The soundtrack to Martin Scorcese's two-part PBS documentary on Bob Dylan, NO DIRECTION HOME is a two-disc affair consisting almost entirely of previously unreleased material. One couldn't start any further towards the beginning of Dylan's career than this collection's first track, "When I Got Troubles," a modest, folkish tune caught on tape by a high school friend and presumed to be the first original Dylan song ever recorded. From there, we follow the breakneck trajectory of Dylan's early career, as he develops at an unprecedented rate, from young Woody Guthrie acolyte (a rare version of Guthrie's signature tune "This Land is Your Land") to his own protest songs (Town Hall, NYC performances of "Masters of War" and "Blowin' in the Wind").
It's Disc Two where things really kick into overdrive; having made the leap from folk balladry to surreal word paintings, we hear Dylan developing musically by leaping into electric rock & roll. It's an undeniable thrill to hear the sacred texts of HIGHWAY 61 REVISITED and BLONDE ON BLONDE anew via the alternate takes included here, with modified lyrics and rhythmic inflections. NO DIRECTION HOME manages to provide hardcore Dylan fans with fresh meat while simultaneously chronicling the high points and songwriting milestones of this visionary artist's first several years of work.
Liner Note Authors: Al Kooper; Eddie Gorodetsky; Andrew Loog Oldham.
Recording information: ABC Theatre, Edinburgh, Scotland; Carnegie Chapter Hall, New York, NY; Carnegie Hall, New York, NY; Columbia Recording Studios, New York, NY; Columbia Studios, Nashville, TN; Free Trade Hall, Manchester, England; Minneapolis, MN; Newport Folk Festival, RI; Town Hall, New York, NY.
Photographers: Daniel Kramer; Jerry Schatzberg; Barry Feinstein; Joe Alper; John Cohen.
Arranger: Bob Dylan.
Personnel: Bob Dylan (vocals, guitar, acoustic guitar, electric guitar, harmonica, piano); Bob Dylan; Michael Bloomfield (guitar, electric guitar); Joe South, Charlie McCoy (guitar); Harvey Brooks , Henry Strzelecki, Rick Danko, William E. Lee, Jerome Arnold, Joseph Macho Jr. (bass guitar); Al Gorgoni, Robbie Robertson, Wayne Moss, Bruce Langhorne (guitar); Richard Manuel, Hargus "Pig" Robbins, Paul Griffin , Frank Owens (piano); Garth Hudson, Al Kooper, Barry Goldberg (organ); Kenny Buttrey, Levon Helm, Mickey Jones , Sam Lay, Bobby Gregg (drums).
Audio Mixers: Steven Berkowitz; Chris Shaw ; Mark Wilder; Michael Brauer.
Mojo (Publisher) (p.128) - 4 stars out of 5 - "[A] zigzaggy but intriguing tour through some dusty corners of his vaults, as well as in its own piecemeal way illustrating his journey from Woody Guthrie wannabe to king of folk rock."
Jeff Rosen; Steve Berkowitz; Martin Scorsese; Tom Wilson; Bob Johnston; John F. Hammond; Tom Wilson; Bob Johnston; John Hammond; Jeff Rosen (Compilation); Steve Berkowitz (Compilation); Bruce Dickinson (Compilation); Martin Scorsese (Compilation)
Engineer
Frank Bruno; George Knuerr; Jeff Zaraya; Tony Glover
Fantastic! Just hearing all the different versions of these classic songs makes this a must have for a Dylan fan. Submitted by sbashnig (Spring Hill, FL, USA) Was This Review Helpful? YesNo
Amazing for new fans, interesting for old ones It's really interesting for any Bob's fan, many of the tracks were known by many old fans but for people are starting to listen to Bob would be amazing Submitted by quinocastro (Estepa, Sevilla Spain) Was This Review Helpful? YesNo
The Music Box The Bootleg Series began its life as a three-disc box set that compiled an enlightening array of previously unreleased leftovers, alternate versions, live cuts, and demos that spanned the fabled folk singer’s illustrious career. Although its fourth, fifth, and sixth installments diverged from such a wide-sweeping purpose in order to emphasize several landmark concert performances, its latest chapter returns the collection to its conceptual roots. Gleaning inspiration from the focused storyline of Martin Scorsese’s forthcoming documentary No Direction Home, the 28-track set employs a retrospective-style format that successfully paints an elaborate portrait of Dylan’s formative years. In the process, its producers amazingly found a whole new treasure trove of worthwhile moments — amounting to 26 of the 28 selections — to unveil.
No Direction Home: The Soundtrack opens with When I Got Troubles, a rather raw home recording made in 1959 by a high school friend. Nevertheless, it quickly moves forward and establishes Dylan’s well-known connections to Woody Guthrie, the early blues, and the Greenwich Village folk scene via a pensive cover version of This Land Is Your Land, the poignant Song to Woody, the whirling instrumental Sally Girl, and the forlorn I Was Young When I Left Home. Its heart, however, traces the astounding 39-month period of personal and artistic growth that began in March 1963, just prior to the release of The Freewheelin’ Bob Dylan, and concluded with the discord that surrounded his tour of the U.K. in May 1966.
Accentuated primarily by an assortment of concert performances, the latter portion of No Direction Home: The Soundtrack’s first disc sets the stage for this magnificent transformation, while the second half of the collection utilizes the variegated shades of his studio work in New York City and Nashville to follow Dylan as he brings his vision to fruition. Repeatedly striking archival gold, the compilation finds eloquence within everything from a profoundly delivered demo of Don’t Think Twice, It’s Alright to the shimmering luminescence of She Belongs to Me and from an hypnotically chilling rendition of Masters of War to a revelatory reading of Desolation Row. Standing in sharp contrast to the less-assured singer who tackled Rambler, Gambler before a crowd of students less than four years earlier is the authoritative Chimes of Freedom, which was culled from Dylan’s appearance at the 1964 Newport Folk Festival. Further highlighting his evolution is the fully electrified romp through Maggie’s Farm that he unleashed upon an unsuspecting crowd a mere 12 months later as well as the snarling fury of Like a Rolling Stone, which irascibly slammed the door shut in the face of a fan who dared to call him "Judas." Indeed, although the two discs that compose No Direction Home: The Soundtrack take wildly different approaches, together they achieve the common goal of effectively chronicling with pinprick accuracy the making of a legend
Submitted by John Metzger (United States) Was This Review Helpful? YesNo
Ofiicial Dylan Bootlegs are Revealing. Another fine installment of the Official Bootleg Series, No Direction Home's gems are the alternate takes on side two. You can see the evolutionary process that took these songs from rough ideas to the soudntrack of our lives. Recommended to anyone who wants to understand the phenomenon that is Bob Dylan. I can't wait for the film. Submitted by tlabelle (thunder bay ontario canada) Was This Review Helpful? YesNo
An exquisite piece of history music Dylan changed rock music forever; he brought in a social conscience unrivalled in his day. More importantly, though, he was one frig of a talented songwriter. And this is a landmark album and will be remembered as such when 20th Century music is looked back upon by future historians.
This album, altogether with the complete "Bootleg Series" CD's will be remembered as one of Bob's most important recordings. This essential anthology shows really a paradox: Bob just switched to electricity, but he was at his acoustic peak at the same time.
The first disc (acoustic) is pure bliss, while Dylan's electric side (disc 2) is just fascinating, exhilarating. Dylan never sounded better then it does on this album. I just could never tire of this best of the fantastic "Bootleg Series", No Direction Home: The Soundtrack. A masterpiece of music, not just rock.
Submitted by Simon Arwood (United States) Was This Review Helpful? YesNo
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