| | Will Faeber Travel By Stars CD Will Faeber Discography of CDs
Personnel: Will Faeber (vocals); Peter Sprague (acoustic guitar); John DePatie (dobro); Tripp Sprague (tenor saxophone); Barnaby Finch (keyboards); Bob Magnuson (acoustic bass); Duncan Moore (drums); Robbyn Kirmsse (background vocals). Travel By Stars Music | Category | Rock/Pop Albums, R&B CDs, Jazz | | Label | Topless | | Orig Year | 2005 | | CD Universe Part number | 6854569 | | Catalog number | 109621 | | Discs | 1 | | Release Date | Apr 12, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Will Faeber; Peter Sprague | | Engineer | Karen Loshbaugh; Peter Sprague | | Recording Time | 58 minutes |
Will Faeber Travel By Stars Songs | 1. | Swept Away |
| 2. | Leading Man |
| 3. | Forty Days |
| 4. | Travel by Stars |
| 5. | Play On |
| 6. | Good Day, A |
| 7. | So Slow |
| 8. | Little T-Bird Ragtop |
| 9. | It's Not the Moon That Cries |
| 10. | Worst Thing, The |
| 11. | You Don't Miss It |
| 12. | Proud Mary |
| 13. | Smokey Bar |
|
Travel By Stars Review
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Purchase Travel By Stars CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Travel By Stars
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
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ON THE CORNER enjoys a special cult status among musicians, anticipating as it does the punk funk/acid jazz movements. For Miles Davis, ON THE CORNER was another seismic shift. Miles was particularly fond of the lyric sweep of Hendrixian electric guitar, the James Brown-like rhythmic thump of Fender bass, and the bell-like timbre and chordal possibilities of the Fender/Rhodes electric piano. Now the trumpeter sought to incorporate the feel of street rhythms from around the world and ...
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Also available in a 3-pack with DOG AND BUTTERFLY and BEBE LE STRANGE.
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This is the sound of a heart on a sleeve. This is the sound of the Dark Clan. The only core member is listless (that's me), guitar player for Stromkern, Null Device, Siv, and member of the Gothsicles, for whom I do whatever darkNES tells me to do. Other contributors contribute wonderful things to the music of The Dark Clan all the time, for which I could never thank them enough. The Dark Clan is a repository for all the songwriting detritus hanging out in my head that has never fit into any band I've ever been in, hence the lack of a coherent overall style. The only things lending any sense of "band-ness" to this collection of songs are my undying love for good melody and big beats, and my weird obsession with first- and fourth-species counterpoint, which techniques appear in just about every single one of these songs. Some of this is quite serious, and some of ...
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Soulfood (New Age): DJ Free (synthesizer, programming); Vocci Di Castagniccia (chant); ...
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