| | Reindeer Room Vol. III: Not So Silent Night CD
Reindeer Room Vol. III: Not So Silent Night Music | Category | Rock/Pop Albums, Rock CDs, Dance, Electronica, Easy Listening, Dance Collections, Holidays, Christmas, Oldies Collections, Christmas/ Chanukkah | | Label | Kriztal | | Orig Year | 2005 | | All Time Sales Rank |  155777  | | CD Universe Part number | 6751155 | | Catalog number | 3028 | | Discs | 1 | | Release Date | Sep 18, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Reindeer Room Vol. III: Not So Silent Night Songs Reindeer Room Vol. III: Not So Silent Night Review
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Purchase Reindeer Room Vol. III: Not So Silent Night CD To buy, Click on price to add to cart | Ornette Coleman Beauty Is A Rare Thing: The Complete Atlantic Recordings CDs (1993) Box Set
Reindeer Room Vol. III: Not So Silent Night album
 $76.49 
Digitally remastered by Stephen Innocenzi (1993, Atlantic Studios, New York).
All songs written by Ornette Coleman except "Embraceable You" (George Gershwin/Ira Gershwin), "Abstraction" and "Variants On A Theme Of Thelonius Monk" (Gunther Schuller).
BEAUTY IS A RARE THING was nominated for Best Album Notes in the 37th Annual Grammy Awards.
BEAUTY IS A RARE THING contains Ornette Coleman's entire surviving recorded output for the Atlantic label from 1959-1961 (a number of other sessions were recorded, but they were destroyed, along with countless other priceless Atlantic masters, in their infamous warehouse fire of the mid-1970s.) BEAUTY IS A RARE THING features over seven hours of music, six previously unreleased tracks, and contains a booklet of photos, a discography and contemporary commentaries by Ornette Coleman and a host of supporters and detractors.
This epic 6-CD set chronicles the joy and controversy that distinguished alto saxophonist Ornette Coleman's coming out party on Atlantic Records. Coleman was a transplanted Texan, a jazzman steeped in the blues, who struggled throughout the '50s on the Los Angeles scene just to find people to play with--let alone to accept his very personal sense of pitch and form. A prodigious composer, Coleman had accumulated hundreds of tunes by the time he made his first two albums for Contemporary, and began recording for Atlantic in 1959 with THE SHAPE OF JAZZ TO COME.
As a result, this music seems suspended in time and space between epochs: casting fond backwards ...
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Reindeer Room Vol. III: Not So Silent Night CD music
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| | Dimitri From Paris After The Playboy Mansion CDs (2001)
Reindeer Room Vol. III: Not So Silent Night music CDs
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This is a continuous in-the-mix CD compiled and mixed by Dimitri From Paris.
Despite emerging from the same fertile late-'90s Paris dance scene that spawned Mirwais, Air, and Daft Punk, Turkish-born Dimitri From Paris's influence can be traced to the late-'70s heyday of house music pioneer Larry Levan. AFTER THE PLAYBOY MANSION affirms this fact, its two CDs packed with a continuous stream of remade classics and vintage nuggets remixed by a who's who of dance music producers. Even though Dimitri tagged one CD "Laidback" and the other "Uplifting," both labels are misleading as all these cuts are packed with solid grooves that grab the listener up regardless of tempo.
Among the far-flung cuts featured on "Uplifting" are De La Soul's breezy, Iberian-flavored "(It Ain't) All Good" featuring Chaka Khan, the jazz flavors of Next Evidence's "The Body Theme," and Alexkid's chugging, Ibiza-flecked space-techno shuffle "Bienvenida." Other notable tracks include Dimitri's re-edit of the Harold Melvin & the Blue Notes classic ...
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Recorded between 1968 & 1973. Includes liner notes by Dave Thompson.
All tracks have been digitally remastered.
This is part ...
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Reindeer Room Vol. III: Not So Silent Night music CDs
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Dave Brubeck's TIME OUT ranks alongside Miles Davis' KIND OF BLUE as one of the few advanced jazz masterpieces to achieve great commercial success. In fact, the widespread popularity of TIME OUT, with its cool-toned ambience, smooth style, and elements borrowed from classical music, helped make modern jazz a mainstream phenomenon.
The ubiquitous "Take Five" may be overplayed, but that doesn't diminish the joy of its complex melodic hooks, its perfectly executed solos, or the swinging slink of its 5/4 signature. "Blue Rondo a la Turk" collages Mozart, cool swing, and Brubeck's own classically oriented piano style, and the airy, delicate "Everybody's Jumpin'" showcases the lyrical splendor of saxophonist Paul Desmond. With bassist Gene Wright and drummer ...
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Reindeer Room Vol. III: Not So Silent Night songs
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