| | Brian Eno More Music For Films CD Brian Eno Discography of CDs
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MORE MUSIC FOR FILMS compiles the rare vinyl-only release MUSIC FOR FILMS VOLUME 2, along with 11 tracks previously available on a promo-only sampler.
In addition to his participation in the original incarnation of Roxy Music, and his collaborations with and influence on such seminal artists as David Bowie, Talking Heads, and U2, Brian Eno's solo experiments with electronic ambient music in the 1970s have left a defining influence on succeeding generations. Their impact has helped shape movements as diverse as New Age, electronica, and world fusion. It is a particular testament to Eno's genius that his original ambient albums sound as fresh and vital today as they did upon their release.
2005'S MORE MUSIC FOR FILMS is not a pioneering work on par with MUSIC FOR AIRPORTS or MY LIFE IN THE BUSH OF GHOSTS. In fact, it takes its cues from Eno's 1978 album MUSIC FOR FILMS (and often treating and remixing tracks from that release). But where MUSIC FOR FILMS is delicate, drifting, and ephemeral, MORE MUSIC FOR FILMS is full of pulsing rhythms, burbling bass, shifting textures, and startling sonic treatments. The tracks are quite short, establishing ideas and moving on, leaving a comet's tail of cinematic images. But the overall effect is powerful. Even when building on his ideas from the 1970s, Eno's creations outdistance the legions of artists who have followed in his wake.
Personnel: Brian Eno (various instruments).
Liner Note Author: Michael Bracewell. More Music For Films Music Brian Eno More Music For Films Songs More Music For Films Music Review Purchase More Music For Films CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); ...
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| | Chickenfoot CD (2009) Digipak
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Digitally remastered by Gary Hobish (1994, Fantasy Studios, Berkeley, California).
Digitally remastered by George Horn (Fantasy Studios, Berkeley, California).
Digitally remastered by George Horn (1995, Fantasy Studios, Berkeley, California).
Guided, perhaps, by musical snobbery or roots-rock phobia, some people inexplicably don't like Creedence Clearwater Revival. As the kings of earnest country-inflected ...
| | Frank Morey Delmark Sessions CD (2002)
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Bob Koester's Chicago-based Delmark Records hasn't always reflected his personal tastes, but it has always reflected his philosophy. From the 1950s to the 2000s, Koester has generally believed in supporting indie jazz and indie blues -- in other words, the sort of jazz and blues artists who major labels tend to neglect. Although Koester never really cared for avant-garde jazz -- his personal preferences are blues and very straight-ahead bop, swing, and Dixieland -- he's been great about documenting Chicago's AACM artists because he sees them as part of the indie music culture. The Delmark Sessions isn't a typical Delmark release; Frank Morey isn't jazz, and he isn't a blues artist per se (although he does provide the occasional blues-rock gem). Rather, the guitar-playing singer/songwriter favors a very bluesy, gritty approach to folk-rock and roots rock -- The Delmark Sessions is the sort of CD that would be more typical of Rounder or Flying Fish than Delmark. And yet, it is faithful to Delmark's history in that it is great indie roots music. Morey has a throaty, hoarse, rough-edged vocal style that recalls early Tom Waits and also underscores his appreciation of Chicago blues icon Howlin' Wolf -- The Delmark Sessions isn't dominated by the sort of 12-bar offerings that one finds on Wolf's CDs, but Morey is obviously well aware of Wolf's vocal style. He also has a healthy appreciation of early rock & roll -- and of course, rock & roll is a term that one will seldom hear in connection with a Delmark release. But again, Morey has such a rootsy, bluesy, rugged spirit that he does, in fact, belong on Delmark. If The Delmark Sessions is a rare example of Koester's label putting out a rock-friendly disc, it is a highly rewarding example. ~ Alex Henderson
Morey doesn't know it, but he's about to create the new Urban American Folk Music!It's folk music like blues was the folk music of postwar Chicago.By Dave PalmeterWUMB 91. 9 FM RadioFolk ...
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| | Miliki Music: Society Sounds Of 60'S Lagos CD (2008)
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Think of Miliki Music as the Buena Vista Social Club of West African highlife music. ...
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