| | Punk CD Punk Discography of CDs
Punk Songs | 1. | Better Than Ezra- Good |
| 2. | Bloodhound Gang- Along Comes Mary |
| 3. | Bloodhound Gang- Ballad Of Chasey Lain |
| 4. | Killing Heidi- Tomorrow |
| 5. | Pennywise- Fuck Authority |
| 6. | Punk Covers- Jenny 867-5309 |
| 7. | Punk Covers- Build Me Up Buttercup |
| 8. | Punk Covers- Crash |
| 9. | Punk Covers- I Can't Help Falling In Love With You |
| 10. | Punk Covers- I'll Stop The World |
| 11. | Punk Covers-So Happy Together |
| 12. | Punk Covers- Sweet Dreams |
| 13. | Punk Covers- Tainted Love |
| 14. | Punk Covers- Titanic Theme |
| 15. | Saving Ferris- Mistaken |
| 16. | The Superjesus- Everybody Calls Me Lonely |
| 17. | The Superjesus- Second Sun |
| 18. | The Superjesus- Gravity |
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Punk Review
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Purchase Punk CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
Punk album
 $13.79   
Continuing his stroll through pop's backpages, Rod Stewart moves on from "The Great Rock Classics of Our Time" and dives into the SOULBOOK, shorthand for all the great Motown and soul songs that still are in heavy rotation on oldies radio well into the new millennium. Rod doesn't spend much time with the soul and blues singers so influential on him, choosing instead to run through a bunch of Motown hits - a full six of the 13 songs here are from the Motor City - adding a couple of smooth soul hits from the early '70s, plus Chuck Jackson & Maxine Brown's "Let It Be Me" which gives him an opportunity to duet with Jennifer Hudson. All this is firmly within Stewart's wheelhouse.
Photographer: Mark Seliger.
Arrangers: Howard Drossin; Willie Mitchell.
Personnel: Anatoly Rosinsky, Searmi Park, Julie Gigante, Phillipe Levy, Roger Wilkie, Roy Brewer (violin); Marlo Fisher, Rob Brophy, Karen Elaine, David F. Walther (viola); New Memphis Strings (strings).
Liner Note Authors: Arnold Stiefel; Rod Stewart.
| | Judas Priest Concert Classics CD (2009) Reissue
Punk CD music
$11.18   
There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, on stage. Judas Priest re-invented heavy metal. The first band to use the twin-guitar attack, they built on the foundation Black Sabbath had laid and moved metal to a new level. Looking back on the body of the work that the classic Priest line-up of Rob Halford, Glenn Tipton, K.K. Downing, Ian Hill and Dave Holland has left us, nobody is in any doubt that the "British Steel" album was the finest studio work the band produced. There are also those people who will tell you that British Steel was the finest British studio album ever made.This album is taken from the tour that supported the release of "British Steel" and it takes the majesty of that album into its true context: in front of a paying audience.
| | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
Punk music CDs
 $22.69 
In 1978, the legendary prog-rock band Jethro Tull descended on Madison Square Garden, unleashing an epic 14-song set that stretched from "Sweet Dream" through "Thick as a Brick" and "Aqualung," and landing on a righteous encore of "Locomotive Breath." This release includes amazing vintage footage of the concert (which was the first U.S. show ever to be broadcast live in the U.K.), as well as a handful of rarely seen photographs from the performance.
2009 remaster of a 1978 show in NYC. CD has 11 tracks. PAL DVD has 14 tracks. 25 tracks.
| | Mariah Carey Merry Christmas CD (1994)
Punk songs
$8.75
At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs.
She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid phrasing is key. "Miss You Most (At Christmas Time)" shows off a dynamic voice that is hard to match. She has fun with the Phil Spector goodie "Christmas (Baby Please Come Home)," a song straight out of '60s girl-group heaven. There is even a "Joy To The World" medley mixing the old and the new--the traditional Christmas song and the Three Dog Night hit. And, as usual, her gospel-voiced background singers are out in full force.
There are two ways to enjoy this album. One is to sit back and revel in Mariah Carey's vocal fireworks, and the other is to pour yourself a glass of egg-nog, get cozy by the tree and have yourself a MERRY CHRISTMAS.
Recorded at the Hit Factory, New York.
