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Punk Music


Detailed Punk Music Information



Category Rock/Pop Albums, Rock CDs, Oldies Collections
Label Crimson Productions
CD Universe Part number 6869479
Catalog number 247
Discs 1
Release Date Jun 14, 2005
Punk Songs


Punk Album Track Listing



1.Better Than Ezra- Good
2.Bloodhound Gang- Along Comes Mary
3.Bloodhound Gang- Ballad Of Chasey Lain
4.Killing Heidi- Tomorrow
5.Pennywise- Fuck Authority
6.Punk Covers- Jenny 867-5309
7.Punk Covers- Build Me Up Buttercup
8.Punk Covers- Crash
9.Punk Covers- I Can't Help Falling In Love With You
10.Punk Covers- I'll Stop The World
11.Punk Covers-So Happy Together
12.Punk Covers- Sweet Dreams
13.Punk Covers- Tainted Love
14.Punk Covers- Titanic Theme
15.Saving Ferris- Mistaken
16.The Superjesus- Everybody Calls Me Lonely
17.The Superjesus- Second Sun
18.The Superjesus- Gravity
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Fame Monster
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CD $16.25  5 stars Top 100
Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she's not just a fleeting pop phenomenon. ~ Stephen Thomas Erlewine Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is o
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Unlike previous entries in Neil Young's Archives series, Dreamin' Man Live '92 does not capture a specific gig. Instead, it's a compilation of highlights from the tour he took prior to recording Harvest Moon, as he aired the album's ten songs alone with his guitar (or on one occasion each, his piano and banjo). Although every one of the album's cuts is here, this isn't a strict re-creation of the album, since the songs are sequenced in non-LP order, but that's a minor detail: for most intents and purposes, this is an alternate version of Neil's well-loved but not epochal return to country-rock. Some of the songs do gain a degree of poignancy in this bare-bones setting, which doesn't make them better, just different, and certainly worth hearing for those fans dedicated enough to care. And while this is better than, say, Unplugged -- that was pretty good, this is very good -- these performances are at their core sturdy and appealing, the kind that fans will love but never speak of breathlessly. Then again, it's pretty hard to be breathless about music that sways as gently as this. ~ Stephen Thomas Erlewine Photographers: Steve Babineau; Neil Young. Personnel: Neil Young (vocals, guitar, banjo, harmonica, piano). Audio Mixer: Tim Mulligan.
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CD $8.75  4.4 stars Top 100 Audio Samples
At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs. She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid phrasing is key. "Miss You Most (At Christmas Time)" shows off a dynamic voice that is hard to match. She has fun with the Phil Spector goodie "Christmas (Baby Please Come Home)," a song straight out of '60s girl-group heaven. There is even a "Joy To The World" medley mixing the old and the new--the traditional Christmas song and the Three Dog Night hit. And, as usual, her gospel-voiced background singers are out in full force. There are two ways to enjoy this album. One is to sit back and revel in Mariah Carey's vocal fireworks, and the other is to pour yourself a glass of egg-nog, get cozy by the tree and have yourself a MERRY CHRISTMAS. Recorded at the Hit Factory, New York. Producers: Mariah Carey, Loris Holland, Walter Afanasieff. Personnel: Mariah Carey (vocals); Dann Huff (guitar); Lenny Pickett (saxophone); Loris Holland (piano, Hammond B-3 organ); Greg Phillinganes (piano); Walter Afanasieff (Hammond B-3 organ, keyboards, synthesizer, bass, tambourine, claps, programming); Randy Jackson, Kirk Lyons (bass); Buddy Williams, Bernard Davis, Omar Hakim (drums); Dave Silliman (percussion); Gary Cirimelli, Dan Shea, Robert Clivilles, David Cole (programming); Melonie Daniels, Shanrae Price, Kelly Price, Cindy Mizzelle (background vocals). Children's Choir: Wayne Daniels, Jr., David Daniels, Nathan Daniels, Jodi Walton, 3D, Jazzmin Walton, Janaye Walton, Tobitha Shinique Owens.
Sonic Boom
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When SONIC BOOM was released, it had been over a decade since the last Kiss studio album, so expectations were understandably high. In addition, the intervening period had seen the band fire two of its founding members for the second time, only to replace them with sidemen wearing Ace Frehley and Peter Criss's iconic makeup. Luckily, the new additions, unlike some of Kiss's "un-masked years" members, have a good feel for classic Kiss. That fact, matched with Paul Stanley's assumption of production duties, makes SONIC BOOM one of the most consistent and thoroughly Kiss-sounding albums since the group's `70s heyday. That said, the New York City unit manages to branch out a bit; alongside very ROCK & ROLL OVER/LOVE GUN-esque tracks such as the Gene Simmons-sung rockers "Yes I Know (Nobody's Perfect)" and "Russian Roulette," sit ambitious pieces such as "Stand," which employs a Motown-influenced chorus melody, sophisticated arrangement, and Beach Boys-style harmonies, and "All For the Glory" and "Lightning Strikes," which are vocal showcases from new guys Eric Singer and Tommy Thayer (respectively). Interestingly, both Singer's rasp and Thayer's slightly off-kilter delivery are highly reminiscent of their famous predecessors, which further contributes to the album's distinct Kiss-ness. Overall, though the record doesn't pack quite the same lean, mean, gritty punch as early classics like DESTROYER or KISS (or Ace Frehley's own 2009 album ANOMALY), it is a clear return to the sound of archetypal Kiss. In the 11 years since their last album, the big and bloated Psycho Circus, the reunited, original, make-up wearing Kiss split once again when Ace Frehley and Peter Criss hit the door. In a shocking move that disgusted Kiss purists, remaining members Paul Stanley and Gene Simmons decided that Ace and Peter's characters were up for grabs, and handed the make-up over to their new guitar-playing spaceman, Tommy Thayer, and their catman 2.0, Eric Singer, for subsequent tours. It
Jethro Tull: Live At Madison Square Garden 1978
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In 1978, the legendary prog-rock band Jethro Tull descended on Madison Square Garden, unleashing an epic 14-song set that stretched from "Sweet Dream" through "Thick as a Brick" and "Aqualung," and landing on a righteous encore of "Locomotive Breath." This release includes amazing vintage footage of the concert (which was the first U.S. show ever to be broadcast live in the U.K.), as well as a handful of rarely seen photographs from the performance. 2009 remaster of a 1978 show in NYC. CD has 11 tracks. PAL DVD has 14 tracks. 25 tracks.
Off The Wall
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OFF THE WALL remaster contains previously unreleased demos and commentary by producer Quincy Jones and songwriter Rod Temperton. Recorded in Los Angeles, California between 1978 & 1979. Originally released on Epic (35745). Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California). As the lead singer of the Jackson 5, Michael Jackson had already been labeled a legend at a young age; but OFF THE WALL introduced the world to the adult Michael Jackson, and proved that he was still very much worthy of that label. It was the real beginning for Michael as a solo artist, and opened the doors for his next album THRILLER, which would become the greatest selling album of all time and help foist upon a Jackson a new title: King Of Pop. Under the supervision of Quincy Jones, OFF THE WALL illustrated some of Jackson's most soulful material. The title-track is among the album's smoothest, and introduces his silky feel for the dance-floor. The lively "Working Day And Night" was a teaser for the singles "Don't Stop 'Til You Get Enough" and "Rock With You," both of which reached #1 on the pop charts. Slowing down the pace, the album also hosted some romantic tunes which, through the years, have become classics in their own right. With "Girlfriend" and "She's Out Of My Life," Michael proved that he never lost his golden touch when it came to love songs. Additional Tracks Personnel includes: Michael Jackson (vocals, percussion); Patti Austin (vocals); David Williams, Marlo Henderson, Phil Upchurch, Wah Wah Watson, Marlo Henderson, Larry Carlton (guitar); Larry Williams (flute, alto & tenor saxophones); Kim Hutchcroft (flute, tenor & baritone saxophones); Jerry Hey (trumpet, flugelhorn); Gary Grant (trumpet); William Reichenbach (trombone); Greg Phillinganes (electric piano, synthesizer); David "Hawk" Wolinski (electric piano); Michael Boddiker (synthesizer, programming); George Duke, David Foster (synthesizer); Louis Johnson (bass); John Robinso
Rock Artifacts, Vol. 1
Rock Artifacts, Vol. 1 CD  (1990)

