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This is a Super Audio CD playable only on Super Audio CD players. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. (SACD-HYBRID) Spirit & The Blues is a real odyssey of Eric Bibb's music. Here ... Full Descriptionwe find everything from black Mississippi blues to spirituals, ballads, country and even reggae - sometimes with an almost electrified swing, but guaranteed unplugged in the f
Personnel includes: Eric Bibb (vocals, guitar); The Deacons. Hide Description
This CD will play in standard CD players.
A Super Audio CD player is required to take advantage of the SACD sound technology. Eric Bibb Spirit & The Blues Songs | Song Title | | | 1. | Lonesome Valley |
| 2. | In My Father's House |
| 3. | Needed Time |
| 4. | I Am Blessed |
| 5. | Just Keep Goin' On |
| 6. | Where Shall I Be |
| 7. | Woke up This Mornin' |
| 8. | I Want Jesus to Walk With Me |
| 9. | You're Gonna Need Somebody on Your Bond |
| 10. | Braggin' |
| 11. | Water Under the Bridge |
| 12. | Tell Ol' Bill |
| 13. | Satisfied Mind |
| 14. | Meetin' at the Buildin' |
| 15. | Waltz |
Purchase Spirit & The Blues CD To buy, Click on price to add to cart | Marvin Gaye Live! At The London Palladium CD (1977)
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The shows comprising LIVE! AT THE LONDON PALLADIUM were Marvin Gaye's first London concerts in a decade due to his fear of flying. This overseas layoff did nothing to douse Gaye's magical live presence as he performed a set of songs spanning his career. On LIVE! the debonaire singer charms the audience and peppers the early part of this set with some of his more sensual material including "Since I Had You," "Come Get To This" and "Let's Get It On."
The bulk of LIVE! is divided between three medleys. The first consists of material from his solo '60s period and features "Ain't That Peculiar," "Pride And Joy" and "Hitchhike." A medley of Gaye's early-'70s, socially conscious canon quickly follows and includes ""What's Going On" and "Save The Children." The third medley finds Florence Lyles playing Kim Weston/Tammi Terrell/Diana Ross during the ...
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"If It Makes You Happy" won a 1997 Grammy for Best Female Rock Vocal Performance.
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Since crashing the gates with 1993's TUESDAY NIGHT MUSIC CLUB, Sheryl Crow's brand of melodic pop has won her some Grammys and kept her constantly on the road. On the followup album, the one-time background singer retains her sweet delivery laced with gruff edges, while painting her sunny sound with darker shadings. Quirky characters and situations continue to inhabit Crow's songs, whether it's holy rollers and government conspirators ...
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Also available in a 2-CD set entitled MIDNIGHT LOVE & THE SEXUAL HEALING SESSIONS.
This is a multichannel Super Audio CD playable only on Super Audio CD players.
This is a Super Audio CD playable only on Super Audio CD players.
Leaving the safety and familiarity of Tamla/Motown has seen many artists take a flight to obscurity. Gaye turned it on its head and made his most successful album for over ten years. The pivotal track is "Sexual Healing," an idea given to him by his biographer David Ritz and co-written with Odell Brown. This track alone is worth the price of the album (even though it was a single). It oozes greatness with every second and was the last great Marvin Gaye song. And for ...
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Contains an untitled hidden track which follows "Jesus Gave Me Water."
Sam Cooke was a giant not just in the soul world, but in the larger scheme of American music. His melding of soul, gospel, and pop was as trenchant as it was revolutionary and influential. This unbeatable 30-song compilation touches on every aspect of this phenomenally gifted singer-songwriter's career. The romantic croon of "You Send Me" shares space with the mournful "Sad Mood," the romping "Twistin' the Night Away," and the moving social/spiritual statement "A Change Is Gonna Come" (this compilation is one of the rare collections to have this stirring and sought-after track). For pure fun, it's hard to beat the humor-filled "Another Saturday Night." Perhaps the master stroke, though, is "Havin' a Party." As no less esteemed a personage than Bruce Springsteen once observed, it's an ostensibly celebratory song that seems to bear a deep sadness via Cooke's vocal performance, a sense of laughing to keep from crying. At the same time, Cooke manages the considerable feat of making loneliness sound like fun. It takes some kind of singer to pull off a trick like that. And it takes some kind of production team (take a bow, Teri Landi and Jody Klein) to bring such vibrant new life to the legendary material so lovingly ...
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While TOTALLY LOST does contain a few giggles ("World Tour '88" and the Troggs-like "I'd Say That You Were Upset"), leader Scott McCaughey focuses on the sort of wistful, occasionally melancholy tunes ("No Help At All," "Little Softy") that could have added depth to the Fellows' earlier, lighter moments. With its inverted silly/serious ratio, TOTALLY LOST is an excellent Fellows album for those ...
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Coming almost four years after the previous Jon Spencer Blues Explosion release, PLASTIC FANG sounds like a retrenchment. Unlike the hip-hop and electronica-influenced ACME, PLASTIC FANG is a return to the Howlin' Wolf-via-early-Rolling- Stones blues-rock-noise of the early Blues Explosion. What's different this time out is that Spencer and crew enlisted an outside producer: Steve Jordan, former drummer for David Letterman's house band, New York session musician, and a key member of Keith Richards' '80s solo project the X-Pensive Winos.
A Jon Spencer record will never sound slick, but Jordan brings an undeniable commercial element to PLASTIC FANG. The sound is big and glossy, with Spencer's usual growling vocals and blues-skronk guitar set against an atypically upfront backing of Russell Simins' pummeling drums and the intensely rhythmic style of second guitarist Judah Bauer. Spencer's songs are more direct than before, with little of the gutter-sleaze persona he worked so hard to perfect in his early days. But for the fact that they actually rock, the opening "Sweet and Sour" and the almost ballad-like "Mean Heart" wouldn't sound out of place on a '90s-era Rolling Stones album. The peculiar New Orleans-style side trip of "Hold On" finds Spencer collaborating with Dr. John and Bernie Worrell, further proof that ...
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