| | Alexis P Suter Shuga Fix CD Alexis P Suter Discography of CDs
Personnel: Alexis P. Suter (background vocals); Ira Suter (rap vocals); Michael Falzarano, Debbie Harper, Jimmy Bennett (guitar); Tom Murray (flute); James Smith, James Smith (trumpet); Vicki Bell (keyboards, background vocals); James Abbott, Jim Abbott (keyboards); Peter Bennett (bass instrument); Ray Grappone (drums, percussion); Glenn Turner, Dana Lacroix, Amy Helm (background vocals); Jay Collins (flute, saxophone).
Audio Mixer: Vicki Bell.
Recording information: Hipbone Recording, Brooklyn, NY.
Arranger: Vicki Bell.
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Living Blues (p.77) - "Alexis P. Suter has a husky church-hewn contralto that goes way low, well into the bass clef, and she uses it to highly emotive effect..." Alexis P Suter Shuga Fix Songs Shuga Fix Review
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Purchase Shuga Fix CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
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| | Philly Steps: Phila-La Of Soul & Arctic Records Remixed Hits CD (2004)
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| | Jan & Dean Surf City/Dead Man's Curve CD (1963) (Import) United Kingdom
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| | J J Jackson But It's Alright CD (1967)
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| | Alexis Korner Kornerstoned: Anthology 1958-1983 CD (2004) (Import) United Kingdom
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| | B B King Mr. Blues/Confessin' The Blues CD (1963) (Import) Remastered; United Kingdom
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| | Joe Louis Walker Live At Slim's, Volume 1 CD (1991)
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| | Nappy Brown Night Time Is The Right Time CDs (2000)
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Personnel includes: Nappy Brown (vocals); Mickey Baker, Skeeter Best, Sal Salvador (electric guitar); Al Sears, Sam Taylor, King Curtis (tenor saxophone); Budd Johnson (baritone saxophone); Sam Price, Howard Biggs (piano); Leonard Gaskin (bass); Connie Kay, Dave Bailey (drums); Ray Baretto (congas).
Producers: Fred Mendelsohn, Herman Lubinsky, Ozzie Cadena.
Compilation Producers: Colin Escott, Dave "Daddy Cool" Booth.
Recorded between 1954 & 1962. Includes liner notes by Colin Escott.
All tracks have been digitally remastered.
This is part of Savoy's Blues Legends series.
Night Time Is the Right Time is a two-disc collection of 36 gems recorded by R&B singer Nappy Brown. With one foot grounded in the blues and the other stepping toward soul, Brown's mid- to late-'50s recordings are exciting and impressive. The first disc, with classics like "Don't Be Angry," "That Man," and "Two-Faced Woman (And a Lyin' Man)," is probably the best. The tight arrangements, filled with saxophone, piano, and electric guitar, place Brown's voice in the best light. He shouts, croons, and bends words playfully on upbeat numbers like "Just a Little Love" and "Piddily Patter Patter." While his voice is distinctive, it is the exuberant punch of his delivery that keeps his music vibrant some forty years after it was recorded. Even slower numbers, such as "Is that Really You?," find Brown building a soulful intensity, or the "slow burn" as it was called. There are several songs like "I've Had My Fun" on the second disc that fall more comfortably ...
| | Pulp Fiction CD (1994) Original Soundtrack
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Also available with RESERVOIR DOGS as a 2-CD set.
This collector's edition contains 4 additional tracks plus a bonus interview disc with director Quentin Tarantino.
The soundtrack to Quentin Tarantino's ...
| | Big Jack Johnson Oil Man CD (1987)
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"Johnson's fat, reverb-drenched guitar tone and convincing vocals make for a potent combination on such classics as Catfish and How Many More Years, and even help to compensate for such obviously derivative songs as I'm Gonna Give Up Disco (a thinly disguised rewrite of Jr. Parker's Mystery Train). Also worth hearing are Johnson's delightfully distinctive treatments of Steel Guitar Rag, and oddly enough, Tom Dooley. " -The Washington Post"The band latches onto some irresistable grooves that are custom ...
| | George Higgs Tarboro Blues CD (2005)
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| | Stone Coyotes Born To Howl CD (2001)
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The Stone Coyotes: barbara Keith (vocals, guitar, piano); John Tibbles (guitar, bass); Doug Tibbles (drums).
Producers: The Stone Coyotes, Mark Miller.
Recorded at Slaughterhouse Studios, Hadley, Massachusetts and Red Cat Studios, Greenfield, Massachusetts.
Their first album got a nice publicity push by virtue of the band's association with crime novelist Elmore Leonard, who wrote them into his music-biz novel Be Cool, but the Stone Coyotes unload a potent wallop that stands quite wonderfully on its own merits, which their third offering again goes a long way towards proving. Put plainly, the trio makes an awesomely raw, stripped-down rock & roll racket. The guitar riffs on the overdriven numbers do indeed bare a much publicized kindred spirit to those of AC/DC, and ...
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