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Tyner, Mccoy - Dimensions CD Cover Art
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Mccoy Tyner Dimensions CD

 Mccoy Tyner Discography of CDs

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On this long out of print LP from the defunct Elektra Musician label, (reissued on CD by Collectables in 2005), pianist McCoy Tyner is featured in one of his strongest groups, a quintet with altoist Gary Bartz, violinist John Blake, bassist John Lee, and drummer Wilby Fletcher. A transitional set between Tyner's adventurous Milestone albums and his later repertoire (which falls in the tradition but still sounds quite original), this album has two standards ("Prelude to a Kiss" and "Just in Time"); Bartz's tribute to Thelonious Monk ("Uncle Bubba"); and one original apiece by Tyner, Blake, and Lee. Excellent music. ~ Scott Yanow

Personnel: McCoy Tyner (piano); Gary Bartz (saxophone, alto saxophone); Willy Fletcher (drums); John Blake (violin); John Lee , Wilby Fletcher.

Liner Note Author: McCoy Tyner.

Dimensions Music


Detailed Dimensions Music Information



List Price $12.97 (You save $2.58)
Category Rock/Pop Albums, Jazz Instrument CDs, Piano, Jazz
Label Collectables
Orig Year 1984
All Time Sales Rank   97301  
CD Universe Part number 6857258
Catalog number 6598
Discs 1
Release Date Jun 14, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer McCoy Tyner
Personnel Mccoy Tyner - piano
John Blake - violin
John Lee
Wilby Fletcher

Also: Gary Bartz
Mccoy Tyner Dimensions Songs


Mccoy Tyner Dimensions Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.One for Dea
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Prelude to a Kiss  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Precious One$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Just in Time$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Understanding$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Uncle Bubba$0.99

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Land of Giants, McCoy Tyner, Bobby Hutcherson, Charnett Moffett, Eric Harland

30.625 x 30.625 inch
Framed Photographic Print

Price: $154.99
Land of Giants, McCoy Tyner, Bobby Hutcherson, Charnett Moffett, Eric Harland

21.6875 x 21.6875 inch
Framed Photographic Print

Price: $114.99
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Counterpoints: Live In Tokyo
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McCoy Tyner is a powerhouse pianist and this live concert from Tokyo only confirms the mastery of this jazz titan. COUNTERPOINT opens with Tyner's own composition "The Greeting." A modal tour de force, this tune features a scorching solo from Tyner and high-octane drumming from Tony Williams. However, bassist Ron Carter offers great musical contrast. During his solo, he brings the group dynamic noticeably lower, and unlike Tyner and Williams, he focuses on subtle rhythmic motifs. Duke Ellington's "Prelude to a Kiss" may be the highlight of COUNTERPOINTS. ...
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Although a four-LP Mosaic box set purportedly includes every recording led by the obscure but talented tenor saxophonist Tina Brooks, this 1994 CD has previously unreleased alternate takes of "True Blue" and "Good Old Soul" that Mosaic overlooked. Brooks is teamed with the young trumpeter Freddie Hubbard (on one of his earliest sessions), pianist Duke Jordan, bassist Sam Jones, and drummer Art Taylor for a set dominated by Brooks' originals. None of the themes may be all that memorable ("Nothing Ever Changes My Love for You" comes the closest), but the hard bop solos are consistently excellent. ~ Scott Yanow Although a four-LP Complete Blue Note Recordings box set on Mosaic purportedly includes every recording led by the obscure but talented tenor saxophonist Tina Brooks, this 1994 CD has previously unreleased alternate takes of "True Blue" and "Good Old Soul" that Mosaic overlooked. Brooks is teamed with the young trumpeter Freddie Hubbard (on one of his earliest sessions), pianist Duke Jordan, bassist Sam Jones, and drummer Art Taylor on a set dominated by Brooks' originals. None of the themes may be ...
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With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero--proud and defiant--who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing. The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name--Miles was a jazz icon. His famous intro on the title tune is based on mentor Dizzy Gillespie's arrangement, and Miles' tone, always a strong point, has here matured into something deeply personal and unique. His provocative use of space and silence--matched only by Lester Young, Billie Holiday and Thelonious ...
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Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest). The latter is especially true on the two opening Hutcherson pieces, the sweetly lilting "'Til Then" and the innocent, childlike theme of "My Joy," which is reminiscent of "Little B's Poem" (save for its multi-sectioned structure). Meanwhile, Chambers' experiments with counterpoint in the context of group improvisation keep getting more evocative. The title cut is quick and driving, with lots of short, fleeting exchanges between Hutcherson and a surprisingly swinging ...
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Recorded in 1978 at Tokyo's Live Under the Sky festival. PASSION DANCE presents McCoy Tyner in top form. On two out of five tracks, the jazz pianist is accompanied by bassist Ron Carter and ...
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On paper it seems as if such titanic and distinctive musical personalities as Thelonious Monk and John Coltrane might not mix very well, but this stellar set, recorded live at Carnegie Hall in 1957, plays almost like a blissful extended duet between the two (with support from a sensitive yet hard-swinging bassist and drummer). The ...
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