| | Libido: The Piano Tribute To Nirvana CD
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Purchase Libido: The Piano Tribute To Nirvana CD To buy, Click on price to add to cart | Train Save Me, San Francisco CD (2009)
Libido: The Piano Tribute To Nirvana
 $9.58   
San Francisco's Train hit the charts with a bang early in the 21st century with hits like "Calling All Angels" and "Drops of Jupiter." They began as a band that courted an alternative audience and quickly traded it -- without changing their sound much -- for a more adult fanbase with mixed results. SAVE ME, SAN FRANCISCO took four years to make -- remember there was Monahan's solo album in the interim -- and involved a slew of musicians (because only Monahan, guitarist Jimmy Stafford, and drummer Scott Underwood remain from the original group), four studios in the United States and England, songwriting collaborators, and even a handful of producers, though ...
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With the release of GET LUCKY, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which itself may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, begins with a pennywhistle and a piano, then strings join in. Soon enough, Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric guitar. He even works up to a smoldering swamp rock shuffle, a la J.J. Cale, on "Cleaning My Gun." But that's as close as he comes to really rocking out. More typical is "Hard Shoulder," a ballad that employs a twangy guitar sound and comes across as a number that Glen Campbell could have had a hit with back in his late-'60s "Wichita Lineman" heyday. The tunes support Knopfler's story-songs and musical character studies, as he describes or embodies truck drivers ...
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This reissue of REVOLVER has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To," the Motown-inspired "Got To Get You Into My Life," the backwards guitar in "I'm Only Sleeping." "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal.
Still, the Beatles' experimentation grew out of their songwriting, which had matured beyond formula pop. "Tomorrow Never Knows" was inspired by the Tibetan Book of the Dead, Harrison's "Taxman" was a bitter diatribe, and McCartney's "Eleanor Rigby" was a bleak portrait of loneliness. Balanced with upbeat songs like "Good Day Sunshine" and "Yellow Submarine," REVOLVER proved ...
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When Buckcherry hit the scene in the mid-'90s, few would have predicted that the raunchy, stripper pole/retro-hair metal outfit had a 15-year career ahead of it, let alone a Grammy nomination. Despite the nearly complete ...
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On Larry the Cable Guy's second seasonal album, CHRISTMASTIME ...
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