| | Blackmail Lost Summer CD - Import Blackmail Discography of CDs
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Our Price: $39.39  CDFor Sale Usually ships in 1-2 days
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Lost Summer Music | List Price | $40.98 (You save $1.59) | | Category | Rock/Pop Albums, Rock CDs | | Label | Teichiku | | Orig Year | 2005 | | CD Universe Part number | 6846573 | | Catalog number | 21276 | | Discs | 1 | | Release Date | Dec 15, 2007 | | Mono/Stereo | Stereo | | Additional Info | Japan; Germany |
Blackmail Lost Summer Songs | 1. | Ants Follow ( Part 1) | |
| 2. | In the Summer | |
| 3. | Carmine | |
| 4. | Never Forever | |
| 5. | High Roller | |
| 6. | Lost High | |
| 7. | Nostra | |
| 8. | Dull - (Remix) | |
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Lost Summer Review
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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical ...
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals).
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It's always a sign that a group is hot if they release a holiday album mere months after their debut. That's the case with *NSYNC. Their debut was released in America in late March, and in early December, Home for Christmas hit the shelves. Much of the album is devoted to newer material, with only a handful of songs qualifying as standards: "The Christmas Song," "The First Noel," and "O Holy Night." All of it is given ...
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Don Braksdale ran Rhythm Records out of San Francisco and during the 1950s issued a spate of great R&B singles on the localized talent. This first volume spotlights 27 performances from that same time frame with the focus on the label's doo-wop and rock'n'roll sides. Kicking off with 15 year old Alice Jean Wilton and the Mondellos' "100 Years From Today," the set moves effortlessly with ...
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This CD from one of the members of experimental rock band Tuxedomoon serves as a follow-up to the 1984 album NIGHT AIR, including tracks from albums recorded from 1989 to 1999.
Though seemingly a sequel to the original Night Air album, Night Air II is actually a compilation of a number of Blaine L. Reininger's works, instrumental as well as vocal, ranging from the late '80s through 2000, drawing on four separate releases. Mostly consisting of purely solo work through and through, though with the occasional guest performer, it's a fine showcase for his abilities at lush, often classically 'cinematic' work on the level of In the Nursery's series of real and imaginary film scores. Like that band, Reininger has won some specific movie commissions -- two of the source albums are soundtracks to films, 1995's Radio Moscow and 1997's Manic Man. Both provide some particularly striking choices on Night Air II -- the CD starts with Radio Moscow's "Night Ride," living up to the name by blending Reininger's accomplished violin work with what sounds like plucked harps and a high organ piece, along with other elements in the arrangement. It successfully sounds like it should accompany shadowy spies lurking in dark corners and snow at midnight, as do other pieces like "Manic Man" itself and the piano-only "Night Street," while "Winter in Wien" specifically invokes a Cold War atmosphere and makes a witty reference to 'all that Third Man stuff.' The selections from the most recent album, The More I Learn the Less I Know, show that in a new millennium Reininger's voice is perhaps more accomplished and apt for his music than before -- where on Byzantium he was offering up stiff covers of Leonard Cohen, on songs like "Invisible" he finds his own style on such a speak/singing approach, low key and reflective. At points he specifically experiments with various sounds and styles -- "Flame On" balances out Frankie Laine and Ennio Morricone while "Al Haqq" explores Arabian orchestral arrangements and "Nocho Lluviosa" has him singing in Spanish. ~ Ned Raggett
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Like fellow southern singer/songwriter Will Oldham, Bill Callahan (AKA Smog) has been moving steadily over the course of his career toward a more straightforward musical approach. Whereas some of Callahan's earlier efforts were concerned with fractured song structures and experiments, 2005's A RIVER AIN'T ...
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Audio Mixer: Chris Deckard.
Recording information: Radio Penny Studios, St. Louis, MO.
Photographers: Jain Willem Pap; Kenn Kiser; Mateusz Kapciak; Andreas Thies; ...
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