| | Manny Albam Blues Is Everybody's CD - Import Manny Albam Discography of CDs
 (2 Customer Reviews)
Along with Gil Evans, Lennie Niehaus, and George Russell, Manny Albam is considered to be one of the more important large ensemble jazz arrangers of the late-50s and early-60s. He made very few albums under his own name, which makes this 1957 ... Full Descriptionouting all that more vital. The 19-piece band features the likes of Phil Woods, Al Cohn, and Milt Hinton.
The legendary album Blues Is Everybody's Business is widely regarded as the definitive work of one of the finest modern jazz arrangers of all time, the great Manny Albam. Recorded in September & October, 1957 the album features an all-star 19-piece band performing Albam's masterful charts. This edition also includes 7 bonus tracks all of which are featured here for the first time ever on CD. The first 5 tracks pertain to all of Albam's charts recorded on Larry Sonn's LP 'The Sound Of Sonn' recorded between 1955 and 1956 and featuring another all-star 19-piece band. The final 2 tracks are live versions of Albam's charts 'Zanzy' and 'Ida Bridges Falling Down', recorded by Larry Sonn's big band in a concert produced and emceed by All Jazzbo Collins. Gambi. 2005. Hide Description Blues Is Everybody's Music Manny Albam Blues Is Everybody's Songs | 1. | Blues Is Everybody's Business Part 1 |
| 2. | Blues Is Everybody's Business Part 2 |
| 3. | Blues Is Everybody's Business Part 3 |
| 4. | Blues Is Everybody's Business Part 4 |
| 5. | Zangy |
| 6. | Ida Bridges Falling Down |
| 7. | Close Cover Before Striking |
| 8. | It Looks Like Rain in Cherry Blossom Lane |
| 9. | Flat Cap |
| 10. | Sonn Also Rises |
| 11. | Lemon Twist |
| 12. | Zanzy (Live Version) |
| 13. | Ida Bridges Falling Down (Live Version) |
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Blues Is Everybody's Music Review Average Rating: (5 out of 5 stars)  ARRANGER'S MASTERPIECE FINALLY ARRIVES
This album is from the "golden age" of 50's recordings, when composers and arrangers could create a soundscape on lp, using the cream of New York musicians. One look at the listing of players should be enough. Put this on the shelf along side Bill Pott's "Porgy and Bess", Brookmyer's "Stormy Monday", Al Cohn's projects, and a few others. I have waited for this on cd for a long time and am thrilled it is finally here. The bonus big band tracks, also arranged by Albam, are a treat,as well.
Submitted by wardropm (Whitehall, Pa., USA) 
Was This Review Helpful? Yes No One of Manny's Best
Even though the 4 parts of "The Blues Is Everybody's Business" are fairly lengthy, they are never boring. This is without doubt some of Manny Albam's finest writing for a Big Band.
Featuring an All-Star NYC Band with all the usual suspects from 1957, including a magnificent string section on Part 2 & 3. This was Jazz in the 50's at it's best.
Not to be overlooked are the 9 bonus tracks that feature another Big Band from NYC in the mid-50's conducted by trumpeter Larry Sonn. This new label Gambit is not a cheapo, excellent graphics, a nice booklet, and good sound quality.
Submitted by augerman (Brantford, Ontario, Canada)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Blues Is Everybody's CD To buy, Click on price to add to cart | Frank Wess Quartet CD (1960)
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Arranger: Gerry Mulligan.
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Includes six bonus tracks.
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This is a live concert recording of Dizzy and Bird from Town Hall not previously known to have been recorded. With audio restoration by Ted Kendell, the sound is excellent. This is a discovered recording of ...
| | Bill Holman Band Live CD (2005)
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Grammy Award winning Arranger and Band Leader Bill Holman brings us his jazz big band recorded live in 2004. Bill Holman introduces many new and exciting compositions and arrangements with his star packed LA based jazz big band. The Bill Holman Band is considered one of the greatest working big bands in jazz today:"This is the first album since 1997 by The Bill Holman Band. Why there was so long an interregnum between recordings by an essential cultural institution requires a discussion of conditions in the music industry and the society at large. You will not find that discussion here. Let us simply shout hooray, and praise impresario Ken Poston for including the band in one of his periodic jazz events, and Graham Carter of Jazzed Media for capturing the performance.Typical of how a slightly older generation of arrangers regards Holman is something the late Ralph Burns told me about Willis's writing: "It's pure jazz, but he writes everything very classically. It's linear and simple and clear." From one younger arranger, Bill Kirchner: "His linear concepts are among the most important innovations ever used in a jazz orchestra," and another, Don Sebesky: "I hear nothing, past or present, that comes close to (his writing) because he combines the objective and subjective parts of music into a seamless whole." From a contemporary, Bob Brookmeyer: "Of all the other peoples' music I've played in my life, I'd rather play Bill Holman's. He makes it such a delight. ...
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Featuring contributions from artists like Skeeter Davis, Johnny Cash, Charlie Rich, and Ralph Stanley, this compendium of religious songs contains country, gospel, rockabilly, and rock & roll. Cash's contributions include both the simple statement of faith "I Was There When It Happened," and the more secular "If the Good Lord's Willing." Songs by some of his Sun label mates are also featured, in the shape of tracks like Jerry Lee Lewis's characteristically rocking versions ...
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