| | Sounds Incorporated/Studio Two Stereo CD - Import Sounds Incorporated Discography of CDs
(1 Customer Review)
This two-fer from Beat Goes On includes the all-instrumental rock & roll combo Sounds Incorporated's 1964 eponymous debut, as well as its 1966 sophomore release, Studio 2 Stereo. ~ James Christopher Monger
2-on-1 from the six-man, all-instrumental rock & roll combo, features their 1964 debut and 1966 album. Beat Goes On. 2005.
2 LP's on 1 CD: SOUNDS INCORPORATED (1964)/STUDIO 2 STEREO (1966).
Personnel: John St. John (guitar, 12-string guitar); Alan Holmes (flute, alto flute, tenor saxophone, baritone saxophone); Major West (clarinet, tenor saxophone); Barrie Cameron (baritone saxophone, piano); Wes Hunter (double bass); Tony Newman (drums, cymbals, timpani); John Burgess (tapes).
Liner Note Authors: David Wells ; Tony Barrow.
Photographer: Tony Stone .
Arrangers: Simon Elmes; Tony Newman; Roy Gillard; Alan Holmes. Sounds Incorporated/Studio Two Stereo Music Sounds Incorporated/Studio Two Stereo Songs Sounds Incorporated/Studio Two Stereo Music Review Purchase Sounds Incorporated/Studio Two Stereo CD To buy, Click on price to add to cart | Herman's Hermits Retrospective CD (2004) Digipak
Sounds Incorporated/Studio Two Stereo album
$15.15 If all you know about Herman's Hermits is that they had a couple of semi-novelty hits during the British Invasion with "Mrs. Brown, You've Got a Lovely Daughter" and "I'm Henry the VIII, I Am," RETROSPECTIVE aims to set you straight. Part ...
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Sounds Incorporated/Studio Two Stereo CD music
$56.49 Includes both stereo and mono versions of the USA-only albums MEET THE BEATLES (1964), THE BEATLES' SECOND ALBUM (1964), SOMETHING NEW (1964), and BEATLES '65 (1964), and a 60 page booklet including rare photos and select quotes from John, Paul, George and Ringo.
All tracks have been digitally mastered using 24-bit technology.
Although America wasn't the first to catch on to the Beatles, it certainly gave the Fabs a worldwide stage from which to launch their pop music invasion. During the space of 12 months in 1964, Capitol released four Beatles LPs that reshuffled various British Parlophone LPs, EPs, and singles. The result of this rejiggering was four unique titles that, along with those ...
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$21.47  This digitally remastered Japanese limited edition of DISPOSABLE comes packaged in a miniaturized LP-style slipcase.
Plenty of psychedelic groups of the late '60s embraced a sunny outlook of peace, flowers, and consciousness expansion, but some took a harder line on upending the straight society they sought to replace, and like their spiritual brethren the MC5, the Deviants (under the first-among-equals leadership of writer Mick Farren) saw their music as a vehicle for a Total Assault On The Culture. The only trouble with this was the Deviants' ideas were often a lot more exciting than ...
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$16.45 After such a positive reaction to "12 in a room" from the general music public, what with the full page lead off review in Musician Magazine with my picture and all the great fan mail that followed, I decided to make a CD that would be driven by acoustic guitars andhave a Pop edge melody wise. I grew up on infectious ditties that were being produced by Motown, London town, New York and California town. Each week I would get excited by the new arrivals and the radio. I lost all interest in school and wanted to be in the music business. I was taking the LIRR into New York when I was fifteen with demo records of songs I had recorded in my room on Larry Hoff's tape recorder, who by the way has been the sound recorder for the hit TV show Law and Order for years. We grew up in the same town together and I remember buying Larry's tape machine for fifty dollars. I added a Fender reverb to the mic chain and what do you know? Instant recording studio! Today I own 24-track Radar hard disc system and pro tools. However, I will never forget the way I felt in those early days, listening back to what I had recorded. I would take those first tapes to a place on Long Island in Hempstead called, Ultra Sonic Recording Studios. There I met a guy named Don Casale who would transfer my home reverb drenched masterpieces to demo records. Don went on to work with Iron Butterfly, The Rascals and Vinalla Fudge. I went on to get an offer from RCA Records with those very demos but wound up making a record for Vanguard Records that I self produced called "Years." I wasn't even 20 years old yet when we started recording the record. You can see all this stuff at mark-johnson . I eventually showed up in the Village with an acoustic guitar and playing the open ...
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