Debora Seffer Seffer, Debora CD

Seffer, Debora Music

Category	Rock/Pop Albums, Jazz CDs, Electronica, Dance
Label	Musea
Orig Year	2006
CD Universe Part number	6842493
Catalog number	3112
Discs	1
Release Date	Apr 26, 2005
Mono/Stereo	Stereo

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You Are The Sames CD (2005)

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The Onion :: 4 May 2005Dream-pop can be a hard genre to master, with all its molten guitars, clanging beats, and ethereal melodies. Ingredients mixed wrong become unappetizing slop-which may be why so many former dream-pop bands, from Lush and My Bloody Valentine to Lilys and Jack Drag, have either changed their sound, or quit making music altogether. Durham, North Carolina dream-poppers The Sames released a promising EP in 2002, and they didn't rush out a follow-up, presumably because bandleader and producer Zeno Gill was taking precautions not to sully the formula. As it happens, he gets it almost exactly right on the band's full-length debut You Are The Sames, which houses some of the most satisfying shoegazer music in years.

Gill establishes his control about a minute into You Are The Sames, when the anxiously banging guitar of "Heart Pine" hits the chorus and bubbles over instead of exploding. The second song, "In Liberty Lights," sports the melody and lyrics of a dippy hippie rop, but has acid dripping from its sleeves and a heart that keeps skipping beats. "The Light That We've Bent" lays shimmering guitar over a soft martial rhythm, as Gill murmurs about "music machines"; "You Are A Ghost" follows stunted guitar twang and sputtering drums into cobwebs and shadow. The disc peaks with the rushing, crackling "Downtown," which romanticizes streetlights and the way "everybody's ...

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Tony Green has a radio station in his headTony Green, may be the greatest guitarist you've never heard of. Mainly because learning guitar at 13, and playing in various basement and garage bands, I never played an actual gig. So you wouldn't know, would you? It's ok, how could you? Never played out. Practiced for years. Never left the bedroom. Not in a WWII-Japanese-soldier-left-in-the-woods-unaware-the war-is-over kind of way, just in a never-quite-got-up-the-nerve-and-was-too-scared-of-being-embarassed kind of way. Loved the guitar. Classical, rock, jazz - didn't matter. The guitar was MY instrument. I studied everything. Played everything I could. Took up all my time. (Actually, some of this time was spent practicing not real guitar, but air guitar, to the point that a nosy neighbor across the street, who could see my shadowy kneeling-below-the-stack-of-Marshalls activities through the bedroom window, once called my parents to let them know that I was having an epileptic fit.

)But I still never played out and then I stopped playing guitar. So as good as I thought I was, no-one else ever knew.

Went to university. Got a degree. Got a job. Moved to America from Scotland. Got married. Had kids, Went to Grad School. Got a bigger job. Got divorced. Fifteen years of grown-up life slipped by as easily as those twenty-five words.

Then I started playing guitar again. That last part sounds quite dramatic, doesn't it? But to be fair, I also broke out my old train and slot car racing sets, started wearing my Boy Scout uniform and re-read all my Paddington Bear books. Right about then I saw Lou Reed interviewed on TV saying 'there's a radio station in my head - and I'm always listening' Turning to my girlfriend I said ' I know exactly what he's talking about! You know when you hear a song for the first time on the radio and it starts out really well, then it takes a turn and it's NOT quite so good anymore, but in YOUR head you can hear exactly how you think it SHOULD sound?' She stared back at me and said blankly 'No. I don't. In fact, I think there are very few people that can do that'Once I got over the idea that maybe I had been doing everything wrong for 40 years, I decided: It was time to take this music 'thing' more seriously. Turning forty, I decided to record a CD of songs. Instrumentals, mainly, that I loved and had loved for years. With this first 'Slim Pickings' CD, I'm just getting started. My plan is to release one CD (or whatever medium will be used in the future - probably some form of iTunes-controlled audio telepathy) of music - whatever I'm hearing in my head - every year. Les Paul is still playing in NYC at 91 years old (You really need to get out there to see him, by the way.

) Chet Atkins once introduced ...

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The Hot Club of Derbytown ( hotclubofderbytown ) re-creates the hot sounds of vintage jazz produced in Paris in the 1930s and 40s produced by the Quintet of the Hot Club Of France featuring legendary jazz guitarist Django Reinhardt and the virtuoso swinging violinist Stephane Grappelli. We threw in a gypsy swing number, some Western Swing and swingy blues to round it out.

Veteran performers ...