| | Csi: Miami Soundtrack CD (2 Customer Reviews)
The Who's "Won't Get Fooled Again" serves as a rousing theme song for the CBS spinoff hit CSI: Miami, and it opens the show's soundtrack as well. From there, Miami tries on some thickheaded nu-metal (Ill Niño's self-explanatory "I Am Loco"), but it's only afterburning background music. The set's remainder consists of oddly England-centric rock (Oasis, Ian Brown) and the kind of crackling modernist electronica that's perfect for CSI's stylized version of true crime. The requisite Massive Attack track appears in the form of "Everywhen," while FC Kahuna, Baxter, and Nitin Sawhney contribute variations on the Clicky Downtempo with Female Lead motif. Lamb's "Gabriel" leads down that duo's darker electronic path, while "Invisible Pedestrian" is a chattering atmospheric piece in the vein of Air. There aren't a lot of risks taken here -- most of these tracks have made the chillout compilation rounds. But the CSI brand and David Caruso's mug on the front cover should get their grooves into some new places. Credit goes to CSI: Miami: The Soundtrack's producers for not clogging it with second and third-tier modern rock and neon holdovers from the Miami Vice years. ~ Johnny Loftus
The Who/Massive Attack/Oasis/ Martina Topley Bird/Lemon Jell
Rolling Stone (p.123) - 3 stars out of 5 - "[T]his TV crime-drama soundtrack settles down to deliver one of the most satisfying down-tempo collections in recent months." Csi: Miami Soundtrack Music Csi: Miami Soundtrack Songs | 1. | Forever and a Day |
| 2. | Won't Get Fooled Again |
| 3. | I Am Loco |
| 4. | Gabriel |
| 5. | Masterplan, The |
| 6. | Everywhen |
| 7. | Hayling |
| 8. | Invisible Pedestrian |
| 9. | Say Hello |
| 10. | Tune For Jack, A |
| 11. | Let the Drummer Kick |
| 12. | Satellites |
| 13. | Need One |
| 14. | Gonna Make It There |
| Csi: Miami Soundtrack Music Review Purchase Music From Csi: Miami CD To buy, Click on price to add to cart | Steve Winwood Back In The High Life CD (1986)
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$10.55 This was the 1987 Grammy winner for best engineered non-classical recording.
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$12.59 Original score composed by John M. Keane.
Who/Fatboy Slim/Timo Maas/ Wallflowers/Curve/Chambers Bro
Personnel: Kathryn Williams (vocals).
Audio Mixers: Bliss; Zero 7.
Audio Remixer: Fatboy Slim.
Editor: Scott Roewe.
Unknown Contributor Role: Zero 7.
Arranger: Bliss.
CBS-TV's crime drama CSI: Crime Scene Investigation was the top-rated network television series in the U.S. in the fall of 2002, when this soundtrack album was released. ...
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The third non-crossed licensed anthology from the master guitarist focuses on his three-album stint at Chicago's blues-based Alligator Records. The artist considered the music he made during his 1985-1987 association with the label the most honest of his career. Since he received complete creative control on these discs, his 1988 suicide, a short year after Hot Wires -- one of Roy Buchanan's best albums ever -- was released, makes his untimely death even more shocking. With its 16 tracks -- two previously unreleased -- almost evenly divided between instrumentals and (predominantly) guest vocals shared by Otis Clay, Delbert McClinton, and Johnny Sayles (Buchanan tentatively and gruffly talks/sings three selections), this is not only a terrific overview of the musician's astounding guitar virtuosity, but a sad coda to a short yet intense career that never broke him through to a wide audience. "You know I ain't broke, but I'm badly bent" are not only lyrics to "Ain't No Business," but also the sad state of affairs the artist found himself in as he was recording his final disc. With a completely unique guitar style that effortlessly shifted from a crying moan (as in the opening bars) to his cover of Otis Redding's "These Arms of Mine" to a raging howl -- exemplified by the thumping take on Willie Dixon's "You Can't Judge a Book by the Cover" -- Buchanan effectively covered all the blues-soul-rock bases with passion, integrity, ...
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