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This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
This dualdisc contains a series of live performances by the Native American punk-rock band from Vans 04 Warped tour. The video side features 5 rare bonus audio tracks, in 5.1 surround sound and stereo. Also included are documentaries, movie trailer, and exclusive bonus ROM material.
BLACKFIRE: Klee Benally (vocals, guitar); Jeneda Benally (vocals, bass guitar); Clayson Benally (vocals, drums, percussion). Blackfire Beyond Warped Songs Beyond Warped Review
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Who could forget the lurching opening bass-line to Salty Dog's 1990 semi-hit, "Come Along?" I know that's what I remember most about that song, aside from the singer shrieking "WHOOOOOOOOOOOOO, BAAAAY-BAAAAY!" But man, that bass-line. I bet you've spent many a lonely night thinking to yourself "Goddamn, whatever happened to the guy that did that?" Come on, you know you have ... What? You haven't? Well, fuck you and your blatant disregard for the abiding mysteries of rock 'n' roll! In fact, just for that, I'm going to go ahead and TELL you what happened to the guy that laid down that bass-line. Michael Hannon is his name, and he re-emerged a couple years ago with American Dog, a scruffy, bar-ready three-piece from Columbus, Ohio. I actually have a promo-single for a song from their first album, 2000's Last of a Dying Breed. The song was called "Barely Half Alive," and at the time, I remember thinking, "heh! For being barely half alive, they sure are playing pretty good. And fast. And loud." When next we met the Dog, they were putting out a live EP called "Six-Pack: Songs About Drinkin' and Fuckin'." Ah yes, two of the best popular (and best) topics for rock songs, am I right? I mean, sure, the rain-forest is very important and all, and we all probably should feel bad for Tibet, and Uncle Ronnie's fairy-tales sure are interesting, right? I mean, how 'bout them elves? ... See? I didn't figure you gave a shit either. It's no surprise that these two themes (drinking and fucking, I mean, not all that other shit) figure prominently in American Dog's latest offering, Red, White, Black n' Blue. Especially drinkin'. Good God, can these boys put away the alcohol! At certain points during the album, you wonder how many Hannon and Co. have tied on before picking up their instruments. Not that there's anything wrong with that, as the man said. Any guitarist would be proud to play like the Dog's Steve Theado. The man is simply an undiscovered wizard, lacing his revved-up Nugent-style riffing with lots of lead licks and almost Van Halen-esque solos and bluesy whoops and howls that would make Billy Gibbons so happy he'd lose his dentures.The CD kicks off with the self-revelatory "Shitkicker," all about the joys of propelling excrement with one's foot. Figuratively of course. This, like many other songs here, is a romping, uptempo number that, despite its quick pace, should NOT be misconstrued as having punk stylings. "Shitkicker" also features some of Hannon's best singing. Next in line is "Train." Ah, but it wouldn't be a redneck-rock album without a song about trains or train references, now would it? Here ya go, Schmookie: a stomping tune with a big sing-along chorus. Theado again dominates. His distortion is too sharp for me to make another remark about "twangy open-A chords," so I won't do that here, even though there ARE plenty of songs set in the key of A, the best key for this type of music. In fact, Theado is actually the loudest thing about this band, and as noted earlier, not ...
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When the year 2007 rolled around, Europe continued to seriously dominate the death metal/black metal field (something it had been doing since the '90s) as well as goth metal, progressive metal, and the power metal revival movement. But one area where the United States remained quite dominant was the metalcore/hardcore realm; the vast majority of metalcore or screamo bands that emerged in the early to mid-2000s were American bands. There are exceptions to that rule, ...
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In the late 1960s, producer and arranger Bobby Marin had the concept for an album based on the sounds and experiences of his youth in his Spanish Harlem neighborhood. Credited to the 107th Street Stickball Team, this LP was rehearsed and recorded on the same day, fusing Latin music with soul and a bit of pop and boogaloo. The liner notes to the 2009 CD reissue of this rarity infer that this was a concept album of sorts, but while Marin's background undoubtedly fueled his vision of the record, it's really a collection of unrelated songs, not a series of tunes that tells a story or elaborates upon certain constant themes. It's a pretty fair mixture as far as such Nuyorican albums of the era go, but it's not quite as exciting or innovative as some of the collector buildup might portend. It does sound at times like the work of several bands rather than a single artist, with "On Old Broadway" fusing soul-pop with light Latin jazz and salsa; others, like the Spanish-language "Toma Guajira," getting into more straight salsa-jazz fusion along the lines of Willie Bobo; "Barbara with the Kooky Eyes" (great song title) going for an instrumental boogaloo; and other songs getting into more of an updated Latin/doo wop hybrid feel. Though the sound and grooves are pretty cool, the material does seem to have been ...
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