| | Lesbians On Ecstasy CD Lesbians On Ecstasy Discography of CDs
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Lesbians on Ecstasy: Bernie Bankrupt, Jackie The Jackhammer, Veronique Mystique, Fruity Frankie.
Personnel: Beckie Foon (cello); Orson Presence (keyboards).
Additional personnel: Becky Foon (cello); Orson Presence (keyboards).
Audio Mixers: Orson Presence; Aidan Girt; Lesbians on Ecstasy.
Recording information: Hotel2Tango, Montreal, Quebec, Canada (06/2004); Parc Estates (06/2004).
The Montreal trio Lesbians On Ecstasy play a potent mix of techno, metal, and punk rock on a set that includes a twisted electro spoof on K.D. Lang's "Constant Craving" and the erotic, swooning, "Manipulation." Their sound is tough, clubby, and sexy.
It sounds like the sort of high concept joke that's funny once -- maybe. Lesbians on Ecstasy, as their name suggests, take feminist rock classics from the past and retool them for the modern-day dance floor. But their album doesn't just take the Olivia Records catalog in toto and put a house beat behind it; Lesbians on Ecstasy is more clever and subversive than that. Rather than actually covering these songs, the quartet takes elements from them and twists them in sly, suggestive new directions: k.d. lang's torchy classic "Constant Craving" turns into the ironic Laibach-style industrial stomp of "Kundstant Kroving," for example, and the Parachute Club's cheerleading "Rise Up" becomes the suggestively throbbing "Parachute Clubbing." The best of the lot is the creepy-sexy S/M take on Rough Trade's sexual politics primer "High School Confidential." Provocative on a level somewhere between, say, Le Tigre and Peaches, Lesbians on Ecstasy have created a noisy, gleefully sloppy brand of dance-punk with brains and humor. ~ Stewart Mason Lesbians On Ecstasy Music Lesbians On Ecstasy Songs Lesbians On Ecstasy Review
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Purchase Lesbians On Ecstasy CD To buy, Click on price to add to cart | Francoise Hardy CD (2000) (Import) Sweden
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| | Mccoy Tyner Blue Bossa (LRC) CD (1991)
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Personnel: McCoy Tyner (piano); Claudio Roditi (trumpet, flugelhorn); Avery Sharpe (bass); Aaron Scott (drums); Raphael Cruz (percussion).
Recorded at Clinton Recording Studios, New York on February 11-12, 1991.
Personnel: McCoy Tyner (piano); Claudio Roditi (trumpet, flugelhorn); Avery Sharpe (bass); Aaron Scott (drums); Raphael Cruz (percussion).
Recorded at Clinton Recording Studios, New York, New York on February 11 & 12, 1991. Includes liner notes by Barry Levenson.
Personnel: McCoy Tyner (piano); Claudio Roditi (trumpet, flugelhorn); Aaron Scott (drums); Raphael Cruz (percussion).
Recording information: Clinton Recording Studios, New York, NY (02/11/1991/02/12/1991).
McCoy Tyner's CD for the budget label LRC finds his regular trio of the time (bassist Avery Sharpe and drummer Aaron Scott) augmented by percussionist Raphael Cruz and trumpeter/fluegelhornist Claudio Roditi on most of the tracks. Unfortunately, Cruz proves to be more of an unnecessary distraction, marring ...
| | Vienna Teng Warm Strangers CD (2004)
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Contains an untitled hidden track following "The Atheist Christmas Carol".
Personnel: Vienna Teng (vocals, acoustic guitar, piano, Wurlitzer piano, organ, marimba); Will Kimbrough (acoustic guitar, slide guitar); Jim Batcho (acoustic guitar, piano, drums, shaker, percussion, programming, background vocals); Robbie Shankle (oboe, English horn); Steve Herman (trumpet, flugelhorn).
Recorded at True Tone, Baldwin Piano Showcase, Anonymous Bridge, Nashville, Tennessee; Mission Street Studios, San Francisco, California.
