| | Status Quo Live CD Status Quo Discography of CDs
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An institution in their homeland, this self-titled release culls material from Status Quo's 1986 In the Army Now and 1988's Ain't Complaining sets (both of which managed to chart Top Ten in the U.K.). Ostensibly, yet another attempt to crack the U.S. market which had ignored the band since their late-'60s psychedelic classic "Pictures of Matchstick Men," it contains no less than five songs that were U.K. hits, including the number two "You're in the Army Now." It's all workman-like, blues-based rock & roll comparable to Creedence Clearwater Revival (in fact, there's a cover of Fogerty's "Rocking All Over the World"), but given a typical '80s production gloss that runs counter to the band's roots. There's nothing particularly compelling (or likely to attract those outside Status Quo's fan base); nonetheless, tracks like "Everytime I Think of You" and "Ain't Complaining are enjoyable enough workouts, as well as the Dave Edmunds-produced "Rollin' Home." ~ Tom Demalon
Recorded, with perfect timing, just as Status Quo hit their live peak, 1977's double Live album is, contrarily, a timeless reminder of just how much power and excitement was bound up in the band through the mid-'70s -- and on, in fact, into the early '80s. It would be several years before the group turned into the faintly embarrassing cabaret singalong that scarred the latter years of their career, a fact that Live broadcasts via a picture-perfect snapshot of the last calm before that particular storm. Touring to support 1976's Blue for You (U.S. title Status Quo) album, the band is still reaching back to the dawn of the decade for material. "Junior's Wailing" and "In My Chair" both date back to the tentative days of 1970, as Status Quo prepared to slide from psych to boogie without knowing whether there was even an audience for such a shock. The fact that there was, of course, would be celebrated with some of the most visceral singles of the decade. "Roll Over Lay Down," "Rain," "Don't Waste My Time," and, most impressively, "Caroline" all slough off well-loved 45s, to be transformed into veritable show-stoppers, while the LP epics "Forty-Five Hundred Times" and "Roadhouse Blues" receive marathon workouts that all but defy gravity. The mid-'70s were a golden age for double-live albums, and from Frampton Comes Alive to Thin Lizzy's Live and Dangerous, the era is littered with what now rank as classics. Status Quo's Live effortlessly takes its place alongside those most hallowed of halcyon howlers, and no matter what else the band might have become in later years, this is what they sounded like before that happened. Priceless. ~ Dave Thompson
Digitally remastered reissue approved by the band's official fan club! A UK No. 3 when first issued in 1976, this is a double CD which is now in the original concert running order for the first time. Mercury. 2005. Live Music Review Average Rating: (4.7 out of 5 stars)   lets go to a status quo concert there are to british hard rock bands that invented twin lead guitar thunder. one of them is wishbone ash and the other one is status quo. one listen to tis live album and there is no question as to why they named themselves status quo! they set the status!this band is a heavy bluesy boogie jam outfit who influenced both judas priest and iron maiden.lets go to a status quo concert in 1976 and hear one of the best live bands in history!just for their5 version of the doors road house blues this double cd is worth buying.for anyone who havnt heard status quo i reccomend this cd as an introduction.for anyone who loves live rock albums this is one of the masterpieces! Submitted by rusher55379 (minneapolis mn)  Was This Review Helpful? Yes No
One Of The All-Time Great Live Albums!!! I really can't add any more than what the other reviewers have said, except this: The album ranks with the great live albums of all-time, including UFO's "Strangers In The Night", Golden Earring's "Live", Thin Lizzy's "Live & Dangerous", Kiss' "Kiss Alive", and Peter Frampton's "Frampton Comes Alive". Live just doesn't get any better than these!!! If you like this list, then count on liking this Status Quo "Live". Submitted by S. Jenkins (Knoxville, TN, USA) Was This Review Helpful? Yes No
When Quo Were Premier League I'm surprised that no one has reviewed this yet, as it's one of the great live albums of all time. It also comes from a time when Quo were actually a phenomenal live outfit, full of power, energy and intensity. They weren't virtuosos but played heavy and very LOUD.
Listen to 'Caroline', 'Big Fat Mama' and 'Roadhouse Blues', and turn up the volume as high as you can for maximum effect. Submitted by S J (Woking) Was This Review Helpful? Yes No
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Purchase Live CD To buy, Click on price to add to cart | Black Sabbath Master Of Reality CD (1971)
Live
$8.95 The album's opening track, "Sweet Leaf," a salute to one of the band's favorite smokeable substances, contains one of metal's heaviest guitar riffs, courtesy of Tony Iommi. Another eternal band favorite is the grim, post-nuclear war tale "Children of the Grave." Vocalist Ozzy Osbourne is in fine voice on "After Forever" and "Lord of this World," while the more tranquil "Solitude" and the instrumental Iommi compositions "Embryo" and "Orchid" offer a bit of variety. Though not quite as influential as PARANOID, MASTER OF REALITY remains one of heavy metal's founding gems.
