| | Interpol Antics CD Interpol Discography of CDs
(7 Customer Reviews)
The title of Interpol's second album, ANTICS, may conjure up images of carefree adventure, but anyone familiar with the New York City band's brooding post-punk sound knows that there's nothing lighthearted about their music. Although it's not a radical departure, ANTICS does reveal a broadening of the group's sonic palette. The opening track, "Next Exit," is a slowly building, piano-laden anthem, marked by singer Paul Banks's remarkably widened vocal range and strangely hopeful lyrics. Clearly the group is eager to move beyond the endless Joy Division comparisons they previously garnered, and this bid works to wonderful effect. Of course, many of the elements that made their debut, TURN ON THE BRIGHT LIGHTS, so entrancing--soaring guitar riffs, tight bass lines, frenetic drumming--are still present, particularly on "Narc" and "Slow Hands," but even these tracks aren't merely content to repeat past glories. A solid album that improves upon its predecessor, ANTICS sees Interpol shaking off the mixed blessing of being the Next Big Thing, and hitting a new creative stride.Rolling Stone (p.96) - 4 stars out of 5 - "ANTICS achieves a tunefulness that warms and broadens Interpol's music, and helps them establish an identity distinct from their dolorous influences." Rolling Stone (p.144) - Included in Rolling Stone's Top 50 Records Of 2004 - "Interpol energize their post-punk with less-bleak lyrics and more-substantial tunes on ANTICS." Spin (pp.107-8) - "Banks has created a romantic persona worthy of Bryan Ferry....[T]here's some air in the arrangements - the album feels confident and spacious..." - Grade: A- Spin (p.67) - Ranked #9 in Spin's "40 Best Albums of the Year" - "Banks lays the closing-time mojo on heavy....Assured..." Entertainment Weekly (p.73) - "[A]mong the free-associated lyrics about hurting hearts and, literally, ship in the night is a band that's just begun to excavate the crevices of their cold, dark souls." - Grade: B+ Uncut (p.98) - 4 stars out of 5 - "[A]ngular and intense....This is cut to perfection: exhilarating, morbid, romantic, cool." Uncut (p.76) - Ranked #40 in Uncut's "Best New Albums of 2004" - "Thrillingly morbid and yet somehow coldly sexy." Magnet (p.67) - Ranked #12 in Magnet's "The 20 Best Albums Of 2004" - "ANTICS swells with broad-shouldered choruses and frontman Paul Banks' romantic verse." CMJ (p.42) - "[I]ncorporating some surprisingly effective disco elements, where the totally underrated rhythm section really shines." Mojo (Publisher) (p.116) - 3 stars out of 5 - "ANTICS certainly packs the same wired punch as their first album..." Antics Music Review Average Rating: (4.6 out of 5 stars)    List All Reviews Joy Division lite? Yeah I know we've heard the Joy Division comparisons before. Not as dark or visceral as JD - sort of the lighter moments of JD, if that's not too difficult to comprehend, without the dank Manc landscape of the late 70's looming in the background. As if Ian Curtis (RIP) had moved away from the brink of despair and started to cheer up a bit. Submitted by Paul C (Merseyside, England) Was This Review Helpful? Yes No 1 of 1 found this helpful.
an execellent recording One of the best if not the best albums of 2004. They are clearly a band influenced by 80's bands like The Cure and Joy Division. The best songs on this album are Evil and Narc. Can't get much better than this
Submitted by Joey (Chino hILLS, Cal) Was This Review Helpful? Yes No
21st century CHAMELEONS U.K. Ahhh, just like the tunes I heard back in college. Joy Div., Chameleons though not as melodic. THis music is like a suit, never really goes out of style. Can glam rock lovers dig this?? Hope not. Submitted by videorevolution (Norfolk, VA) Was This Review Helpful? Yes No
AWSOME!!! This is definitly one the best CD's I have ever listened to. Worth all the money you pay for it. This albulm just seemes to get better and better each time you listen. Remember-you can always e-mail me, if you don't agree Submitted by Tyler_the_belk17 (Garland UT) Was This Review Helpful? Yes No
Good enough to make you cry You know that girl, the smart, beautiful one who just broke up with you, leaving you heartbroken but somehow a little wiser? This is the record you listen to to remember her, forget her, toast her, curse her. Interpol's 2nd official release is sad, and hopeful, moody and melodic. The music is dramatic and focused and the guitars have a heck of alot more direction this time. They are incredible live. Submitted by meamprojects (Montreal, Canada) Was This Review Helpful? Yes No
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Purchase Antics CD To buy, Click on price to add to cart | Interpol Turn On The Bright Lights CD (2002)
Antics
$9.95 Vocals which fall somewhere between Ian Curtis's plaintive, edge-of-oblivion wail and the winking, laconic drawl of James's Tim Booth, ripping uncompromisingly through unpredictable, unforgettable lamentations from the reflective ("NYC") to the imploring ("PDA"). When the darkly etched, implosive, mournful lyrics poke out as they do on the unrelenting "Obstacle 1" ("she puts the weights into my little heart and she gets in my room and she tears it apart"), the hook is set for an important debut by a band that portends to be around a while.
The stunning debut album that incorporates so many postpunk influences: Joy Division, Television, Morrissey, . Includes the bonus track "Specialist".
