| | Anastacia Heavy On My Heart CD Single - Import Anastacia Discography of CDs
HEAVY ON MY HEART features English and French versions of the title track by the pop singer. Australian 5-track single features 'Heavy On My Heart', 'Underground Army' (previously unreleased), 'Trop Lourd Dans Mon Coeur' (French version ... Full Descriptionof 'Heavy On My Heart', 'Special Thanks' - Spoken message to her fans along with the enhanced video to the title track. Anastacia enjoyed the biggest year of her musical career in 2004. Her third self-titled album stormed to the No.1 position on the UK charts twice, going on to sell over 1.2 million copies and finish as the sixth biggest selling album of the entire year. 'Left Outside Alone', the lead single from 'Anastacia' was her highest charting single ever, entering at No.3 and selling over 270k copies (it was the seventh biggest selling single of the year), while follow up single 'Sick And Tired' entered at No.4. With a completely sold out European tour (taking in seven UK dates pre-single release) under her belt, the Brit-nominated superstar now releases her most personal and heartfelt single to date, the stunning ballad 'Heavy On My Heart'. Proceeds from the net sales of this single, plus Anastacia's own royalties will be donated to the Breast Cancer Research Foundation via her Anastacia Fund Charity. Sony. 2005.
EP includes a video clip.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Hide Description Anastacia Heavy On My Heart Songs | 1. | Heavy on My Heart |
| 2. | Underground Army |
| 3. | Trop Lourd dans Mon Coeur |
| 4. | Special Thanks |
| 5. | Heavy on My Heart (Video) |
|
Heavy On My Heart Review
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Purchase Heavy On My Heart CD To buy, Click on price to add to cart | Isaac Hayes Hot Buttered Soul CD (1969) Bonus Tracks; Anniversary Edition; Remastered
Heavy On My Heart album
 $9.58  
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A staff songwriter with the legendary Stax label, Isaac Hayes, with partner David Porter, composed material for many of the company's artists, including Sam And Dave, Carla Thomas and Johnnie Taylor. Frustrated with this backroom role, he began recording in his own right, and with Hot Buttered Soul, redefined the notion of soul music. Although the tracks were lengthy, there was no sense of self-indulgence, each one evolving over sensual rhythms and taut arrangements. Hayes' vocal anticipated the 'rap' genre of Barry White and Millie Jackson without slipping into self-parody, lending an air of sophistication to a highly influential collection.
Digitally remastered by Joe Tarantino.
Additional Tracks
Recorded at Ardent Studios, Memphis, Tennessee and United Sound Systems Studio, Detroit, Michigan in 1969. Includes liner notes by Bill Dahl.
Personnel: Isaac Hayes (vocals, ...
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K'Jon is back for his sophomore album entitled "The Ballroom Xplosion". Riding the success of Detroit's #1 ballroom club song, "On The Ocean" (which is currently the #1 song on WGPR 107.5), this selection of tunes will keep the dance floor packed and emotions peeking. With songs like "2Nite", "Baby Baby", "Boogie Woogie" and "Street Life", this album takes ...
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Pink's insistently hooky, attitude-filled pop-rock has kept the singer a fixture on the radio and on singles charts since the early 2000s. The artist's fifth effort, FUNHOUSE, doesn't tamper with the formula: Pink's powerhouse vocals and in-your-face approach, backed by stadium-sized production, are in full effect on all 12 tracks. Even though the album deals primarily with aftermath of her divorce and includes serious moments of self-confrontation like "Sober," fans needn't worry that Pink has lost any of her chutzpah.
If anything, there's an increased sense of confidence and newfound liberation on tracks like the chest-thumping "So What" and the mischievous, bouncing "Bad Influence." In softer moments, like the ballad "I Don't Believe You" and the soulful "One Wrong Foot," Pink channels her personal experience into expressions that carry no less strength or muscle. But FUNHOUSE is a pop album first and foremost, and its catchy choruses, rollicking beats, and memorable vocal performances won't disappoint.
Arrangers: Stevie Blacke; Ulf Janson; Henrik Janson.
Personnel: Pink (vocals, background vocals); Shellback (guitar, acoustic guitar, omnichord, keyboard, bass guitar, drums, percussion); Pete Wallace (guitar, piano, harmonium, bass guitar, programming); Max Martin (guitar, bass guitar); Eg White (guitars, Hammond b-3 organ, drums, percussion); ...
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Lionel Richie has been an R&B hitmaker since his days with the Commodores in the 1970s, but he experienced a fallow period starting in the late '90s, during which his records make relatively little chart impact. That all changed with the 2006 album COMING HOME, Richie's biggest success since his '80s peak. So expectations were high for the follow-up, and JUST GO lives up to those expectations, simply by presenting a perfect distillation of what Richie has always done best. Each tune achieves pop/R&B perfection, as percolating grooves rub up against elegantly conceived melodies through ...
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Out of a seemingly endless array of hip hop albums, every now and again something fresh and powerful rises to the top of the pile. Hailing from the Queensbridge Housing Projects in Long Island City (home to Marley Marl among others), 20-year old Nasir "Nas" Jones is less concerned with being an impersonator than with being an originator, bypassing adolescent fantasies and B-boy braggadocio in favor of jazzy beats, rap noir realism and new answers to urban despair.
ILLMATIC is his story, a cautionary tale of the inner city streets, and as Nas makes plain on his opener, "The Genesis," this is what he does, with or without a record contract, and it's going to be served up straight, no chaser. And because Nas has the courage to transcend popular trends, to separate himself from the ranks of wannabes and me-toos, he may be on the verge of inaugurating some stylistic changes of his own.
Production-wise, Nas has gathered together some of the superstars of the hip hop underground, producers the likes of Q-Tip, Pete Rock, L.E.S., DJ Premier and The Large Professor, but it is Nas' unique rhythmic cadences, his idiomatic sense of on-the-street wordplay, his disrespect for the high time and the empty rhyme that distinguishes ILLMATIC. When Nas rocks the mic, it's not a hedonist's wet dream, but a depiction of urban hope and despair, and thanks to Nas' poetic insights, he soon transports you there (in a manner seldom seen in black pop since the days of Stevie's INNERVISIONS and Marvin Gaye's WHAT'S GOIN' ON?).
ILLMATIC is his story, a cautionary contemporary tale of the inner city streets, and as Nas makes plain on his opener, "The Genesis," this is what he does, with or without a record contract, and it's going to be served up straight, no chaser. And because Nas has the courage ...
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If you like George Michael and Rick Astley, then you're gonna LOVE Scott Topper! In May of 1994, "Stop, And Think It Over" was the #1 most played dance pop song on the radio ...
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