| | An Introduction To Massenet's Werther CD Timson, David CDS
An Introduction To Massenet's Werther Music | List Price | $8.99 (You save $1.54) | | Label | Naxos (Distributor) | | Orig Year | 7/19/2005 | | All Time Sales Rank |  53189  | | CD Universe Part number | 6884218 | | Discs | 1 | | Release Date | Jul 19, 2005 | | Recording Time | 1 19 |
An Introduction To Massenet's Werther Review
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As its title implies, Studio Retrospect is a small retrospective of several works by electronics pioneer Gordon Mumma, in this case six selections ranging in date of origin from 1959 to 1984. It opens with a piece actually titled "Retrospect," one that was worked on over 23 years, a collage of sorts that, partly due to its length of gestation, incorporates sounds from both early analog synthesizers through digital ones. The ride is an invigoratingly rough and tumble one, including raucous abstraction, snatches of Spanish speech and (apparent) drum ensembles. "Music From the Venezia Space Theatre" projects splintered shards of sound through its space in a manner that recalls some of Xenakis' electronic works. Designed for the 1964 Venice Biennale and intended to be heard in an opera house, one can only imagine its effect in a live setting. A harsh stop-and-start work in memory of the bombing of Dresden viscerally evokes the uncertainty, fear, and tension of citizens not knowing what the next several minutes might bring. Other tracks float strangely nostalgic harpsichord morsels over an eerie, sine wave-like hum and delicate bowed psaltery wafting in pools of silence. Once the listener gets comfortable with Mumma's very idiosyncratic sense of time and sonic juxtapositioning, he or she is in for a curiously delightful, very unique experience. Studio Retrospect is a valuable overview of this underappreciated composer's career. ~ Brian Olewnick
Recording information: 02/1945-??/1984.
Photographer: David Behrman.
Personnel: Gordon Mumma (electronics).
Liner Note Author: Gordon Mumma.
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"What you get is a really focussed and thrilling percussive ride that has your attention in thepalm of its hand for every second of it." New- Noise.NET"- if Partch had been warmer, more linear and had a better sense of dramatic narrative, he might have made music like this." Milo Miles (NPR)"..smart and engaging playing...a compelling performance."New York TimesFrom edgy to impressionistic, classical to avante garde, the percussion music of performers/composers Thomas Kozumplik and Lorne Watson takes the audience on 'a really focussed and thrilling percussive ride,' creating vibrant contemporary music that is 'enrapturing and truly alive indeed. ' (NewNoise. net. The duo employs the gamut of percussion instruments, from marimba and steel drum to tom-toms, bongos and snare drums, temple bowls and wood blocks, opera gongs and electronics. Based in Brooklyn's Bedford-Stuyvesant neighborhood, Loop 2.4.3 has toured throughout North America, Europe, Scandinavia, South Korea, and Australia, and has performed for radio, film, and television,including footage for The Learning Channel and MTV. The group's debut recording, 'Batterie' released in 2007 (Music Starts from Silence) features 6 extended tracks that have been touted as 'a feast of gorgeous sounds,' (Lansing State Journal)
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