Clapton, Greg Leisz, Nick Walusko (guitar); Carol Robbins (harp); Amy Farris (violin, viola); Peter Kent (violin); Rudolph Stein (cello); Paul Mertens (flute, harmonica, clarinet, saxophone); Darian Sahanaja (piano, keyboards, vibraphone, percussion, background vocals); Todd Sucherman (drums, percussion); Andy Paley (percussion, background vocals); Jim Hines (percussion).
Audio Mixer: Mark Linett.
Rolling Stone (p.122) - 3 stars out of 5 - "[With] cheery, expert melodies and arrangements from on high..." Q (p.119) - 4 stars out of 5 - "[It] works. It's full of moments that recall Wilson's lost muse....There are sections of stomach-tightening wonder, harmony magic abounds and, while it plays, all seems well with the world." Uncut (p.96) - 4 stars out of 5 - "[A] valuable addition to his catalogue: the most consistent and sympathetically constructed solo album he's made." Mojo (Publisher) (p.99) - 3 stars out of 5 - "[A]gainst not inconsiderable odds, GETTIN' IN OVER MY HEAD is taken towards its close by music that sends its skyward."
New Brian Wilson CD The first studio album from Brian Wilson since 1998's Imagination is a winner if The Beach Boys are a favourite. The tunes are memorable and the harmonies continue to delight. The guest appearances from Elton John, Paul McCartney and Eric Clapton just add more variety to the sound. An excellent album of the same standard as Imagination. Submitted by jcor (Fulham Gardens, South Australia, Australia) Was This Review Helpful? YesNo
A Forced effort... Aside from the Waltz, most like Desert Drive sound like a forced effort, like trying to recreate Little Deuce Coupe. And the constant repition with friend Sir Paul,(a.k.a. Billy Shears?),how could two such great minds come up with such limited lyrics? Professor Brian has come so much farther than that, and is capable of so much more, if only those around him would step off the car and surf sound. Even Brians simplistic production of the then formerly Beach Boys;Love You album, refreshingly outshines Gettin' In Over My Head,"...if only then we had a chocolate bar, then we'd have world peace." Submitted by nickatnite99 (Boyne City, MI, USA) Was This Review Helpful? YesNo
A grab bag of songs Some of the songs date back to the late 80's. Others are from the mid 90's. A handful are recent. The fact that it's diffucult to tell which is which indicates that Brian is blissfully unaware of current musical trends. Of course, his audience is hardly the sort you'd find at an Alternate music festival, so I guess it hardly matters. Brian dances to his own drummer and invites us to dance to the tunes in his head. Highlights includes "How Can We Still Be Dancing" with Elton John performing an energized lead vocal. "Soul Searchin'" with an old recording with the late, great Carl Wilson as the lead vocalist. This is the same song that appeared on Solomon Burke's last CD. My personal favorite is "Saturday Morning In The City", maybe because it drives my wife nuts. Approach this CD without expectations except as a musical post card from an old friend to us all. Submitted by MooreD1 (Ypsilanti, MI, USA) Was This Review Helpful? YesNo
SONGS FOR A LOW TIDE If only Brian Wilson could have packaged this latest " effort" along with Jimmy Webb's latest last cd,into a double cd package----------making it more convient not to listen to either of theses cds ever again. Athough Webb and Wilson were my 2 favorite composers, Wilson has finally lost it--------a hodge-podge of older unreleased songs and some new hopefully forgettable stuff------the surf has gone out------and it is NOT coming back, I'm afraid. His live shows are still great, but his new cds are not cutting it. I wish it wasn't true----but it is. Tony G Submitted by vanderlube2000 (lansdowne pa) Was This Review Helpful? YesNo
three point five stars The songwriting was stronger on Brian's first solo record, and his lead vocals were smoother on solo number two, but the production (courtesy of Brian himself) is better here, and Brian's thickly-layered backing vocals are as gorgeous as ever. Highlights: How Can We Still Be Dancin',Soul Searchin', Gettin' In Over My Head, City Blues, Fairy Tale, Don't Let Her Know She's An Angel. Submitted by NonLPtrack (somewhere in the known universe) Was This Review Helpful? YesNo 0 of 1 found this helpful.
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