To make music marked distinctly of a specific period that's somehow so compelling as to be timeless is no mean feat. Interpol initially sounds as if they must have been roaming about Manchester as the 1970s screamed to a close, yet they emerged across the ocean in New York City some two decades-plus later. ...
| | Postal Service Give Up CD (2003)
Antics
$11.55 A side project from Death Cab For Cutie frontman Ben Gibbard and Jimmy Tamborello, who formerly played with synth-poppers Figurine but now records as Dntel, the Postal Service creates bedroom electronica with surprising emotional pull on GIVE UP. Ten tracks lyrically convey both a youthful ennui and the nostalgic ache of longing. Tamborello creates a tense sonic space that allows Gibbard's spare yet careful guitar to occasionally chime in and cut the tension.
While Tamborello's sculpted electronics hearken back to the minimalism of early Depeche Mode, Gibbard's expressively fey vocals and emotional sentiments lend a warm, comforting contrast to the machine-age ...
| | Franz Ferdinand CD (2004)
Antics
$8.99 The centerpiece is "Take Me Out" (a U.K. top ten hit), which plays out a series of come-ons between rival assassins, over what begins as a sneering slice of mid-1990s Britpop, only to morph into a funky dance-floor tune. Kapranos is often quoted as saying that the band was started in order to "make music that girls can dance to," but this unusually assured debut is quite likely to affect discriminating boys in exactly the same way.
On their self-titled debut, Glasgow foursome Franz Ferdinand lift the jagged, danceable sounds of British post-punk to elegant and dizzying new heights. While they may seem to have much in common with the wave of American bands emerging in the early 2000s, Franz Ferdinand demonstrates a close study of the genre and proves its prowess. If the Rapture is a rowdy kegger in a Brooklyn loft, then Franz Ferdinand is a gin-soaked dance-off at an outdoor European cafe where no table remains untipped. As disciples ...
| | Arcade Fire Funeral CD (2004)
Antics
$11.89 Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul gets worked into these grand anthems. Chassagne delivers some spellbinding vocals on "Haiti," while the tinkling piano and strings on "Crown of Love" conjure up a heartbroken surfside prom. In 2004, this made many critics' year-end lists, and it's no wonder--the songs on FUNERAL are so packed with unique instrumentation, mesmerizing build-ups, and galvanizing tempo changes that they seem culled from some enigmatic, decade-spanning rock anthology.
This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. ...
| | Bloc Party Silent Alarm CD (2005)
Antics
$10.79 On this immensely appealing debut, SILENT ALARM, the London-based quartet Bloc Party fulfills the promise of their barnstorming 2004 singles "Banquet" and "She's Hearing Voices." Led by magnetic frontman Kele Okereke, the band extracts the most fascinating aspects of the previous 25 years of British indie rock and fuses them into a new entity--complete with smarts and heart--never delving into retro-kitsch or slavish imitation.
Okerere's urgent yelp most often recalls a fired-up incarnation of the Cure's Robert Smith, but the sounds the group creates echo everything from Gang of Four's staccato militarism ("Banquet") to the reverberating guitars of the Chameleons ("Price of Gas"). At times, Bloc Party also recalls the ecstatic soundwashes of early-1990s cult pioneers like Ride ("Plans") and Slowdive ("Compliments"). Lyrically, Okerere tilts toward an endearing adolescent pessimism that, even when ...
| | Arctic Monkeys Whatever People Say I Am, That's What I'm Not CD (2006)
Antics
$11.59 Reportedly the fastest-selling debut in British history at the time of its early-2006 release, the Arctic Monkeys' WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT is a brash, hook-filled album that immediately warrants music fans' attention, if perhaps not all of the pre-release hype. Clearly taking notes on the evolution of U.K. punk, the Sheffield-based band reveal the influence of revered predecessors such as the Jam and the Clash, while most notably evoking the Libertines in ...
| | Shaken Not Stirred: Selections For The Hi-Life CD (1996)
Antics
$10.69
| | Miami Mass Choir Just 4 You CD (2000)
Antics
$14.29
| | Stereolab Groop Played "Space Age Bachelor Pad Music" CD (1995) Reissue
Antics
$10.15 The two styles are presented separately, in relatively short pieces, rather than combined into the lengthy sonic melanges of their other albums. Most of the brief pieces, such as the two title tracks--each subtitled "Mellow" and "Foamy"--work best in the context of the whole, but some of the longer songs, particularly the sarcastic "Ronco Symphony" and "We're Not Adult-Orientated," are among the prolific band's best.
Released in 1993, nearly two years before the smirky lounge revival made "Space Age Bachelor Pad Music" ...
| | Jon Dee Graham Escape From Monster Island CD (1997)
Antics
$9.79
| | John Patton Way I Feel CD (2004) (Import) Japan; 24 Bit Remastered; Mini LP Sleeve
Antics
$39.19
| | Mike Doughty Skittish/Rockity Roll CDs (2004)
Antics
$8.65 This double-disc set brings together two solo albums by former Soul Coughing frontman Mike Doughty. Doughty's nasal twang and associative, image-filled lyrics made Soul Coughing one of the most distinctive cult bands of the 1990s, and those qualities are in full flower on the singer/songwriter's solo efforts. But Doughty's outings differ from Soul Coughing's funky, busy, sample-based music with their stark and stripped-down feel.
With only his acoustic guitar as accompaniment, Doughty creates a dark and mesmerizing ambience on SKITTISH, leaving ample room ...
| | Michael Mayer Immer 2 CD (2006) (Import) Germany
Antics
$15.05
| | Eric Lann Cap Frehel CD (2006)
Antics
$16.29
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