While other frontrunners of hard rock/metal like Led Zeppelin and Deep Purple began dabbling in other musical forms (folk and string symphonies, respectively), Black Sabbath ...
| | Black Sabbath Sabbath, Bloody Sabbath CD (1973)
Live
$8.65 While the title track is the album's best-known song, SABBATH BLOODY SABBATH proved to be another in a long line of 100% filler-free records from Ozzy and co. Highlights included the creepy "Who Are You?," plus the Tony Iommi riff-mongers "A National Acrobat," "Killing Yourself to Live," and "Sabra Cadabra," a song that Metallica would cover on its 1998 release GARAGE INC. You'll also find one of Sabbath's most haunting yet serene instrumentals, "Fluff," as well as the melodic album-closing rocker, "Spiral Architect." SABBATH BLOODY SABBATH is quintessential heavy metal.
1974's SABBATH BLOODY SABBATH is widely considered to be Black Sabbath's last true classic album. The musical experimentation that began on ...
| | Black Sabbath Technical Ecstasy CD (1976)
Live
$6.15 By the mid-'70s, a number of problems were threatening to break up the original line-up of Black Sabbath. The stress brought on by lengthy touring, drug use, and alcoholism had begun to dilute the band's original, influential heavy metal. Sabbath began to drift away from the straight-ahead power rock of such classic albums as PARANOID and SABBATH BLOODY SABBATH, as evidenced by its final two albums to feature singer Ozzy Osbourne, 1976's TECHNICAL ECSTASY and 1978's NEVER SAY DIE. However, TECHNICAL ECSTASY does contain some intriguing, overlooked tracks.
The best known song of the bunch is the album-closing rocker "Dirty Women," which explores the topic of prostitution, and was later featured on the original line-up's 1998 live album, REUNION. Drummer Bill Ward sings his one and only song with the band, "It's Alright," which is amongst Sabbath's most pop-friendly compositions ever. Also featured is the pacing album opener ...
| | Black Sabbath Paranoid CD (1971)
Live
$8.69 PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, "War Pigs," or the lumbering thud of "Iron Man" (which boasts one of the most indelible electric guitar riffs in rock history).
The album's title is apt: PARANOID is filled with an edgy aggression and lyrics about war, insanity, death, and destruction. Ozzy Osbourne's flat, affectless voice merges perfectly with Tony Iommi's fuzzed-out, sledgehammer power chords and the bruising bass and drum lines ...
| | Black Sabbath Never Say Die! CD (1978)
Live
$6.09 By the end of the '70s, though Black Sabbath remained a top concert draw, its albums had become increasingly erratic and sub-par when compared to its earlier master works. Singer Ozzy Osbourne's growing disillusionment with the band had reached a boiling point, especially after it took so long to complete 1978's NEVER SAY DIE, the original line-up's final album. Though the album's title might suggest that the band had reconciled its differences (Osbourne had already left the band once previously, only to return shortly afterwards), the turmoil spilled over onto the recording.
The album-opening title track remains the record's best-known track, as it was featured on Ozzy's popular 1982 solo live album of Sabbath material, SPEAK OF THE DEVIL. Other hard rockers on the first half of the album, such as "Junior's Eyes" and "A Hard Road" prove to be standouts. The final ...
| | Holocaust Live (Hot Curry And Wine) CDs (1983)
Live
$17.35 This reissue contains 2 bonus tracks from RAW, LOUD, LIVE EP.
Released at a time when the band was pretty much falling to pieces, Live (Hot Curry and Wine) combines tracks from Holocaust's influential debut, The Nightcomers, with a number of new songs and obscure tracks. Most crucially, this set contains possibly the only commercially available version of the band's classic "The Small Hours" (famously covered by Metallica -- and a corker it is too), along with some quality material ("No Nonsense," "Lovin' Feelin' Danger," "Forcedown Breakdown") from their rare Garage Days Revisited EP (yes, Metallica later borrowed that too). Highlights from the aforementioned The Nightcomers LP are also trotted ...
| | Where The Pyramid Meets The Eye CD (1990)
Live
$13.09 WHERE THE PYRAMID MEETS THE EYE is a tribute album to Roky Erikson, lead singer/songwriter for 60's pyschedelic band The 13th Floor Elevators.
