Pig Destroyer Terrifyer CD

Pig Destroyer: J. R. Hayes (vocals); Scott Hull (guitar, bass guitar); Brian Harvey (drums).
Additional personnel: Katherine Katz (vocals); Matthew Mills (guitar); Richard (Grindfather) Johnson (background vocals).
Of the three highly anticipated sophomore albums to come out on Relapse in the second half of 2004 -- the other two being the Dillinger Escape Plan's ghastly Miss Machine and Mastodon's good but slightly over-ambitious Leviathan -- Terrifyer is the one that really lives up to the pre-release hype and expectations. Coming three years after their proper debut full-length, A Prowler in the Yard, Terrifyer was billed early on as a two-CD concept album that would consist of one disc of short, blasting metal songs in the familiar Pig Destroyer style, plus another disc with a single extended, more experimental track. It's a similar set-up to Naked City's Black Box, which paired the hyper, cut-and-paste grindcore of Torture Garden with the slow, torturous Leng T'ch'e. The difference is that while Naked City were essentially avant-garde and never fully convincing as a metal band, Pig Destroyer is the real deal. The first disc builds on the style established with Prowler, dishing out 20 short, fast, abrasive grindcore songs, which fly by in around half-an-hour. If anything, these songs are tighter, heavier, and more punishing than the already formidable Prowler, and with an equally superb (and relentless) sense of pacing. Vocalist J.R. Hayes has diversified his delivery, adding in some wounded near-singing that's reminiscent of Today Is the Day's Steve Austin in places. Guitarist Scott Hull is a riff-master on par with the Melvins' King Buzzo and the guys in Carcass, and Brian Harvey tears up the drum kit with some of the most savage percussion work around (sans any cheap triggers or samples). The second disc contains just one track, "Natasha," a half-hour of slow, post-Melvins sludge interspersed with ambient electronic sounds and electro-acoustic samples. Note that you will need a DVD player to play this disc, as it's mixed in 5.1 Surround Sound and will not play on an ordinary CD player. Even if you consider the second disc as simply a bonus, this album is a must for death metal and grindcore fans as well as anyone else with a passing interest in the genre. ~ William York
Pig Destroyer aren't out for the middle of the road presentation with this album given the Ralph Steadman/Gerald Scarfe-styled cover art, then again it's hard to see how they would be interested in that approach in the first place. Perhaps thankfully, the cover's nowhere near as grotesque to look at as the cover of Prowler in the Yard. That said, the music? Now that high-speed grindcore of any variety is about to move into its third decade of existence, it'll take accomplished performers to step up to the plate, and this trio does have the goods -- the main album itself is over 20 tracks in 32 minutes and completely nails it in terms of strong, honestly memorable performances. Where so many groups rely on undifferentiated blur, guitarist Scott Hull and drummer Brian Harvey are masters of brief, brilliant riffs and drum blasts that are memorable hooks as much as sheer rampage. The stop-start on-a-dime switches between the songs make the entire album one long but constantly changing listen. Songs like "Gravedancer" and "Carrion Fairy" are practically classic rock in ways and all the better for it, welding together a slew of familiar styles into something memorable in its own right. Even the sudden dropout on "Lost Cause" to a dramatic, hard to fully understand conversation/shouting match between two people acts as a needed deep breath before returning to the pit. What fans may be even more intrigued by is the bonus second disc, an audio DVD presentation called "Natasha" even longer than Terrifyer by five minutes. Pitched somewhere between a very long song and a movie without visuals (the presentation was mixed in 5.1 sound for those with such a setAlternative Press (p.110) - "[A]ll their songs are condensed into 90-second blastbeat clinics that make every riff sound like the best one you've ever heard." - 4 out of 5
The Wire (p.57) - "Their stripped down presentation keeps the listener's focus where it belongs - on the sounds. And that's where they do their serious damage....The visceral impact of TERRIFYER is breathtaking."
CMJ (p.17) - "Twenty-one efficient, bloody grindcore songs are crammed into TERRIFYER's 32 minutes..."