| | Snow Patrol Final Straw CD Snow Patrol Discography of CDs
 (4 Customer Reviews)
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
Scotland's Snow Patrol formed in the mid-1990s, united by a love for both American and British alternative rock. Led by singer/guitarist Gary Lightbody, the band recorded two albums for the revered Jeepster label (home of Belle & Sebastian) before signing with A&M Records. FINAL STRAW, the group's major-label debut, finds Snow Patrol expanding its indie-rock guitar-based sound with greater focus on keyboards, strings, and fuller production values (courtesy of Garret Lee). Lightbody's charming vocals and lyrics provide the band's emotional center, as best evidenced on the wistful opener "How to Be Dead" and the slowly building "Run." Although Snow Patrol knows its way around quiet melancholy, the ensemble is also capable of rocking out ("Spitting Games," "Chocolate"), revealing an aesthetic that places the group squarely in the ranks of Coldplay, Travis, and other Britpop luminaries.
This CD/DVD DualDisc includes their entire album on CD, plus videos, video of Sessions@AOL: Interview and clip, photo gallery, bios, and credits, plus Advanced Resolution Surround Sound and Stereo, and Dolby Digital Surround Sound and Stereo.
Snow Patrol: Gary Lightbody (vocals, guitar, keyboards, glockenspiel); Nathan Connolly (guitar, background vocals); Mark McClelland (keyboards, bass instrument); Jonny Quinn (drums).
Additional personnel: Fiona McCapra, Alison Dods (violin); Bruce White (viola); James Banbury (cello, piano); Iain Archer (background vocals).Spin (p.65) - Ranked #23 in Spin's "40 Best Albums of the Year" - "Feel-good Britpop for nonbelievers."
Spin (p.100) - "[A]rena-ready songs about long good-byes with right-angled guitar fuzz."
Entertainment Weekly (4/2/04, p.66) - "[FINAL STRAW] proves the Irish quartet keeps getting better....The band has added pulsing strings and staticky textures to its luscious mix." - Rating: A
Magnet (p.108) - "[A] soaring, super-polished album replete with dreamy anthems, superior pop moments....All in all, pretty crafty. And pretty smart." Final Straw Music | List Price | $18.99 (You save $2.90) | | Category | Rock/Pop Albums, Rock CDs, Music Video, Alternative, DualDisc | | Label | Interscope | | Orig Year | 2004 | | All Time Sales Rank |  37265  | | CD Universe Part number | 6803046 | | Catalog number | 000375682 | | Discs | 1 | | Release Date | Dec 07, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Garret Lee | | Personnel | Gary Lightbody - vocals, guitar, keyboards, glockenspiel
Jonny Quinn - drums
Nathan Connolly - guitar, background vocals
Mark McClelland - keyboards, bass instrument
Also: Bruce White, James Banbury, Iain Archer, Fiona McCapra, Alison Dods, Alison Dods | | Additional Info | DualDisc |
Snow Patrol Final Straw Songs Purchase Final Straw CD To buy, Click on price to add to cart | Rob Thomas New York Christmas (2003)
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This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
After the untimely death of former enigmatic vocalist Bon Scott, AC/DC finally chanced upon a worthy replacement in the shape of former Geordie frontman, Brian Johnson. The result was more than the formal pastiche some expected, with Johnson stamping ...
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| | Rob Thomas Something To Be CD (2005) DualDisc
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This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
When Matchbox Twenty's first album became a hit, some critics lumped the band in with flash-in-the-pan rock acts of the day. What these early naysayers missed, of course, is that in vocalist Rob Thomas, Matchbox Twenty had one of the finest mainstream pop/rock songwriters in the business. Not only did Thomas rack up a string of hits with the Florida group, but he also co-penned "Smooth" from Santana's Grammy-winning 1999 comeback album, SUPERNATURAL.
With SOMETHING TO BE, his solo debut, Thomas pulls out all the stylistic stops, revealing that Matchbox Twenty's alternative-rock format provided a somewhat limited forum for his considerable talents. "Lonely No More" mixes an insistent dance beat with an insanely catchy chorus that sounds straight out of the boy-band textbook. The title track is a sly lyrical dig at poseurs of all stripes, backed by an 1980s electro-funk groove, while the burbling synths and Eastern percussion of "All That I Am" recall the world fusion ...
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This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
Often compared ...
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| | Willis Jackson Call Of The Gators CD (1950)
Final Straw music CDs
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Contains previously unreleased tracks and alternate takes recorded in 1950.
This 14-track entry from Delmark's Apollo series provides a useful roundup of tenor saxophonist Willis Jackson's earliest recordings as a leader. The set of jump blues and stomping R&B instrumentals showcases the young leader's hard-honking, leering style. Still a teenager at the time, Jackson recorded the performances for the New York-based Apollo label in 1949 and 1950, shortly after he came to prominence as a member of trumpeter Cootie Williams' band. While he seems made to measure for the role of "blowin' motherf*cker," Jackson's ballad playing reveals a more sophisticated player with a smoky Ben Webster style. This side of Jackson -- which became more evident later in his career -- comes across most notably on the ballad "Can't Help Lovin' Dat Man" and in the unhurried lope of "More Blues at Midnight." The players with Jackson are likeminded practitioners of good-time, bluesy backbeats, including pianist Bill Doggett and drummer Panama Francis. Two tracks feature Jackson with the Bobby Smith Orchestra and vocalist Eddie Mack, who reflects unrepentantly on the timeless themes of money, women, and drink. An unidentified guitarist (possibly Leroy Kirkland) on one of the Smith tracks contributes a brief swinging solo in the style of Tiny Grimes that proves to be one of the disc's high points. The medium-paced title track is another highlight. ~ Jim Todd
This 14-track entry from Delmark's Apollo series provides a useful roundup of tenor saxophonist Willis Jackson's earliest recordings as a leader. The set of jump blues and stomping R&B instrumentals showcases the young leader's hard-honking, leering style. Still a teenager at the time, Jackson recorded the performances for the New York-based Apollo label in 1949 and 1950, shortly after he came to prominence as a member of trumpeter Cootie Williams' band. While he seems made to measure for the role of "blowin' motherf*cker," Jackson's ballad playing reveals a more sophisticated player with a smoky Ben Webster style. This side of Jackson -- which became more evident later in his career -- comes across most notably on the ballad "Can't Help Lovin' Dat Man" and in the unhurried lope of "More Blues at Midnight." The players with ...
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Falling between the eclectic expanse of 1996's TINY MUSIC and the dark heaviness of 1999's NO.4, SHANGRI-LA DEE DA vacillates between ...
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| | Cafe Tacuba Un Viaje CDs (2005)
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The unique Mexican rock band Cafe Tacuba is not a household name in America, but on the evidence of the screams, cheers, and epic sing-alongs on the live double-disc UN VIAJE, the group holds superstar status in its native country, and rightly so. More fun than a carnival, Cafe Tacuba mixes traditional Mexican folk, ska, R&B, cabaret, punk, electronica, and everything in-between into a sonic blast as appealing as it is original. On paper, it doesn't seem as if this grab bag would hold up, but the band's experimental rock is amazingly ...
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