| | Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse CD Haydn / Lewis / Marriner / Soffel / Vaness CDS
Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse Music | List Price | $11.98 (You save $2.99) | | Label | EMI Music Distribution | | Orig Year | 5/24/2005 | | All Time Sales Rank |  13000  | | CD Universe Part number | 6862056 | | Catalog number | 86546 | | Discs | 2 | | Release Date | May 24, 2005 | | Recording Time | 2 16 |
Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse Review
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Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse Songs 1. Missa Sancti Bernardi von Offida, for soloists, chorus, organ & orchestra in B flat major ("Heiligme (11:02)  Windows Media  Real Audio | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Neville Marriner | | Performer | Hermann-Christian Polster
Petteri Salomaa
Keith Lewis
Dagmar Schellenberger
Hansjurgen Scholze [Organ] (Organ)
Carol Vaness | | Genre | Classical Period / Mass | | Date Written | 1796 | | Period | Classical | | Venue | Lukas Church, Dresden, Germany | | Recording Date | 09/1986 | | 2. Missa Sancti Bernardi von Offida, for soloists, chorus, organ & orchestra in B flat major ("Heiligme (37:57) Windows Media Real Audio | | Common Name | Lord Nelson Mass, Mass For For Chorus Organ & Orchestra | | Catalog No. | H 22 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Neville Marriner | | Performer | Keith Lewis
Christine Schonknecht
Robert Holl
Margaret Marshall
Hansjurgen Scholze [Organ] (Organ) | | Genre | Classical Period / Mass | | Date Written | 1798 | | Period | Classical | | Venue | Lukas Church, Dresden, Germany | | Recording Date | 04/1985 | | Notes | Composition written: 1798.
Composition revised: England. | | 3. Missa Sancti Bernardi von Offida, for soloists, chorus, organ & orchestra in B flat major ("Heiligme (16:29) Windows Media Real Audio | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Neville Marriner | | Performer | Barbara Hendricks
Hansjurgen Scholze [Organ] (Organ) | | Genre | Classical Period / Mass | | Date Written | by 1778 | | Period | Classical | | Country | Austria | | Venue | Lukas Church, Dresden, Germany | | Recording Date | 09/1989 | | 4. Missa Sancti Bernardi von Offida, for soloists, chorus, organ & orchestra in B flat major ("Heiligme (12:56) Windows Media Real Audio | | Common Name | Theresienmesse Mass, Mass For For Chorus Organ & Orchestra | | Catalog No. | H 22 | | Composer | Franz Joseph Haydn (1732 - 1809) | | Conductor | Sir Neville Marriner | | Performer | Petteri Salomaa
Keith Lewis
Hansjurgen Scholze [Organ] (Organ)
Carol Vaness | | Genre | Classical Period / Mass | | Date Written | 1799 | | Period | Classical |
Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse Music Composers on Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse CD : Franz Joseph Haydn Conductors on Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse CD : Sir Neville Marriner Genres on Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse CD : Classical Period, Mass Performers on Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse CD : Christine Schonknecht, Dagmar Schellenberger, Barbara Hendricks, Keith Lewis, Margaret Marshall, Petteri Salomaa, Hermann-Christian Polster, Robert Holl, Hansjurgen Scholze [Organ], Carol Vaness Purchase Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse To buy, Click on price to add to cart | Haydn: Missa Cellensis; Paukenmesse; Schöpfungsmesse CDs (2005)
Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse
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Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse
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After releasing a collection of Snoop outtakes plus their "Re-Lit" version of Dr. Dre's The Chronic, the WIDEawake Entertainment group continued their unleashing of Death Row Records vault with their most ambitious project yet. The Ultimate Death Row Collection kicks off with a disc full of hits from the infamous West Coast label's heyday. With "Gin & Juice" (Snoop Dogg), "Nuthin' But a "G" Thang" (Dr. Dre), "I Ain't Mad at Cha" (2Pac), "Regulate" (Warren G.), and a slew of others, it's a whirlwind of vital G-Funk hits and West Coast classics that finishes on a high note, the fan favorite "Afro Puffs" (Lady of Rage). Disc two and three are where things get interesting, as a series of unreleased and rare tracks present an alternative-reality version of Death Row. From the LBC Crew's ominous "Six Shooter" to Soopafly's underappreciated party cut "This Type of Flow," the collection makes the Row seem much more active and diverse than most will ...
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Haydn: Heiligmesse; Nelsonmesse; Kleine Orgelsolomesse; Theresienmesse
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Now Let Us Sing!About the MusicThe compositions of Gwyneth Walker encompass a wide variety of styles ranging from serious and evocative settings of texts by renowned poets and authors to robust arrangements of traditional songs and spirituals. The first selection, How Can I Keep From Singing? is a vibrant arrangement for voices, brass, piano and percussion of a Quaker hymn which dates back to the 1800's. The text expresses the power of song to provide strength to meet the challenges of life.Anne Morrow Lindbergh's inspirational book, Gift from the Sea, is the source for the text for Gifts from the Sea. Bella Voce has commissioned Walker to compose a cantata, which is titled Lessons From The Sea, based upon this beloved book. In this final song from the cantata, sounds of the sea can be heard throughout the rolling accompaniment of the piano, and the voices sing of the lessons that the sea can teach -- patience and faith. Accompanist for this selection - Xiudan Lin. The text for Let Evening Come is a poem by a former New Hampshire poet laureate -- Jane Kenyon (1947-95). In her comments about this piece, Walker writes that this poem 'speaks of the peace and comfort of evening!. The opening, four note motive in the piano accompaniment might be heard as church bells tolling the coming of nightfall. ' This piece evokes a quiet sense of dusk moving across the farmland in the evening. Six Songs for Women's VoicesWalker's Songs for Women's Voices include six original songs with texts by American poet May Swenson (1913-1989), who published over 450 poems in her lifetime. As Walker states in the music, the poems she has selected 'address a wide variety of topics -- from feminism to God to romance to death -- yet they speak with one voice, one style and one life-affirming philosophy. ' Women Should Be Pedestals is a 'tongue-in-cheek' commentary on relationships between men and women. Mornings Innocent is a lyrical song of young love. The Name Is Changeless describes one's search for God first with a hushed, prayer-like chant that evolves into an active interplay of voices and then ultimately ends with a quiet, reflective statement of 'God. ' In the introduction of Love Is a Rain of Diamonds, the piano creates the sound of a delicate rainfall. In lush harmonies, the voices sing of love that is mature and fulfilling. In Autumn begins with a hauntingly lovely duet that tells of preparation for the coming of autumn (the end of life. ) Walker creates the impression of the sound of 'water over stones' and other sounds of nature with the voices and piano. This reflective piece ends with notes that meander upward on the words 'let birds be flying. ' I Will Be Earth is a song of the passionate and 'radiant' love of two people -- both strong individuals yet intertwined. I Thank You God is one of Gwyneth Walker's award-winning compositions. In 1999, the American Choral Director's Association selected her for the prestigious Raymond W. Brock Memorial Commission. For an inspiring text, Walker turned to the work of American poet E.E. Cummings (1894-1962) and selected his poem 'I Thank You God for most this amazing [day]' This poem was first presented at Harvard -- his alma mater -- in 1952. His poetry, famous for its unusual punctuation, syntax and meter, was quite popular. At the time ...
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