| | Blade Trinity Blade: Trinity Soundtrack CD (1 Customer Review)
The BLADE movies present a murky, night-enshrouded world plagued by vampires and protected by the complex, flawed hero Blade (Wesley Snipes). The third installment of the comic-book-based series, BLADE: TRINITY, features a soundtrack that continues the tradition of assembling an excellent collection of enigmatic musical acts to add to the sinister, action-oriented mood.
Four of the album's first five tracks feature various members of the Wu-Tang Clan (a fitting match considering the collective's rich mythology), starting with the arresting track, "Fatal," by the RZA, one of the best young film composers in the business (GHOST DOG, KILL BILL). The sly "Thirsty" presents one of the last vocal tracks by the incomparable Ol' Dirty Bastard. (ODB passed away shortly before the soundtrack's 2004 release.) The staggeringly bizarre Kool Keith provides a transition, with his morbid hip-hop group Thee Undatakerz, on the pulsating "Party in the Morgue." From there, the record takes a more electronic note, highlighted by the Crystal Method's grinding "Weapons of Mad Distortion." BLADE: TRINITY closes in a more traditional mode with a track from the film's score by Ramin Djawadi, which still mirrors the essence of the richly divergent soundtrack in its dynamic approach.
Liner Note Author: David Goyer. Blade: Trinity Soundtrack Music | List Price | $16.97 (You save $2.68) | | Category | Rock/Pop Albums, Soundtrack CDs | | Label | New Line | | Orig Year | 2004 | | All Time Sales Rank | 199242  | | CD Universe Part number | 6792046 | | Catalog number | 39039 | | Discs | 1 | | Release Date | Nov 23, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Edited |
Blade Trinity Blade: Trinity Soundtrack Songs Blade: Trinity Soundtrack Music Blade: Trinity Soundtrack Music Review Blade: Trinity Soundtrack CD Purchase Music From Blade: Trinity CD To buy, Click on price to add to cart | Linda Eder Soundtrack CD (2009)
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Bowing in 1993 with his low-budget film "El Mariachi," director/writer Robert Rodriguez quickly established himself as a Sergio Leone for the '90s. His plot revolved around a nameless hero clad in black, wandering around the same landscape Clint Eastwood coolly traversed in Leone's spaghetti westerns of the 1960s. DESPERADO is Rodriguez's big-budget sequel, and much like his friend Quentin Tarantino, music is as vital to the vibrancy of his film as casting is.
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$13.69 Despite an abundance of talent, a crack back-up band (which included most of Graham Central Station), and some of the most stinging funk tracks of the era, it's really not all that surprising that Betty Davis never became a star: the girl was a stone-cold freak, and her self-titled 1973 debut more than illustrates that fact. Second wife to Miles Davis and Jimi Hendrix's former girlfriend, Davis is often credited (by Miles himself in fact) with steering Miles toward the sounds that would give rise to his fusion period, and one listen to the acid-tinged wah-drenched guitars on the album's opening track, "If I'm in Luck I Might Get Picked Up," makes it clear that Betty was on a decidedly different trip than almost all of her contemporaries. The album can be quite odd, yet Davis is so unhinged and brimming with such confidence (particularly on the cult fave "Walkin' up the Road") it's impossible not to be amazed. Frustratingly, Davis remains in relative obscurity to this day despite providing the template for the sexually confident female performer that has been used by Lil'Kim, Foxy Brown, and Kelis, among others.
2007 digitally remastered reissue of the 1973 debut album from Funk diva Betty Davis (not to be confused with the actress Bette 'Mommie Dearest' Davis). In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over the intensely strong but sensual funk of Betty Davis. One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of this R&B pioneer. In addition to the restoration of the incredible original cover art, the albums feature compelling and heartbreaking liner notes written by author and respected soul music scholar Oliver Wang (O-Dub/Soul Sides) ...
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