| | Danny Becher In Resonance CD Danny Becher Discography of CDs
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IN RESONANCE is an appropriate title for this album featuring Danny Becher on the Tibetan bowls. Exploring the sonic and spiritual properties of overtone music, Becher creates shimmering corridors and celestial vistas with his instruments, producing a powerful catalyst for meditation and deep relaxation. Becher keeps his instrumental palette varied, employing synthesizer, stringed instruments, and a male choir on various tracks. Yet each selection is in keeping with the meditative principles inherent in Tibetan music, giving IN RESONANCE a remarkably cohesive effect. The results should prove very productive for the practices of meditation, yoga, and the healing arts.
Personnel: Danny Becher (bowls).
Danny Becher In Resonance Songs In Resonance Review
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Purchase In Resonance CD To buy, Click on price to add to cart | Vlasta Marek Tibetan Bowls: Overtone Music CD (2001)
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A veteran of 10 albums at the age of 26 and an acclaimed member of Houston's Screwed Up Click, Z-Ro is much more complex than his surface or the simple intro of THE LIFE OF JOSEPH W. MCVEY may imply. Prolific output isn't the only thing he has in common with hardcore legends such as Too Short and Rap-A-Lot icon Scarface; Z-Ro also cuts his hard-edged street delivery with a haunting, almost hypnotic, introspection.
As this album reveals, Z-Ro deeply feels every word he sings. With "I Hate U B***h," the song is not so much a misogynistic rant as the pained, primal gut-reaction of a devoted man who's been hurt by the object of his affection (the line after the title is "I never thought I would say [it]"). On the melodic "Why?," he ponders the insanity of the thug life, wishing he could be loving and simple, spiritual and comfortable, but uncertain of how to find his escape. THE LIFE OF JOSEPH MCVEY reveals a tortured soul who concurrently knows himself and doesn't understand a thing, making this an achingly honest record that deserves to break Z-Ro through to new audiences.
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Personnel: ...
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| | Dominique Leone CD (2008)
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It's a truism that, with the exception of the Pretenders' Chrissie Hynde and Pet Shop Boys' Neil Tennant, rock critics don't make good musicians. Former Pitchfork staffer Dominique Leone disproves that assertion with his self-titled debut album. Reminiscent of ...
| | Lanterna Elm Street CD (2001)
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The compelling instrumental follow up to their critically acclaimed debut album "Lanterna.""Elm Street" transcends whatever label one wishes to put upon it. Equally at home in collections of Rock, New Age or Ambient, it is simply an alluring collection of songs suitable for every moment of the day listening.A 'lanterna" is a magic lantern. In the hands of delay-pedal guitar master Henry Frayne (Moon Seven Times, Area), this Lanterna will light the path into the deep corners of your mind to project road movies in slow motion. Lanterna visits the instrumental vistas that Pell Mell and Scenic have traveled for their music, though Lanterna's use of the wild west is more expansive in its splashes of ambient guitar, drums and bass."... not content with mere pretty soundscapes, Lanterna conjures a mixed bag of styles, mostly spare, spicy, spacey, quiet, ambient Talk Talk, Pink Floyd moods, but also haunted, saddened spaghetti western and dreampoppy, delay-vistas that clutch one's heart strings."- Big Takeover
Lanterna is the predominantly solo instrumental project of Henry Frayne, an Illinois-based composer who also was an integral part of The Moon Seven Times. Here, delicate guitar-led rock atmospheres create pastoral vistas. ELM STREET is the second outing for Lanterna and features the drumming of Colin Koteles. "B Minor" is reminiscent of The Church's album STARFISH, with an intoxicating ...
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The second solo album by Markku Lepistö, Varttinä’s accordionist, takes him from western Finland to the wide world. Markku’s first much-acclaimed album, Silta ("Bridge"), was a eulogy to his roots in southern Ostrobothnia. This is what Markku has to say about his new album: "The album Polku ("Path") tells the story of my life since I left the Ostrobothnia region. Along the way there have been ups and downs, rocky paths, rail tracks, plenty of pitch-black highways, crossroads, comings and goings. On my journey I picked up the pictures and landscapes that are played in this recording. This album wouldn't exist without the friends who have shared my journey."As the years and kilometres have clocked up, Markku has developed his own, fresh language of composition, where Finnish tradition combines in a new way with influences he has collected on his travels round the world. Polku takes the listener from Ostrobothnia via Helsinki to Finisterre, a headland at the end of the world.The totally acoustic sounds in Polku are rich and ruggedly beautiful. Over the years, Markku’s band has gelled together well and in Polku they play in a wonderfully easygoing way. There are also two trio pieces, which Markku plays with his fellow Värttinä ...
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