| | Lisa Ekdahl Bortom Det Bla CD Lisa Ekdahl Discography of CDs
Swedish jazz vocalist's 1997 album includes 13 total tracks including 'Jag Behover Inget Mer', 'Bortom Det Bla', 'Sakta Sakta' and more. BMG. 2005. Lisa Ekdahl Bortom Det Bla Songs | 1. | Bortom Det Bla |
| 2. | Ga Dit Ifall du Minns |
| 3. | Tva Lyckliga Darar |
| 4. | Jag Behover Inget Mer |
| 5. | VI Tillhor Varann |
| 6. | Sakta, Sakta |
| 7. | Jag Vill Bara Vara |
| 8. | Du Var Inte Dar For Mig |
| 9. | Hyenorna Skrattade, Gamarna Log |
| 10. | Genom Dig Ser Jag Ljuset |
| 11. | Cirklar |
| 12. | Vill Ha Dig Kvar |
| 13. | Tank Inte Mera |
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Bortom Det Bla Review
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Purchase Bortom Det Bla CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and ...
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Pat Metheny's Orchestrion refers to a 19th century hybrid musical instrument of the same name that contained (usually) a wind orchestra, various percussion instruments, and sometimes a piano played by a pinned cylinder or a music roll -- like a player piano. Metheny designed and plays one here thanks to a commissioned group of inventors, advanced solenoid switch technology, and pneumatics. This invention includes pianos, marimbas, bells, basses, "guitarbots," percussion, cymbals, drums, loads of tuned bottles, and synth and fabricated acoustic instruments, ...
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| | Breakfast At Tiffany's CD (1961) Original Soundtrack
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Recorded on December 8, 1960 and April 27, 1961. Originally released on RCA (2362).
By 1961, film composer Henry Mancini was already well known in Hollywood for his jazzy, brassy scores to Touch of Evil and Peter Gunn. But it was this effervescent soundtrack for Blake Edwards' adaption of Truman Capote's wistful novella that propelled Mancini into the major league of Hollywood composers. Though there were other jazz-oriented arrangers working in Hollywood at the time, none possessed Mancini's imagination and skill in orchestration. (He was a veritable Berlioz in the way he cast instruments as characters in the story.) Only John Barry could ever match his gift for melody.
The Oscar-winning "Moon River" is a case in point. Toots Thielemans' tremulous, lonely harmonica introduces the simple, near-folk ...
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Faith and the Muse stick with old-world traditional music for an enigmatic second album, Annwyn, Beneath the Waves. Playing with elements of neo-classical, experimental folk, and goth rock, Annwyn is vibrant with literary works spanning several centuries. Monica Richards' vocalic beauty is unreserved yet sometimes polite, but not unassuming when it comes to the music's spiritual life. Songs such as "The Silver Circle" and "Rise and Forget" blaze Richards' ...
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| | George Pajon, Jr Fried Plantains CD (2005)
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Unlikely guitar guru George Pajon, Jr., probably best known for his work with pop-rap hitmakers the Black Eyed Peas, offers a new perspective for what jazz guitar is all about. His 2005 release, Fried Plantains is the least guitar-centric record led by a guitar player in quite some time. Funky lines and deep grooves are the order of the day, with writing that has a very vintage, chitlin' circuit feel. Hammond B-3s and fuzz tone overdrive abounds, mingling and churning over an ever-present, less-is-more drum groove. Without a blistering, pyrotechnic guitar passage to be found, the whole record has a very relaxed, low-rider kind of vibe to it. Featuring drummer Mike Clark, one of hip-hop's most sampled drummers of all time; fellow Black Eyed Peas veteran, bass player Mike Fratantuno; jazz-funk pioneer, organist/keyboard player Robert Walter; and fusion drumming great Robin Dimaggio as Pajon's base, all the right ingredients are there for a good 'n' greasy, home-cooked disc. Though maybe lacking the interest for a jazz aficionado's sit-down listen, Fried Plantains is a great disc for a relaxed hang. ~ Evan C. Gutierrez
George Pajon Jr. is a guitar player of rare and exceptional ability. Best known for his work with the Black Eyed Peas (Interscope Records), George has been a major force in helping shape the sound of Hip Hop through his originality, creativity, and vision in a genre that is often lacking in original sound and deprived of outstanding musicianship. No longer 'Behind the Front', George's first solo album brings his funky stylings to the forefront with this foray into jazz/hip hop instrumental world with his BEP bandmates and special guests including Robert Walter (Greyboy All-Stars), Fred Wesley (James Brown, JB Horns) and Mike Clark (Herbie Hancock, The Headhunters) bringin' it!George's musical dexterity has never been more apparent than in his current solo project, "Fried ...
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Composer: Faris Nourallah.
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WELCOME TO PHENOMENA. The Future Party Arrives. KURT-VICTER The Lyrikal Commander brings to you the fascinating blast of original art form. This party people mover incorporates ...
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