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CD $5.19
Rock Artifacts, Vol. 1 offers a nice mix of familiar hits and obscurities from the Columbia vaults. "Hot Fun in the Summertime," "More Today Than Yesterday," "Hold Your Head Up" and "That Lady" all sell the disc to a casual audience, but collectors will be brought in by such songs as Looking Glass' "Jimmy Loves Mary-Anne," Grin's "White Lies," Chase's "Get It On," Pacific Gas & Electric Company's "Are You Ready?," Sweathog's "Halleujah," Mashmakhan's "As the Years Go By," Chi Coltrane's "Tunder and Lightning," Redbone's "Maggie," Spiral Starecase's "No One for Me to Turn To," Keith Barbour's "Echo Park," Christie's "Yellow River" and Redbone's "The Witch Queen of New Orleans," all of which rarely appear on various-artists compilations. They're reason enough to pick up the disc. ~ Stephen Thomas Erlewine Chase,Looking Glass,Grin,Argen Spiral Starecase,Redbone,+ Recording information: England (11/18/1968-??/??/1973); Hollywood, CA (11/18/1968-??/??/1973); Los Angeles, CA (11/18/1968-??/??/1973); New York, NY (11/18/1968-??/??/1973); Regent Sound Studios (11/18/1968-??/??/1973); San Francisco, CA (11/18/1968-??/??/1973). Photographer: Richard Ross. Personnel: The Blackberries (background vocals). Audio Remasterer: Vic Anesini.
Absent Friends
Divine Comedy Absent Friends CD  (2004)

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CD $15.15  Top 500
The first album since the regeneration of the band in 2001 is beautifully reflective, packed with fantastic orchestration, marking a stellar return to form for Neil Hannon.
Get Color
Health Get Color CD  (2009) (Import)

Punk album
CD $27.59
Track Listing of songs: In Heat; Die Slow; Nice Girls; Death+; Before Tigers; Severin; Eat Flesh; We Are Water; In Violet;
Hearts
Awesome New Republic Hearts CD  (2009)

Punk CD music
CD $8.25  
Photographer: Peter Richardson.
Sorry, there is no artwork available at this time
Archive You All Look The Same To Me CDs  (2002) (Import)

Punk music CDs
CD $42.05
Track Listing of songs: DISC 1: Again; Numb; Meon; Goodbye; Now And Then; Seamless; Finding It So Hard; Fool; Hate; Need; DISC 2: Absurd; Junkie Shuffle; Sham; Men Like You;
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