Personnel: Vienna Teng (vocals, acoustic guitar, piano, prepared piano, organ, Wurlitzer organ, marimba, sound effects); David Henry (vocals, guitar, mandolin, cello, euphonium, horns, upright bass, background vocals); Will Kimbrough (acoustic guitar, slide guitar); Jim Batcho (acoustic guitar, prepared piano, drums, snare drum, cymbals, hi-hat, shaker, percussion, programming, background vocals); Jacob Lawson, Ned Henry (violin); Steve Herman (trumpet, flugelhorn).
Audio Mixers: David Henry ; Roger Moutenot.
Recording information: Baldwin Piano Showcase, Nashville, TN; Mission Street, San Francisco, CA; Nashville, TN; True Tone Recording, Nashville, TN.
Photographer: Glen Rose.
It was easy to heap accolades on Vienna Teng's debut recording, Waking Hour, and its impeccable set of songs that overflowed with intelligence and sensitivity. Coming out at a time when plucky, piano-banging youngsters like Vanessa Carlton were upstaging their more reflective predecessors like Sarah McLachlan, Teng's songs kicked up a little ...
| | Emerson, Lake, And Palmer Brain Salad Surgery (K2HD) CD (2005) (Import) Japan; 24 Bit Remastered; Mini LP Sleeve
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"Toccata" is an adaptation of the 4th Movement of Alberto Ginastera's 1st Piano Concerto. The 1996 reissue of BRAIN SALAD SURGERY includes "The Making Of Brain Salad Surgery," anecdotes about the session recorded in 1996.
Emerson, Lake & Palmer: Keith Emerson (accordion, piano, harpsichord, organ, Moog synthesizer); Greg Lake (vocals, guitar, bass); Carl Palmer (drums, electronic drums, percussion).
Principally recorded between June and September 1973. Originally released on Manticore/Atlantic (MC-66669). "The Making Of Brain Salad Surgery" recorded in 1996. Includes liner notes by Jerry McCulley.
The progressive rock power trio Emerson, Lake, and Palmer best known for this classic album, BRAIN SALAD SURGERY.
Special 2005 24bit K2 High Definition.
CD comes in Jpn LP Sleeve.
Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did. Indeed, "Karn Evil 9" is the piece and the place where Keith Emerson and his keyboards finally matched in both music and flamboyance the larger-than-life guitar sound of Jimi Hendrix. This also marked the point in the group's history in which they brought in their first outside creative hand, in the guise of ex-King Crimson lyricist Pete Sinfield. He'd been shopping around his first solo album and was invited onto the trio's new Manticore label, and also asked in to this project as Lake's abilities as a lyricist didn't seem quite up to the 20-minute "Karn Evil 9" epic that Emerson had created as an instrumental. Sinfield's resulting lyrics for "Karn Evil 9: First Impression" and "Karn Evil 9: Third Impression," while not up to the standard of his best Crimson work, were better than anything the group had to work with previously -- he was also responsible for Emerson's choice of title, persuading the keyboardist that the music he'd come up with was more evocative of a carnival and fantasy than the pure science fiction concept that Emerson ...
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Personnel: Robert Earl Keen, Jr. (vocals, acoustic guitar); Robert Earl Keen, Jr.; Denice Franke (vocals, background vocals); George Marinelli (electric guitar, background vocals); Joe Ely, Lloyd Maines, Marty Muse (pedal steel guitar); Riley Osborne, Riley Osborne (piano); Dave Durocher (drums, background vocals); Lyle Lovett, Nanci Griffith, Elliott Rogers (background vocals); Rich Brotherton, Mike Landschoot (acoustic guitar, electric guitar); Tommy Spurlock (acoustic guitar, lap steel guitar, gut-string guitar); Dan Huckabee (dobro); Danny Barnes (banjo); Michael Snow (tenor banjo, bodhran); Marty Stuart, Paul Sweeney (mandolin); Jonathan Yudkin (violin); Eamon McLoughlin (fiddle, viola); Bryan Duckworth (fiddle); John Hagen (cello); Jay Spell (accordion); Phil Richey (trumpet); Dan Augustine (trombone, tuba); Bill Schas (trombone); Ian McLagan, Nick Connolly (organ); Garry Tallent (upright bass, electric bass); Bill Whitbeck (electric bass, bass guitar); Tom Van Schaik (drums, percussion); Fred Gumaer (drums).
Recording information: ...
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