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Mellencamp, John - Whenever We Wanted CD Cover Art CD music music CDs songs album

John Mellencamp Whenever We Wanted CD

 John Mellencamp Discography of CDs
4 stars (1 Customer Review)

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Each Definitive Remaster will feature newly remastered sound, a rare or previously unreleased bonus track and upgraded packaging. Packaging will feature lyrics and complete artwork. Island. 2005.

Recorded at Belmont Mall Studio, Belmont, Indiana between April and June 1991.

Personnel: John Mellencamp (vocals); Mike Wanchic (guitar, background vocals); David Grissom (guitar); John Cascella (pennywhistle, accordion, Farfisa, Hammond b-3 organ); Pharez Whitted (trumpet); Kenny Aronoff (vibraphone, drums); Toby Myers (bass guitar, background vocals).

Audio Remasterer: Bob Ludwig.

Recording information: Belmont Mall Studio, Belmont, Indiana (1991).

Personnel: John Mellencamp (vocals, guitar); David Grissom, Mike Wanchic (guitar); John Cascella (accordion, penny whistle, organ); Pharez Whitted (trumpet); Toby Myers (bass, background vocals); Kenny Aronoff (vibraphone, drums, percussion).

Whenever We Wanted Music


Detailed Whenever We Wanted Music Information



List Price $17.99 (You save $2.84)
Category Rock/Pop Albums, Rock CDs, Hard Rock
Label Island
Orig Year 1991
All Time Sales Rank   14933  
CD Universe Part number 6853197
Catalog number 846700
Discs 1
Release Date May 24, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer John Mellencamp
Engineer Jay Healey
Personnel Kenny Aronoff - vibraphone, drums
John Mellencamp - vocals
David Grissom - guitar
Mike Wanchic - guitar, background vocals
Toby Myers - bass guitar, background vocals
John Cascella - pennywhistle, accordion, Farfisa, Hammond b-3 organ

Also: Pharez Whitted
John Mellencamp Whenever We Wanted Songs


John Mellencamp Whenever We Wanted Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Love and Happiness  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Now More Than Ever  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.I Ain't Ever Satisfied  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Get a Leg Up  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Crazy Ones$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Last Chance  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.They're So Tough  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Melting Pot  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Whenever We Wanted  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Again Tonight  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Love and Happiness - (London Club mix, bonus track)  $0.99

Whenever We Wanted Music Review


Customer Whenever We Wanted Reviews 




Average Rating: (4 out of 5 stars) 4 stars

4 stars heartland rocker scores again!!!
continues to be one the best singer songwriters in music today in this follow up to 1989's big daddy johnnie continues to showcase his writing skills as he opens himself up and takes you to places you may not nessecerily want to but shows such raw emotion with a dignity very very uncommon in his generation,as he continues to progress into one of this generations finest songwriters one of his best!!!!
Submitted by bubblewarrior768 (charlotte nc)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

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Buy John Mellencamp Whenever We Wanted Posters From Allposters.com



John Cougar Mellencamp, Rolling Stone no. 466, January 30, 1986

10 x 12 inch
Photographic Print

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John Cougar and the American listening public became inseparable after this landmark album arrived in 1982. While AMERICAN FOOL wasn't John Cougar's first full-length recording, it was the one wherein he gained commercial and artistic footing, and established a formula that would become his trademark style--simple roots-rock melodies with stirring choruses, unguardedly emotional ...
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For 1983's UH HUH, the follow-up to his breakthrough album, AMERICAN FOOL, John Cougar reclaimed his real last name--Mellencamp--while keeping "Cougar" as a middle name. The change is significant, since UH HUH still features the swaggering rock & roll of John Cougar, in the form of the raucous "Crumblin' Down" and the defiant "Authority Song," while pointing towards his more mature John Mellencamp days with "Pink Houses," a celebration of small-town America. The aforementioned tunes were all major hits for Mellencamp, and they make up the first three songs on this front-loaded ...
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When John Cougar Mellencamp released 1985's SCARECROW, American farmers were taking a major hit from bank foreclosures and soaring interest rates that were destroying their way of life. For Mellencamp, this issue hit close to home since his great-grandfather's family farm had been sold after his sudden death. Looking to his Midwest upbringing for inspiration, the Indiana native composed 11 rootsy songs, featuring fully realized characters that drew from his experiences growing up as a rebel then escaping from small-town life, before he re-embraced his roots. Among the many highlights of this breakthrough album were the tribute to '60s AM Top 40 radio "R.O.C.K. in the U.S.A. (A Salute To 60's Rock)," and the jangly funk of "Justice and Independence '85." The latter was inspired by the healthy birth of his daughter, who was in danger of deformity due to her mom's chicken pox. Elsewhere, Mellencamp mixed in commercially successful populist anthems like "Rain on the Scarecrow," and "Small Town." With SCARECROW's success, John ...
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With 1985's SCARECROW, John Cougar Mellencamp established himself as an uncompromising artist fully in control of his professional and artistic pursuits. With THE LONESOME JUBILEE, however, he set out to paint his masterpiece. Fully embracing the aesthetic found on the classic hits "Pink Houses" and "Jack and Diane," the Indiana native explores rock's rootsier elements, while forgoing the poetic aspirations of Bruce Springsteen and Bob Dylan in favor of simpler, straight-from-the-gut lyricism. In the process, Mellencamp created the trademark working-class pop hybrid that defined his brand of "heartland rock." Backed by folksy fiddle and accordion, jangling power-pop guitars, and a pounding beat equal parts Memphis soul and Rolling Stones, the singer repeatedly explores the twin themes of broken dreams ("Paper in Fire," "The Real Life") and simple pleasures ("Cherry Bomb," "Rooty Toot Toot"). Simultaneously an arena-ready ...
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Mos Def, Macy Gray, Les Nubians, Chali 2Na, Esthero, Kim Hill (vocals); Michaelangelo Fratantuno (guitar); Kevin Torfeh, Susanna Giordano, Roberto Cani, Susan Chatman (strings); Pritz Board (trumpet, Hammond B-3 organ, Moog synthesizer); Jose Espinoza, Eulises Bella, Asoru Sierra (horns); Jerry Duplessis, Miles Taket (bass); DJ Motive (cuts). Black Eyed Peas represent the kind of progressive hip-hop approach associated with bands such as A Tribe Called Quest or the Roots. While their straight-up rapping skills are indisputable, it's the group's quirky arrangements, production style, and preference for live tracks instead of pre-programmed ones that sets them apart from the pack. Throughout BRIDGING THE GAP, the trio makes it clear that they're on a mission to take hip-hop to a smarter, more sophisticated ...
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FLYER was nominated for Best Contemporary Folk Album in the 37th Annual Grammy Awards. With FLYER, Nanci Griffith continues her successful reign as folk music's best country artist. Unlike Mary-Chapin Carpenter who brought a homogenous blend of pop country/folk to the masses, Griffith still struggles on the fringe. Griffith's music is more sophisticated than Chapin's, but it is her high-register, nasal twang that holds her back from mass popularity. But she doesn't mind -- she has a strong cult following and is well respected by her peers. It is the contribution of those peers that allows FLYER to soar. Griffith is joined by guitar virtuoso Frank Christian, the Indigo Girls, Emmylou Harris, The Chieftans, Adam Duritz of Counting Crows, and U2's Adam Clayton. They breeze through mostly Griffith originals, bolstered by Griffith's unique vocals which ...
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