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Purchase DHM Splendeurs - Dante And The Troubadours / Sequentia To buy, Click on price to add to cart | Andrea Bocelli My Christmas CDs (2009) With DVD; Deluxe Edition
DHM Splendeurs - Dante And The Troubadours / Sequentia
 $19.98   
Andrea Bocelli's 2009 My Christmas album finds the Italian tenor performing various classic holiday-themed songs that touch on a mix of classical, opera, and pop. Included are such well-known holiday songs as "Santa Claus Is Coming to Town," "O Tannenbaum," and "Silent Night." The versatile Bocelli also delves into such iconic Christmas hits as "Blue Christmas" and "The Christmas Song" (featuring a duet with Natalie Cole). Of course, the opera and classic songs are Bocelli's bread and butter, and here listeners get such lavishly produced cuts as "Adeste Fidelis," "Cantique del Noel," and "Caro Gesu Bambino." My Christmas is not only a warm and inviting holiday album, but also a superb classical crossover entry worthy of Bocelli's discography. ~ Matt Collar
Andrea Bocelli's 2009 My Christmas album finds the Italian tenor performing various classic holiday-themed songs that touch on a mix of classical, opera, and pop. Included are such well-known holiday songs as "Santa Claus Is Coming to Town," "O Tannenbaum," and "Silent Night." The versatile Bocelli also delves into such iconic Christmas hits as "Blue Christmas" and "The Christmas Song" (featuring a duet with Natalie Cole). Of course, the opera and classic songs are Bocelli's bread and butter, and here listeners get such lavishly produced cuts as "Adeste Fidelis," "Cantique del Noel," and "Caro Gesu Bambino." My Christmas is not only a warm and inviting holiday ...
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DHM Splendeurs - Dante And The Troubadours / Sequentia
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DHM Splendeurs - Dante And The Troubadours / Sequentia
$15.15 | | Phill Niblock Disseminate Ostrava/Kontradictionaries/Disseminate Q-02 CD (2004)
DHM Splendeurs - Dante And The Troubadours / Sequentia
$14.75
This disc -- good to see Phill Niblock's music appearing on a predominantly contemporary classical imprint -- contains two versions of "Disseminate," an orchestral work originally commissioned in 1998 by Petr Kotik for his S.E.M. Ensemble, in recordings made in Ostrava by Kotik and the Ensemble OCNM (with members of the Janácek Philharmonic) and Gent with the Brussels-based Q-O2 Ensemble. For the latter, Niblock recorded six versions of the piece with an ensemble consisting of viola, cello, clarinet/saxophone, flute, and trombone, while the larger forces used in the Czech Republic result in a thicker and harmonically denser sound -- a darker cloud, to quote the composer. The gradual corruption of the pure octave D though incremental microtonal displacement recalls Glenn Branca's incidental music for Peter Greenaway's Belly of an Architect, but whereas his contributions lasted barely two minutes, Niblock expands a unison out into a minor third over 22 minutes. The two readings of "Disseminate" bookend the central "Kontradictionaries," also 22 minutes long, a work written in 1999 for a typical Niblock combination of instruments, a trio consisting of contrabass flute, contrabass saxophone, and contrabass tuba. Niblock ...
| | Benson Orchestra Of Chicago Volume 1: 1920-1921 CD (2004)
DHM Splendeurs - Dante And The Troubadours / Sequentia
$14.35
The Archeophone label is the premiere record company in reissuing pre-1920 music on CDs. While its releases have included ragtime, vaudeville, Bert Williams, pop songs, and novelties, this CD by the Benson Orchestra of Chicago was its first full-length jazz set. Actually, the 26 performances on this complete set (the earliest recordings by this group) are as much dance music as they are jazz. Edgar A. Benson, a top booking agent, had quite a few bands working in Chicago area hotels during the first half of the 1920s. The main purpose of his orchestras was to satisfy dancers, so the tempos were always steady, the emphasis was on ensembles, and the melody was a prominent part of the music. His main band, the Benson Orchestra of Chicago, was a nonet with pianist/arranger Roy Bargy, four horns, violinist Joe Baum, banjo, bass sax, and a drummer who was probably the one doubling on xylophone. There are some short solos during the performances, but those tend to stick close to the melody. The musicianship is excellent for the period, the arrangements have subtle surprises, and "Na-Jo" is considered to be the first recording ever to use stop-time rhythm. Some of the tunes ("San," "Ain't We Got Fun," "Wabash Blues," and "Ma, He's Making Eyes at Me") are still known today, but the majority of these songs have long been forgotten. Since these recordings are quite early (two years before King Oliver and Jelly Roll Morton made their debut), the jazz content is more of a slight influence than a dominant part of the music, mostly felt in the syncopated rhythms. The recording quality is top-notch for the era, the 28-page booklet is very detailed and informative, and very few of these performances have been reissued since they were first recorded. Collectors of early American music will want this ...
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DHM Splendeurs - Dante And The Troubadours / Sequentia
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Live Recording
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DHM Splendeurs - Dante And The Troubadours / Sequentia
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| | Eugene Watanabe Honens Laureate Series: Rediscovering America CD (2007)
DHM Splendeurs - Dante And The Troubadours / Sequentia
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Laureate of the 1996 Honens International Piano Competition, Eugene Watanabe was the first artist to graduate from The Curtis Institute of Music with degrees in two instruments, piano and violin. He has displayed his prowess on both instruments by playing concerto performances with each at Carnegie Hall, New York and the Kennedy Center, Washington, D.C. At another concert with the Utah Symphony, Watanabe ...
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