Producers: Mariah Carey, Loris Holland, Walter Afanasieff.
Personnel: Mariah Carey (vocals); Dann Huff (guitar); Lenny Pickett (saxophone); Loris Holland (piano, Hammond B-3 organ); Greg Phillinganes (piano); Walter Afanasieff (Hammond B-3 organ, keyboards, synthesizer, bass, tambourine, claps, programming); Randy Jackson, Kirk Lyons (bass); Buddy Williams, Bernard Davis, Omar Hakim (drums); Dave Silliman (percussion); Gary Cirimelli, Dan Shea, Robert Clivilles, David Cole (programming); Melonie Daniels, Shanrae Price, Kelly Price, Cindy Mizzelle (background vocals).
Children's Choir: Wayne Daniels, Jr., David Daniels, Nathan Daniels, Jodi Walton, 3D, Jazzmin Walton, Janaye Walton, Tobitha Shinique Owens.
| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
Punk album
$17.79
Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album becoming ponderous either as the economical tracklist and purposeful songs wipe away the sins of their previous album, 2005's ROSENROT. The group's loyal fans have remained with them through the '00s and have braved all the difficult but ultimately rewarding efforts that came with it. To them, LIEBE IST FUR ALLE DA is the big payoff and an instant classic. For the rest of the world, this is that once a decade, perfectly balanced Rammstein album that's immediately accessible but wide and deep enough to explore for years to come.
Anyone familiar with the industrial metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album Liebe Ist fur Alle Da ("Love Is There for Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album, Sehnsucht, with the musicianship and elaborate textures of their later work, Liebe Ist is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B***
| | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
Punk CD music
$16.44
Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she's not just a fleeting pop phenomenon. ~ Stephen Thomas Erlewine
Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is o
| | Rock Artifacts, Vol. 1 CD (1990)
Punk music CDs
$5.19
Rock Artifacts, Vol. 1 offers a nice mix of familiar hits and obscurities from the Columbia vaults. "Hot Fun in the Summertime," "More Today Than Yesterday," "Hold Your Head Up" and "That Lady" all sell the disc to a casual audience, but collectors will be brought in by such songs as Looking Glass' "Jimmy Loves Mary-Anne," Grin's "White Lies," Chase's "Get It On," Pacific Gas & Electric Company's "Are You Ready?," Sweathog's "Halleujah," Mashmakhan's "As the Years Go By," Chi Coltrane's "Tunder and Lightning," Redbone's "Maggie," Spiral Starecase's "No One for Me to Turn To," Keith Barbour's "Echo Park," Christie's "Yellow River" and Redbone's "The Witch Queen of New Orleans," all of which rarely appear on various-artists compilations. They're reason enough to pick up the disc. ~ Stephen Thomas Erlewine
Chase,Looking Glass,Grin,Argen Spiral Starecase,Redbone,+
Recording information: England (11/18/1968-??/??/1973); Hollywood, CA (11/18/1968-??/??/1973); Los Angeles, CA (11/18/1968-??/??/1973); New York, NY (11/18/1968-??/??/1973); Regent Sound Studios (11/18/1968-??/??/1973); San Francisco, CA (11/18/1968-??/??/1973).
Photographer: Richard Ross.
Personnel: The Blackberries (background vocals).
Audio Remasterer: Vic Anesini.
| | Divine Comedy Absent Friends CD (2004)
Punk songs
$15.15 
The first album since the regeneration of the band in 2001 is beautifully reflective, packed with fantastic orchestration, marking a stellar return to form for Neil Hannon.
| | Health Get Color CD (2009) (Import)
Punk album
$31.59
Track Listing of songs: In Heat; Die Slow; Nice Girls; Death+; Before Tigers; Severin; Eat Flesh; We Are Water; In Violet;
| | Awesome New Republic Hearts CD (2009)
Punk CD music
$8.25
Photographer: Peter Richardson.
| | Archive You All Look The Same To Me CDs (2002) (Import)
Punk music CDs
$42.05
Track Listing of songs: DISC 1: Again; Numb; Meon; Goodbye; Now And Then; Seamless; Finding It So Hard; Fool; Hate; Need; DISC 2: Absurd; Junkie Shuffle; Sham; Men Like You;
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