| | As Leos Marcas De Batom CD - Import As Leos Discography of CDs
 (1 Customer Review)
MARCAS DE BATOM is the debut album of Brazilian dance-pop outfit As Leoas, featuring "Fogo de Amor."
Debut album. Mix of Calypso , axe and forro.
Personnel: Maria Rita (vocals); N. Marques (guitar); Jose Antonio (keyboards).
Recording information: Flautin 55.
Arrangers: Márcio Rolim; Jose Antonio; N. Marques. As Leos Marcas De Batom Songs | 1. | Marcas de Batom |
| 2. | Chorar de Saudade |
| 3. | Emboladeira |
| 4. | De Coracao Pra Coracao |
| 5. | Se Nao for por Amor |
| 6. | Querer |
| 7. | Mauricinho |
| 8. | Nao Diga Que Me Ama |
| 9. | Fogo de Amor |
| 10. | Te Querer |
|
Marcas De Batom Music Review Purchase Marcas De Batom CD To buy, Click on price to add to cart | Mariza Terra CD (2008) Bonus Track
Marcas De Batom album
 $13.49  
Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at the forefront of fado, as one of the leading performers of the emotive Portuguese style, and there's no doubt she possesses a wonderful voice. But the addition of several guests, such as Chucho Valdés, Ivan Lins, and Tito Paris (among others) seems to open up the seams between fado and other genres, including Brazilian music and jazz. It does so relatively subtly, and she keeps her base pretty firmly in fado (witness the glorious "Ja Me Deixou"). But the inclusion of a standard like "Smile," which closes the album and has her singing in English, is evidence of the move to broaden her appeal, as is the lushness of the arrangements, much fuller than she's used in the studio ...
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Marcas De Batom album
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Additional personnel includes: Glen DaCosta (tenor saxophone); David Madden (trumpet); Nambo (trombone); Devon Evans (percussion).
Digitally remastered by Ted Jensen (2001, Sterling Sound, New York, New York)
An interesting collection of singles and posthumously archived material created in the same way as Hendrix's CRASH LANDING and The Beatles "Free as a Bird," (albeit with most of the original musicians), CONFRONTATION is more consistent than one would expect and includes at least one certified classic in "Buffalo Soldier." The record features some very tasty guitar, good vocal performances and the always rock-steady rhythm section of the Barrett brothers. While not absolutely essential, it should certainly be the next purchase for anyone who already owns all of the official Marley albums. While the disc is perhaps a little light on variety, it's still a Bob Marley album and thus as good as the best work of many other artists. Overall, CONFRONTATION is great mellow summertime listening and a worthy addition to any reggae collection.
A posthumous collection produced by Rita Marley, based on work left behind by Bob upon his death. Some of his best post-Wailers work is here, with songs like "Buffalo Soldier," "Chant Down Babylon," and "Blackman Redemption." Given that he wasn't alive to do the production ...
| | Mariza Transparente CD (2005)
Marcas De Batom CD music
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Transparente is Mariza's "big" album, it seems, the one designed to make her more than just the shining star of the new fado. The music connects the dots between Portugal and Brazil, giving an international quality to it all. Her voice is as crystal clear as ever, and production by Jacques Morelenbaum is wonderfully transparent. Yet there's a sheen to it all that seems intended to rub off any rough edges. You can hear it in the soft strings that cushion "Meu Fado Meu." It just seems to be trying too hard, rather than letting the music unfold. It's apparent, too, in the fact that the songs are all short -- the longest barely passes three-and-a-half minutes. Not that it's not a gorgeous album; it enfolds the ears like silk; Mariza herself has never sounded more seductive, and the cello on "Quando Me Sinto So" is as warm and inviting as a lover's kiss. But unlike her previous work, there seems an air of calculation about all this, the sense of deliberately seeking out a larger audience rather than allowing the music to speak for itself. She'll never sing a bad note, and there's absolutely nothing to fault with this album. The arrangements are understatedly lush, the playing impeccable, everything as close to perfect as it's ...
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| | Spencer Davis Live In Manchester 2002 CD (2004) (Import) United Kingdom
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Seminal blues rockers The Spencer Davis Group united for this 2004 live concert, featuring nine classic cuts highlighted by "Keep on Running," "Gimme Some Lovin'," and "I'm a Man."
The Spencer Davis Group's Live in Manchester 2002 finds the same nine songs that appear on the DVD counterpart, yet this CD plays very well as a stand-alone. In fact, without the video presentation as a distraction, the listener gets a sense of how great a pop/blues unit the Spencer Davis Group is even without the talents of a Steve Winwood. Opening with "Keep On Running," this Angel Air release delivers solid musical performances that provide clear evidence why Davis deserves more credit for his contributions than he receives in America and elsewhere around the globe. "When I Come Home" and "Every Little Bit Hurts" could be the performances of a streamlined Allman Brothers Band. "San Francisco Bay" relies on Colin Hodgkinson's bass and creates a bridge between the boom boom boom found on "Dimples" and the smooth consistent groove of "Somebody Help Me." Producer Jimmy Miller, along with original keyboard/vocalist Winwood, created the song "I'm a Man," which extends beyond the Top Ten 1967 chart hit much like the group Chicago's various jams. At eight and a half minutes, it rivals some of Pete Cetera and company's various explorations of this coming-of-age ...
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Japanese pressing Canyon. 2005.
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2008 collection, spotlighting the best of the Nu-Gaze scene. A good fifteen years on from the untimely death of the original Shoegazing scene, this lost genre returns as Nu-Gaze. For the uninitiated, Shoegazing first appeared in the late eighties spearheaded by bands such as My Bloody Valentine, Ride and Slowdive. It's sound was based around heavily distorted guitars, vague lyrics and smudged vocals. It has a melancholic edge, which ...
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