| | Los Rios Latin Dance CD Los Rios Discography of CDs
Los Rios Latin Dance Songs | 1. | Limba Limba Lambada - (with Los Rios) |
| 2. | Beijo Danado - (with Los Rios) |
| 3. | Febre - (with Los Rios) |
| 4. | Mariazinha - (with Los Rios) |
| 5. | Salario Pobre - (with Los Rios) |
| 6. | Lambada II - (with Los Rios) |
| 7. | Meninos - (with Los Rios) |
| 8. | Latin Way, The - (with Los Rios) |
| 9. | Danda Canones - (with Los Rios) |
| 10. | Move Your Body - (with Los Rios) |
| 11. | Barra Mansa - (with Los Rios) |
|
Latin Dance Review
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Libby Roderick: Artist BiographyLibby is an internationally acclaimed singer/songwriter, poet, activist, teacher and lifelong Alaskan. The surprising power and depth of her music and the humor and spontaneity of her performances have attracted large and enthusiastic audiences across the continent and fans all over the world. Her five recordings havereceived rave reviews and extensive airplay across the country. The premiere national U.S. folk magazine, Dirty Linen, calls Libby "one of the most compassionate and caring songwriters recording today," and the Worcester Massachussetts Telegraph said Libby "may be the folk music find of the decade!" Australia'sRhythms music magazine calls Libby "a singer-songwriter of compassion and insight" and Ladyslipper Distribution describes her as "original, introspective, poetic, articulate, politically conscious and spiritually inspired." Libby is well-known as an exhilarating and witty artist who offers a remarkable blend of passionate music, wry humor and incisive commentary on social and personal issues. In 1998, Libby was named ...
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Laura Pausini, a multilingual Italian pop singer who won a Latin Grammy in 2005 for Best Female Pop Vocal Album, decided to record an album of cover songs when she returned to the studio to record her follow-up effort. This is a fairly standard practice for pop/rock artists, of course, especially in the wake of a mammoth success like the one Pausini experienced with Resta in Ascolto (released concurrently in Spanish as Escucha in the Americas). Yo Canto (likewise released concurrently in Spanish) is a somewhat unusual covers album, however, for it's comprised of Italian pop/rock songs from the 1970s, '80s, and '90s -- few, if any, of which will be familiar to listeners across the Atlantic. Pausini performs the songs in a manner similar to that of Resta in Ascolto: the songs are heavily produced, layered with guitar, bass, and drums in addition to strings and synthesizers, and the performances are quite dramatic, often soaring to intense heights during the choruses, complemented by lyrics that are moody and poetic. Conseque
Laura Pausini, a multilingual Italian pop singer who won a Latin Grammy in 2005 for Best Female Pop Vocal Album, decided to record an album of cover songs when she returned to the studio to record her followup effort. This is a fairly standard practice for pop/rock artists, of course, especially in the wake of a mammoth success like the one Pausini experienced with Resta in Ascolto (released concurrently in Spanish as Escucha in the U.S.). Io Canto (likewise released concurrently in Spanish, as Yo Canto) is a somewhat unusual covers album, however, for it's comprised of Italian pop/rock songs from the 1970s, '80s, and '90s -- few, if any, of which will be familiar to listeners across the Atlantic. Pausini performs the songs in a manner similar to that of Resta in Ascolto: the songs are heavily produced, layered with guitar, bass, and drums in addition to strings and synthesizers, and the performances are quite dramatic, often soaring to intense heights during the choruses, complemented by lyrics that are moody and poetic. Consequently, anyone who enjoyed Resta in Ascolto will find much to savor on Io Canto, as the two albums sound similar musically. The difference is in the songwriting, which is wonderfully varied, in terms of lyrics as well as arrangements, resulting in one of the most interesting albums of Pausini's career to date. Io Canto is interesting not only because of the array of songwriting showcased throughout, but also because of how personal these songs are to Pausini. She expresses this herself in her liner notes: "Recording an album of covers, and therefore having to choose among the songs which have been with me, are with me, and will be with me every day of my life, ...
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