| | Maximum Kraftwerk: The Unauthorised Biography Of Kraftwerk CD Kraftwerk Discography of CDs
MAXIMUM KRAFTWERK compiles rare and exclusive interviews with the legendary German techno-pop group.
Audio CD book on a full color picture CD. Contains a biography, complete with commentary & interview excerpts. Comes in a full color slipcase with an eight page photo booklet & one-sided, 10 inch x 10 inch full color poster. Chrome Dreams. 2004. Maximum Kraftwerk: The Unauthorised Biography Of Kraftwerk Music Maximum Kraftwerk: The Unauthorised Biography Of Kraftwerk Songs | 1. | Introduction - The Sound of the Future |
| 2. | Deutschland Unter Alles |
| 3. | 'K' Word, The |
| 4. | Death of the Musical Instrument, The |
| 5. | Motorway Melodies |
| 6. | I, Robot |
| 7. | Invisible Pop Stars |
| 8. | How We Invented Dance Music by Mistake |
| 9. | Moogs in the Mud |
| 10. | Future of the Sound, The |
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Maximum Kraftwerk: The Unauthorised Biography Of Kraftwerk Review
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become ...
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the ...
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Vance Koenig and Don V. Lax met on the island of Maui, Hawaii, where they perform as a duo at the world-famous resort The Four Seasons, Wailea. Their diverse backgrounds and unique talents blend to form the alchemical magic of Apassionata-a musical union of eclectic variety, focused mastery and perfectly harmonized expression. This is the music of passion, moving the listeners in their deepest core.During their nightly performances at Four Seasons, Koenig and Lax have often been requested to play the music of Andrea Bocelli.Don V. Lax began playing violin at age five, while living in Karachi, Pakistan. His Rumanian father gave him his first lessons, until the family moved to Bombay, India, where a classically trained teacher was found. Continuing his studies, Lax attended music conservatories in Paris and Rome, culminating in 1975, when he decided to explore music beyond the classical realm.Throughout Europe and Greece, he played in many settings-solo, and with various groups-performing every kind of music-from classical and gypsy to jazz, rock and popular folk melodies. Lax has also composed many original tunes, blending his Rumanian heritage, world influences and classical background.Since moving to America, he has performed and recorded ...
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Sophie Milman exudes confidence in her second CD as a leader, though she draws material from a much wider range of music styles for this session. The singer is still a fine interpreter of standards and show tunes, offering a flirtatious "People Will Say We're in Love" as a solid opener and ...
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