| | Brian Eno More Music For Films CD Brian Eno Discography of CDs
(1 Customer Review)
MORE MUSIC FOR FILMS compiles the rare vinyl-only release MUSIC FOR FILMS VOLUME 2, along with 11 tracks previously available on a promo-only sampler. In addition to his participation in the original incarnation of Roxy Music, and his ... Full Descriptioncollaborations with and influence on such seminal artists as David Bowie, Talking Heads, and U2, Brian Eno's solo experiments with electronic ambient music in the 1970s have left a defining influence on succeeding generations. Their impact has helped shape movements as diverse as New Age, electronica, and world fusion. It is a particular testament to Eno's genius that his original ambient albums sound as fresh and vital today as they did upon their release.
2005'S MORE MUSIC FOR FILMS is not a pioneering work on par with MUSIC FOR AIRPORTS or MY LIFE IN THE BUSH OF GHOSTS. In fact, it takes its cues from Eno's 1978 album MUSIC FOR FILMS (and often treating and remixing tracks from that release). But where MUSIC FOR FILMS is delicate, drifting, and ephemeral, MORE MUSIC FOR FILMS is full of pulsing rhythms, burbling bass, shifting textures, and startling sonic treatments. The tracks are quite short, establishing ideas and moving on, leaving a comet's tail of cinematic images. But the overall effect is powerful. Even when building on his ideas from the 1970s, Eno's creations outdistance the legions of artists who have followed in his wake.
Personnel include: Brian Eno (various instruments). Hide Description More Music For Films Music Brian Eno More Music For Films Songs | 1. | Untitled |
| 2. | Last Door, The |
| 3. | Chemin de Fer |
| 4. | Dark Waters |
| 5. | Fuseli |
| 6. | Melancholy Waltz |
| 7. | Northern Lights |
| 8. | From the Coast |
| 9. | Shell |
| 10. | Empty Landscape |
| 11. | Reactor |
| 12. | Secret, The |
| 13. | Don't Look Back |
| 14. | Marseilles |
| 15. | Dove, The |
| 16. | Roman Twilight |
| 17. | Dawn, Marshland |
| 18. | Climate Study |
| 19. | Drift Study |
| 20. | Approaching Taidu |
| 21. | Always Returning (II) |
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$14.15 Morey doesn't know it, but he's about to create the new Urban American Folk Music!It's folk music like blues was the folk music of postwar Chicago.By Dave PalmeterWUMB 91.9 FM RadioFolk Music has gotten a bad reputation. Much of it is boring. So whether you think of it as overly artful recreations of medieval ballads or the overly thoughtful pondering of a poet, this ain't that kind of folk music. It has more to do with songs from the jukebox that made you rock. It's folk music like jazz was the folk music of Storyville. It's folk music like blues was the folk music of postwar Chicago. It's folk music like rap is the folk music of gangsta wannabes. This is the folk music of post industrial mill town America, of the people displaced when downtown became gentrified. This is grab-a-boilermaker-after-work folk music. This is put-down-the-pool-cue-and-listen folk music, music you can dance to and even listen to the words. And you should. Morey doesn't know it, but he's about to create the new Urban American Folk Music!This is blues, jazz, rock and, if you insist, folk It's Wolf and Waits, Louie and Leonard (Cohen.that is). It's thumping bass that could be behind Charlie Feathers or J.B. Lenoir. It's a trap set from a burlesque theater and it's the kid who wanted to sound like Beiderbecke and now he does. It's working men and working girls just trying to get by. Its sound is as much the river, as the mills it used to power. It's Route 66 taking you west and Old Route One bringing you up the coast and home. It's fireworks on Chinese New Year and it's an old Western movie. And it's literate. (After all, Lowell is also the home of Jack Kerouac.) Literate, sure. But not enough to get in the way of a good time.Morey's on the street again, before the show. Foot up on a thrift shop suitcase that carries the tools of his trade, harmonicas, strings, picks.. Mill buildings in the near distance, "Stella Kerouac lived over there, you know." He points. Everybody knows Frank. ...
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