| | Alexis P Suter Shuga Fix CD Alexis P Suter Discography of CDs
Recording information: Hipbone Recording, Brooklyn, NY.
Arranger: Vicki Bell.
Personnel: Alexis P. Suter (background vocals); Ira Suter (rap vocals); Michael Falzarano, Debbie Harper, Jimmy Bennett (guitar); Tom Murray (flute); James Smith, James Smith (trumpet); Vicki Bell (keyboards, background vocals); James Abbott, Jim Abbott (keyboards); Peter Bennett (bass instrument); Ray Grappone (drums, percussion); Glenn Turner, Dana Lacroix, Amy Helm (background vocals); Jay Collins (flute, saxophone).
Audio Mixer: Vicki Bell.
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Living Blues (p.77) - "Alexis P. Suter has a husky church-hewn contralto that goes way low, well into the bass clef, and she uses it to highly emotive effect..." Alexis P Suter Shuga Fix Songs Shuga Fix Review
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Purchase Shuga Fix CD To buy, Click on price to add to cart | Gil Scott-Heron I'm New Here CD (2010)
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$10.99 I'm New Here is a shock. It's a wallop filled with big nasty beats, a wide range of sonic atmospheres, and more -- sometimes unintentional -- autobiographical intimacy than we've heard from Gil Scott-Heron than ever before. Produced by XL Recordings head Richard Russell, I'm New Here is his first record in 16 years. It is a scant 28 minutes and doesn't need to be a second longer. It's unlike anything he's previously recorded, though there is metaphoric precedence in his earliest, largely spoken word albums. Its production pushes forcefully at the margins, and Scott-Heron embraces it without a hint of nostalgia. It opens ...
| | Stevie Ray Vaughan - Live From Austin, Texas DVD (1983)
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| | Luther Allison Songs From The Road CDs (2010) Bonus DVD
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| | Mannish Boys Shake For Me CD (2010)
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| | Night Of Blistering Blues DVDs (1987)
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| | Stevie Ray Vaughan Couldn't Stand The Weather CD (1984)
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| | Joe Louis Walker Live At Slim's, Vol. 1 CD (1991)
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| | Nappy Brown Night Time Is The Right Time CDs (2000)
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$27.49 Recorded between 1954 & 1962. Includes liner notes by Colin Escott.
Nappy Brown, who emerged onto the R&B scene in the 1950s, was the missing link between blues shouters like Wynonie Harris and Big Joe Turner, and the classic soul singers of the '60s, like Ray Charles and Jackie Wilson. Brown had both the rough, rowdy juke-joint shout ...
| | Pulp Fiction CD (1994) Original Soundtrack
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| | Four Roosters Oil Man CD (1987)
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$13.39 Throughout the '60s and '70s, guitarist/vocalist Johnson performed with Frank Frost and Sam Carr in the Jelly Roll Kings, a gritty, soulful blues trio. Through a circuitous route, he finally recorded this, his first solo album, over the course of two days in 1986. Frost turns up on piano, but THE OIL MAN is clearly Johnson's show. He makes his Chicago roots clear with two Howlin' Wolf covers ("Killing Floor" and "How Many More Years") and the Muddy Waters-associated "Catfish Blues," but even at this early date, the country influences that would later become more prevalent are heard (Merle Travis's "Steel Guitar Rag"). Though his is a raw, hardcore electric blues sound, Johnson isn't afraid to let his outside interests show. Walter Roy's bass playing, which would define the subsequent sound of Johnson's rhythm section even when Roy wasn't in it, owes more to the punchy tone of Jack Bruce than to Willie Dixon. Throughout THE OIL MAN, Johnson's cutting, uncomplicated guitar work and emotive ...
| | George Higgs Tarboro Blues CD (2005)
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| | Dr John Dr. John Plays Mac Rebennack: The Legendary Sessions, Vol. 2 CD (2006)
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$13.45 It's easy to forget under all the grigri that Dr. John (Mac Rebennack) is first and foremost a piano player, solidly in the line of great Crescent City piano players, and it isn't too hard to draw a direct line from Professor Longhair to Rebennack's Dr. John persona. In 1981 Rebennack stepped out from behind all the smoke and mirrors and released an album of solo ...
| | Stone Coyotes Born To Howl CD (2001)
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$12.65 Their first album got a nice publicity push by virtue of the band's association with crime novelist Elmore Leonard, who wrote them into his music-biz novel Be Cool, but the Stone Coyotes unload a potent wallop that stands quite wonderfully on its own merits, which their third offering again goes a long way towards proving. Put plainly, the trio makes an awesomely raw, stripped-down rock & roll racket. The guitar riffs on the overdriven numbers do indeed bare a much publicized kindred spirit to those of AC/DC, and the pop-and-son rhythm section is awesomely boozy like ZZ Top. The metronomic thwap of Doug Tibbles coupled with progeny John's grumbling-blues bass grooves is rock at its very purest and most urgent. Punk, really, if you think about it. And all due respect to Bon Scott, Brian Johnson, and the be-bearded Texans, but none of them have the cool, sexy croon of Barbara Keith. As bold as it might be to claim, neither band comes up with hooks as tasty as hers either, nor lyrics (stripped of their machismo but not their swagger) that have as much of an impact. Nor have those units ever shown the ability to toss off the odd slow-burning cover (Dolly Parton's "Jolene") or pretty, poignant ballad ...
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