| | Girlschool Believe CD - Import Girlschool Discography of CDs
 (1 Customer Review)
Communique. 2004. Girlschool Believe Songs | 1. | Come On Up |
| 2. | Let's Get Hard |
| 3. | Crazy |
| 4. | We All Love To (Rock 'n' Roll) |
| 5. | Secret |
| 6. | New Beginning |
| 7. | C'mon |
| 8. | Never Say Never |
| 9. | You Say |
| 10. | Feel Good |
| 11. | Hold On Tight |
| 12. | Yes Means Yes |
| 13. | We All Have To Chose |
| 14. | Play Around |
| 15. | Passion |
|
Purchase Believe CD To buy, Click on price to add to cart | Toby Keith American Ride CD (2009)
Believe album
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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing.
Personnel: ...
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This album from Harem Scarem, released under the name Rubber, features 10 tracks, including "Over The Edge" and "No Doubt."
Sonically, Rubber's sophomore record, Ultra Feel, sounds like a successful sequel to the first album. Nothing differs much from the self-titled debut, and while the songwriting is potentially a bit stronger this time, it's an album very much in the same vein as the first. However it will probably always be remembered as the album that destroyed Rubber. After Rubber's self-titled debut of radio-ready guitar pop came out, all the band bios and press indicated that they were a new band. However, Rubber was none other than Harem Scarem, a Canadian melodic rock band who had renamed themselves and refashioned their image as a bid for mainstream success. While it worked for the first album, generating a Canadian Top 20 single in "Sunshine," nothing off this album rocketed up the charts immediately after its March 2001 release. Because of that, the band quickly changed their name back to Harem Scarem, effectively abandoning the Rubber project. That strange history does overshadow (or potentially enhance) the music, as listeners may feel that Harry Hess and Pete Lesperance were merely running them through a genre exercise. It's disappointing, actually, as the music on here ...
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Simon Spang-Hanssen , saxophones, flute, composer, born in1955 in Copenhagen Denmark. First started out with John Tchicai & Strange Brothers, later played with the New Jungle Orch., Atilla Engin Sextet, N'Uma Boa ( Chuim, MozarTerra, Doug Raney ), Jan Kaspersen and with his own groupswith a.o. Ben Besiakov, Jesper Lundgaard, Alex Riel.1985, Moves to Paris and plays with Nené's Band, Bekummernis, Denis Badault, Andy Emler, Nguyên Lê" Tales of Vietnam" , Quintet Moutin ( Louis and Francois Moutin ),Edouard Ferlet and with his own groups with musicians like:Alain Jean-Marie, Bojan Z. , Richard Bona, Mariane Bitran,Billy Hart , John Betsch , Xavier Dessandre, Michel Benita...1998 , back in Copenhagen he forms a tentet " Central Earth" , "Ear Witness" , "Maaneklar" ( sax, flute, bass, two percussions ), quartet with Franck Tortiller, vibes,Yves Torchinsky, bass and Francois Laizeau, drums , alsoquartet with Thomas Clausen, Jesper Lundgaard and Billy Hart." Rainbow Spirit" with Dawda Jobarteh, kora, Thomas Fonnesbech , bass and Ayi Solomon, percussion.Some main influences : Ellington, Gil Evans, Rollins, Coltrane, Shorter, Monk, Hermeto Pascoal and music from all over the world.Simon has painted the CD-cover-painting"Ear Witness" has also ...
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