| | Phil Edwards Wild & Free CD Phil Edwards Discography of CDs
Wild & Free Music | List Price | $32.99 (You save $6.20) | | Category | Rock/Pop Albums, Rock CDs, Jazz | | Label | Magic (France) | | Orig Year | 2005 | | CD Universe Part number | 6844982 | | Catalog number | 664570 | | Discs | 1 | | Release Date | Feb 27, 2007 | | Mono/Stereo | Stereo |
Phil Edwards Wild & Free Songs | 1. | Still In Love With You |
| 2. | Every Time I Roll The Dice |
| 3. | Seminole Wind |
| 4. | Rub-A-Dubbin |
| 5. | Then You Can Tell Me Goodbye |
| 6. | Only Here For A Little While |
| 7. | I Washed My Hands In Muddy Waters |
| 8. | You Can't Make A Heart Love Somebody |
| 9. | Now That's Country |
| 10. | It's A Little Too Late |
| 11. | Old Time Rock'n'Roll |
| 12. | My Rifle, My Pony And Me |
| 13. | Old Time Rock'n'Roll (Remix) |
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Wild & Free Review
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Purchase Wild & Free CD To buy, Click on price to add to cart | Norah Jones Fall CD (2009)
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With The Fall, Norah Jones completes the transition away from her smooth cabaret beginnings and toward a mellowly arty, modern singer/songwriter. Jones began this shift on 2007's Not Too Late, an album that gently rejected her tendencies for lulling, tasteful crooning, but The Fall is a stronger, more cohesive work, maintaining an elegantly dreamy state that's faithful to the crooner of Come Away with Me while feeling decidedly less classicist. Some of this could be attributed to Jones' choice of producer, Jacquire King, best-known for his work with Modest Mouse and Kings of Leon, but King hardly pushes Norah in a rock direction; The Fall does bear some mild echoes of Fiona Apple or Aimee Mann in ballad mode, but its arrangements never call attention to themselves, ...
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Much like 2001's SONGS I HEARD and 2004's ONLY YOU, 2009's YOUR SONGS finds vocalist/pianist Harry Connick, Jr. coming up with an urbane, passionate set of American popular standards and contemporary pop classics that he both performs and orchestrates. While his previous recordings leaned toward the classicist side--ONLY YOU featured songs of the '50s and '60s--YOUR SONGS features a more eclectic mix of standards and pop songs, with Connick's own lush orchestration lending an overall aesthetic of languid romanticism. To this end, Connick turns Billy Joel's "Just the Way You Are" into a kind of Herb Alpert-inspired '60s pop nugget and, conversely, the Beatles' 1964 classic "And I Love Her" gets a kind of '70s Latin lounge feel with classical guitar flourishes. However, Connick isn't only concerned with reworking tunes in unexpected ways; on the contrary, longtime fans of Connick's swinging neo-crooner vocals will be pleasantly surprised by his straightforward takes on "The Way You Look Tonight" and "Some Enchanted Evening." Similarly engaging are his renditions of such rock-oriented tunes as Elton John's "Your Song," his ...
| | Carla Bley Carla's Christmas Carols CD (2009)
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On an inside panel of the booklet for House Full of Floors, Evan Parker's second release for John Zorn's Tzadik imprint (and his third album of 2009), he writes simply of the session as if framing a poem: "The plan was to / record the trio. / Aleks Kolkowski / came to make some / wax cylinder recordings / and he stayed / to play some / quartet pieces." The truth of the matter is, this is hardly disingenuous. The recording actually sounds exactly like its description. Parker, guitarist John Russell, and bassist John Edwards are featured on the majority of this beautiful set in a series of trios and duets that are knotty, subtle, and deeply intuitive improvisational pieces. Kolkowski joins them on a Stroh viola, the saw, and wax cylinder recorder on two tracks as well. Parker's signature as an improviser is immediate. Whether it's a series of single-note lines and phrases or tonal clusters rushing out of his tenor or soprano, the control is total. A prime example is "Ca-la-ba-son," an 11-minute trio piece where we first hear Russell's acoustic guitar before some breathy elongated tones on Parker's tenor. Edwards is hammering ever so lightly on the strings of his bass as an empathic rhythmic force. Parker's sense of "melody" quickly asserts itself and Russell is then coloring the spaces ...
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The koto performer, composer, and educator Michio Miyagi (1894-1956) is considered the father of modern koto. He was named the Mozart of koto because of his amazing skill and the Japanese Schubert for his lyrical melodies. He modernized the playing of the koto, developing new playing ...
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Dennis is formerly a San Francisco Bay Area based artist that has relocated to the Salt Lake City area (but still has roots in CA) that has been on the band scene since the '60's. Young at heart but with plenty of experience in living the blues, he's come on to his own in style and presentation. He isn't ...
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