| | Lisa Ono Boas Festas 2: Feliz Natal CD Lisa Ono Discography of CDs
Japanese version of an album by bossa nova vocalist, Lisa Ono.
Asian pressing of the acclaimed bossa nova artist's winter bossa album. EMI. 2005. Boas Festas 2: Feliz Natal Music Lisa Ono Boas Festas 2: Feliz Natal Songs | 1. | Presente de Natal |
| 2. | I'll Be Home for Christmas |
| 3. | Feliz Natal |
| 4. | Have Yourself a Merry Little Christmas |
| 5. | Feliz Natal, Um ( Feliz Navidad) |
| 6. | Mary Cristo |
| 7. | Borboleta |
| 8. | Menino Deus |
| Boas Festas 2: Feliz Natal Review
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Purchase Boas Festas 2: Feliz Natal CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love ...
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$7.59 Recorded on December 8, 1960 and April 27, 1961. Originally released on RCA (2362).
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$9.09 Apogee would never have been released on Warner Bros. if Steely Dan's Walter Becker and Donald Fagen -- then coming off of Aja -- hadn't produced it. Warner was not in the business of issuing new jazz records at the time. Apogee is an anomaly in many ways. First, it is a Southern California answer to the great titan tenor battle records of the '40s and '50s. Rather than sounding like a cutting contest, it sounds like a gorgeous exercise in swinging harmony and melodic improvisation by two compadres. Pete Christlieb, who was then a member of the Tonight Show Band and played on Tom Waits' records, is a solid, old-school swinging tenor player whose style comes out of the West Coast school, but whose phrasing feels more like 52nd Street circa 1947. Warne Marsh was already a legend, 20 years older than Christlieb, a warrior who had developed his own style on the tenor apart from Sonny Rollins, John Coltrane, Dexter Gordon, or any of the big stylists. His phrasing and improvisational ideas are outside of time and space because he thwarted the conventions at every turn, yet he remained one of the most rhythmically astute improvisers in jazz history. His time spent with piano and composition genius Lennie Tristano is what laid the groundwork, but by the time Marsh recorded this set he was in a league of his own. With a rhythm section that included Lou Levy on piano, Jim Hughart (another Waits sideman at the time), and Nick Ceroli on drums, the pair engaged a kind of freewheeling, good-time set that remains one of the most harmonically sophisticated recordings to come out of the 1970s. The track selection revolves around the opening track, "Magna-Tism," a jam reworked around the title cut of another like-minded Southern California tenors album from the 1950s called Just Friends by Bill Perkins and Richie Kamuca. Here, Christlieb and Marsh executed their lines -- courtesy of beautiful charts by Joe Roccisano -- with grace, ease, and maverick intensity. There is a playfulness that comes to the front line from the rhythm section that both propels and lures the players into one another's orbits. While the opener ...
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