| | Alexis P Suter Shuga Fix CD Alexis P Suter Discography of CDs
Recording information: Hipbone Recording, Brooklyn, NY.
Arranger: Vicki Bell.
Personnel: Alexis P. Suter (background vocals); Ira Suter (rap vocals); Michael Falzarano, Debbie Harper, Jimmy Bennett (guitar); Tom Murray (flute); James Smith, James Smith (trumpet); Vicki Bell (keyboards, background vocals); James Abbott, Jim Abbott (keyboards); Peter Bennett (bass instrument); Ray Grappone (drums, percussion); Glenn Turner, Dana Lacroix, Amy Helm (background vocals); Jay Collins (flute, saxophone).
Audio Mixer: Vicki Bell.
Award Winner
Living Blues (p.77) - "Alexis P. Suter has a husky church-hewn contralto that goes way low, well into the bass clef, and she uses it to highly emotive effect..." Alexis P Suter Shuga Fix Songs Shuga Fix Review
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Purchase Shuga Fix CD To buy, Click on price to add to cart | Stevie Ray Vaughan - Live From Austin, Texas DVD (1983)
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| | Night Of Blistering Blues DVDs (1987)
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| | Paul Butterfield Original Lost Elektra Sessions CD (1995)
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| | Savoy Brown Blue Matter CD (1969)
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| | Stevie Ray Vaughan Greatest Hits CD (1995)
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Stevie Ray Vaughan & Double Trouble: Stevie Ray Vaughan (vocals, guitar); Reese Wynans (keyboards); Tommy Shannon (bass); Chris Layton (drums); Doyle Bramhall.
When Stevie Ray Vaughan's helicopter crashed in August 1990, the world lost more than just a musical giant. Stevie Ray's short life contained all the elements of a hero's journey--from obscurity, through adversity, to glory. His meteoric rise in the public's eye began after a stellar performance at the 1982 Montreaux Jazz Festival, which led to a gig with David Bowie (on LET'S DANCE) and a demo that ended up becoming TEXAS FLOOD, an outstanding debut from one of the most influential blues artists ever to call Texas home.
Five years after his passing, Vaughan ...
| | John Mayall Blues Breakers With Eric Clapton CD (1966) Bonus Tracks; Remastered
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John Mayall & The Bluesbreakers: John Mayall (vocals, piano, organ, harmonica); Eric Clapton (vocals, guitar); John McVie (bass); Hughie Flint (drums).
Includes original release liner notes by Neil Slaven & reissue liner notes by Paul Trynka.
1966's ...
| | Joe Louis Walker Live At Slim's, Volume 1 CD (1991)
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| | Nappy Brown Night Time Is The Right Time CDs (2000)
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Recorded between 1954 & 1962. Includes liner notes by Colin Escott.
Nappy Brown, who emerged onto the R&B scene in the 1950s, was the missing link between blues shouters like Wynonie Harris and Big Joe Turner, and the classic soul singers of the '60s, like Ray Charles and Jackie Wilson. Brown had both the rough, rowdy juke-joint shout and the more polished, suave ...
| | Pulp Fiction CD (1994) Original Soundtrack
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This collector's edition ...
| | Four Roosters Oil Man CD (1987)
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Throughout the '60s and '70s, guitarist/vocalist Johnson performed with Frank Frost and Sam Carr in the Jelly Roll Kings, a gritty, soulful blues trio. Through a circuitous route, he finally recorded this, his first solo album, over the course of two days in 1986. Frost turns up on piano, but THE OIL MAN is clearly Johnson's show. He makes his Chicago roots clear with two Howlin' Wolf covers ("Killing Floor" and "How Many More Years") and the Muddy Waters-associated "Catfish Blues," but even at this early date, the country influences that would later become more prevalent are heard (Merle Travis's "Steel Guitar Rag"). Though his is a raw, hardcore electric blues sound, Johnson isn't afraid to let his outside interests show. Walter Roy's bass playing, which would define the subsequent sound of Johnson's rhythm section even when Roy wasn't in it, owes more to the punchy tone of Jack Bruce ...
| | George Higgs Tarboro Blues CD (2005)
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| | Stone Coyotes Born To Howl CD (2001)
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Their first album got a nice publicity push by virtue of the band's association with crime novelist Elmore Leonard, who wrote them into his music-biz novel Be Cool, but the Stone Coyotes unload a potent wallop that stands quite wonderfully on its own merits, which their third offering again goes a long way towards proving. Put plainly, the trio makes an awesomely raw, stripped-down rock & roll racket. The guitar riffs on the overdriven numbers do indeed bare a much publicized kindred spirit to those of AC/DC, and the pop-and-son rhythm section is awesomely boozy like ZZ Top. The metronomic thwap of Doug Tibbles coupled with progeny John's grumbling-blues bass grooves is rock at its very purest and most urgent. Punk, really, if you think about it. And all due respect to Bon Scott, Brian Johnson, and the be-bearded Texans, but none of them have the cool, sexy croon of Barbara Keith. As bold as it might be to claim, neither band comes up with hooks as tasty as hers either, nor lyrics (stripped of their machismo but not their swagger) that have as much of an impact. Nor have those units ever shown the ability to toss off the odd slow-burning ...
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