Singer-songwriter Dino Valente was a member of Quicksilver Messenger Service and a man about the scene in psychedelic 1960s San Francisco. Valente's one solo full-length, produced by Bob Johnson, is something of a cult item.
Dino Valente's sole album recalls the one issued by another San Francisco artist signed to CBS in the late '60s, Skip Spence: quirky, lyrically vague, folky yet psychedelic, and nearly devoid of commercial potential in spite of its largely pleasant (if moody) melodies and textures. Valente, however, was not as intriguing a lyricist as Spence, nor as intensely soulful a vocalist, and overall much sunnier in tone. Valente had a rather whiny voice, so it was wise to put so much echo on both his 12-string guitar (which accounts for most of the instrumentation on the record) and vocals, which both covered up some of his vocal deficiencies and added a sheath of mystery. Listening to his songs is like listening to some hippie trying to talk a vulnerable, confused, attractive girl, on the rebound from a failed romance, into taking up with him as a panacea to her problems: phrases are uttered and rejoinders offered, but one can't be sure exactly what the situation is or where it's leading. It's not the insufferable experience this description might lead you to expect, mostly because of the enticing (if similar-sounding) melancholy of the tunes. [The CD reissue added two previously unreleased tracks that are similar to the rest of the album in both mood and quality.] ~ Richie Unterberger
Repressing. UK pressing of this 1968 solo release from one of the most fascinating enigmas of the San Francisco Psychedelic scene, Valente is most famed as the author of the song 'Get Together' and as an original member of Quicksilver Messenger Service. RPM.
Recorded at Columbia Record Studios, Los Angeles, California from November 1967-April 1968. Originally released on Epic (26335). Includes liner notes by Ralph J. Gleason & Arthur Levy.
Producer: Bob Johnston.
Reissue producers: Barry Feldman, Dave Nives.
Liner Note Author: Nina Antonia.
Photographer: Jim Marshall .Uncut (p.120) - "A record of esoteric psych-folk beauty as idiosyncratically compelling and weirdly wonderful as anything by Skip Spence..." Mojo (Publisher) (3/01/04, p.52) - Included in Mojo's The 67 Lost Albums You Must Own! - "Emotional, aching and gloriously daft in places, its stream of lo-fi consciousness spawned generations of bedroom strumming by moody suicidal peaceniks." Record Collector (magazine) (pp.97-98) - 4 stars out of 5 -- "Valente's sole LP excursion into the then-vogue world of the singer-songwriter finds him conjuring
The Quicksilver guy Dino Valente was a very good songwriter who may have been misunderstood and not recieved his due. Thank God we have this gem to remember him by. Anyone who likes songwriters in the vein of Dylan, Cohen, or Townes Van Zandt will dig this guy. The Quicksilver albums he was a part of are hard to find and usually high priced Japanese issues. This one is low priced and sounds good. Submitted by budnell (Pineville, Louisiana, USA) Was This Review Helpful? YesNo This review is for a different format.
Dino Valente, Folk Rocks Unsung Hero Dino Valente was there when it all started.
In Grenwich Village with Bob Dylan at the
begining. Out in San Francisco in 64 and 65
for the begining on that scene. His influence
on performers of that era is legendary.
Unfortunately it never materialized into
mainstream fame. He was more of a gypsy flowing from one thing to the next.
What you have here is his one and only
solo effort. You really get to see the heart
and soul of Dino on this effort. This album
is just dino and his twelve string guitar.
a very personal look at an amazing artist. Submitted by chikarl (San Farncisco, CA) Was This Review Helpful? YesNo This review is for a different format.
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