| | Stephen Cummings Close Ups CD - Import Stephen Cummings Discography of CDs
Close-Ups is a surprisingly affectionate return by Stephen Cummings to his back catalog in a spontaneous acoustic setting. By recalling songs he hasn't played in 25 years and reconsidering some of his finest moments as a solo artist, Stephen Cummings has arguably arrived at his definitive album. Liberation. 2004. Stephen Cummings Close Ups Songs | 1. | How Come |
| 2. | Hell |
| 3. | She Set Fire to the House |
| 4. | Don't Throw Stones |
| 5. | Suspicious Minds |
| 6. | Who Listens to the Radio |
| 7. | Twist Senorita |
| 8. | When Love Comes Back to Haunt You |
| 9. | Strangers on a Train |
| 10. | Big Room |
| 11. | Walk Softly But Carry a Big Stick |
| 12. | Fell From a Great Height |
| 13. | Carrying a Torch For You |
| 14. | Live Work and Play |
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Close Ups Review
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Purchase Close Ups CD To buy, Click on price to add to cart | Michael Jackson Dangerous CD (1991) Remastered; Special Edition
Close Ups album
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Principally recorded at Record One Studios & Larrabee Studios, Los Angeles, California. Originally released on Epic/Sony (45400).
Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
After a lengthy gap of nearly five years, Jackson had to pull something out of the bag. BAD was, after all, a difficult act to follow, and the press were trying to prove he was bonkers. This was a pretty decent attempt and fell in with the hard dance beat of the early 90s. "Heal The World" was much like the old ...
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Among white blues singers of the 1960s, there were some who studied the music so intently they amazed even the genre's creators with their technical mastery. A select few, however, seemed to be born oozing authenticity, sounding just ...
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Close Ups music CDs
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For punk, metal or hard rock bands, the unplugged album is the one that shows whether they've been succeeding simply on energy and volume, or because of real talent. (Anyone ...
| | Michael Jackson Greatest Hits: History Vol. 1 CD (2001)
Close Ups songs
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Includes liner notes by Elizabeth Taylor, Jacqueline Kennedy Onassis, Steven Spielberg, Michael Jackson.
Having spent most of the '90s laying low, Michael Jackson spent much of the latter part of 2001 reintroducing himself to the public with a studio album (INVINCIBLE) and deluxe reissues of his Epic Records canon. Also released was GREATEST HITS: HIStory VOL.1, essentially Disc 1 of the similarly named 2-CD 1995 anthology HIStory: PAST, PRESENT & FUTURE BOOK 1. Regardless of how obvious the strategy of flooding the market with past and present material may have been, there's no denying how the contents of the GREATEST HITS package go a long way towards supporting the moniker of the self-proclaimed King Of Pop.
Amid rumors of rampant eccentricities, MJ plowed ahead crafting memorable numbers ranging from infectious dance numbers ("Wanna Be Starting' ...
| | Green Day 21st Century Breakdown CD (2009)
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Still enamored of the concept of the concept album more than four years after AMERICAN IDIOT, Green Day unveiled its rock-opera sequel, 21ST CENTURY BREAKDOWN, in 2009. Like its predecessor, BREAKDOWN wholeheartedly embraces the iconic punk-pop act's shift to a stadium-filling sound, while also remaining loyal to the San Francisco-based trio's progressive sociopolitical outlook. Even with a president in the White House that outspoken frontman ...
| | Essential Michael Jackson CDs (2005)
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The title might sound like hyperbole, but this two-disc collection is, in fact, a pretty fair summation of Michael Jackson's career up to 2005. Of course, it's impossible for two discs to hold every hit single Michael Jackson has ever had, but THE ESSENTIAL MICHAEL JACKSON starts with the Jackson Five's debut single, "I Want You Back," and ends 38 tracks later with the 2001 ...
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| | Flight Crash Companion Untitled Winter CD (2007)
Close Ups songs
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It's hard to not feel painfully uncool writing your own "bio". It either comes out boring, pretentious, cheesy, or a combination of all three. However, since I enjoy knowing more about the bands I listen to, I feel like I owe it to my fans to write this [ Pretentious statement #1 ! ]With that rather lengthy caveat aside, here are the facts. Just the facts, jack.Flight Crash Companion is a "bedroom band" consisting of one member, Evan Cooney (that's me). I write and record all the music, press my own records, run the websites, and do the promotion. The operation is run from whatever New York apartment I happen to be living in. The sound reflects a broad taste in music. Sometimes its down-tempo melancholy lo-fi folk, sometimes it's loud and aggressive indie-rock. I occasionally throw together a line-up of all-stars and play a show. My idea of "making it" is supporting myself with my music. That's my only real goal in life. Me me me.The Longer (more boring, more pretentious) VersionI started this project as a supplement to bands I used to play in. I'm not terribly keen about playing in traditional bands anymore (the ego clash, the battle for control, the disproportion of commitment, the schedules) so FCC provided a nice little outlet for my own musical ideas. The first direction I went with was a down-tempo, mostly melancholy pseudo-trip hop sound. The result was my first EP, 2005's But Will It Sell ? I certainly like this kind of music, but on reflection, those songs were really just a byproduct of two things: 1) being easy to make in my bedroom 2) being easy to sing. Up until that point my role in most bands had been drummer / songwriter / producer, but never singing and rarely playing guitar, and this format provided a painless transition to the spotlight. So did But Will It Sell? actually sell? Uhm, no. But it taught me a lot about making a real album and getting it out to the world.In the following months, I discovered a computer program by Native Instruments entitled Battery. It's a tool that allows musicians to creates realistic drum sounds without the use of a drummer. It changed my life. No longer did I have to go to the considerable trouble of recording real drum parts. This immediately infused a "live" feel into my music which impacted the writing immensely. I also consciously began exploring more hookier choruses and less abstract song structures. The result was 2006's "An Untitled Summer". The album was recorded over the summer while I was living at my Dad's house in PHL, getting by on New York unemployment checks. And partying with some great friends�a lot. (Thanks Fish, Frank, Davo, Nick and Collin for a truly awesome summer)After getting my shit together I moved back to NYC and began work on "An Untitled Winter". This record is the one I'm most proud of by far. It's a lot heavier than the earlier stuff, and the songwriting plus production quality is definitely on another level. So far it has sold modestly, and has also landed two prime-time placements ...
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