Roky Erickson often seems to be better known in rock circles for his well publicized psychological maladies and his less-than-gentle treatment at the hands of Texas' judicial system than for his music -- and that's a shame. While Roky's habit of informing anyone who asks that he's a Martian or is in contact with Satan makes for good fanzine copy, the best reason to be interested in Erickson is his songwriting -- there's a graceful, vivid surrealism to his lyrical style that's endured far better than most of the noodlers who came out of the psychedelic rock movement, and his later bursts of horror film fancy conjure up a troubling tension that's laughed at only by the shallow or ignorant. When Erickson's legal problems came to a head in the late 1980s, longtime fan and Sire Records executive Bill Bentley assembled Where the Pyramid Meets the Eye: A Tribute to Roky Erickson to raise money for Erickson, as well as drawing attention to the unique beauty of his music. Like most multi-artist tribute albums, the results are a bit uneven; some of these artists seem to have appeared out of convenience rather than any great love of Roky's music, and a few of the interpretations are simple miscalculations (Thin White Rope's Guy Kyser really goes overboard on his version of "Burn the Flames"). But there are a several moments of very real beauty and power here, especially from the artists who share Erickson's Texas heritage -- Doug Sahm and ZZ Top rock out on their contributions, the Butthole Surfers' version of "Earthquake" is one of their finest moments on wax, and T-Bone Burnett's take on "Nothing in Return" is a heart-tugging gem. The 13th Floor Elevators' first two albums are still the best place to sample Erickson's music (and ...
| | Gloria Lynne I Wish You Love CDs (2001)
Live
$31.29 The double-disc best-of I Wish You Love features a variety of Gloria Lynne's most well-known ...
| | Swing Out Sister Where Our Love Grows CD (2004)
Live
$14.45 The opener of Where Our Love Grows, Swing Out Sister's eighth proper studio album, will knock out fans of the group's perfectly huge and swanky production. "Love Won't Let You Down" is a brassy stunner and a great way to high kick the door open, but it gives way to the lesser title track, a sweet number but nothing approaching a single. That's the problem for outsiders looking for another "Breakout," and it's been the problem for a while. So why is this stuck-in-a-rut band so beloved? It's the structure of the songs -- grand and warm with winks and giggles from the string and horn sections -- and Corinne Drewery's lovely and powerful voice, as bright here as it ever was. It's a delightful combination and almost enough to carry the listener through the album's low points. The Brazilian-flavored "Caipirinha" is a pointless "ba-ba-ba-bu-da" number that sounds like the band parodying itself, and the reprise of "Where Our Love Grows" stuck in the middle of the album is an instant skip. Luckily, the album's second half makes up for some of it with the snappy "Let the Stars Shine" and "Happy Ending," which has some twists and turns you'll want to stick with. There's a whole lot of references to time lost, regrets, and other wistful reflections, and the lyrics just hang on, slipping into cliché too often and in dire need of a Hal David touch. Of course, nobody does style over substance better than Swing Out Sister, Where Our Love Grows being a great example. If it's a sunny, breezy day and you're in ...
| | Lost Sounds CD (2004)
Live
$11.85 Led by Jay Jay (akaJay Reatard of the Reatards) and Alicja Trout (Clears, River City Tanlines), Memphis' Lost Sounds are a glorious mess of punk rock artsiness gone awry in all the right places. Their 2004 In the Red effort, simply titled Lost Sounds, is a punk rock dance party guaranteed to merrily demolish every piece of furniture in the room. But this paranoid rampage is a far cry from the faux-sexy bass'n'drum din pumped out by the likes of Death from Above 1979. "Those things they put inside me/ You know they make me nervous," wails Jay through a cacophonous din of twitchy surf guitars and stuttering keyboards. Elsewhere the band declares that the end of the world is, "worth a laugh." And you get the feeling they mean it.
With a pedigree that includes some of the most raucous noise outfits to emerge from the Memphis scene, the Lost Sounds avoid the traps of by-the-numbers punk or southern-flavored garage rock and instead offer up a sound that is more akin to savage disco. That being said, their adventurous sonic attack is bold and sometimes abrasive. Ample melodies are buried in the din for anyone brave enough to sift through the noise to find them. A danceable disaster, the band's chaotic post-apocalyptic new wave sound explodes from the speakers with a fuzzed-out fury that borders on collapse. Hard to categorize, the sound is something akin to Devo, Liars, Rocket ...
| | Jim Spruell Clayton & Ann's Kid CD (2007)
Live
$16.45 Southern storytelling combined with searing guitar work. That's one way to describe Jim Spruell's music. And for the thousands of people that have heard it over the years, it's a great combination. His songs have been featured in many independent films as well as on the syndicated version of MTV's 'The Real World.' Peter Stroud (Sheryl Crow's lead guitarist) ...
| | Biyuden Vol. 1-Single Best9 CD (2007) (Import)
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