B B King 80 CD

Personnel: B.B. King (vocals, guitar); Glenn Frey, John Mayer , Billy Gibbons (vocals, guitar); Van Morrison (vocals, harmonica); Elton John (vocals, piano); Daryl Hall, Gloria Estefan, Roger Daltrey, Sheryl Crow, Bobby "Blue" Bland (vocals); Davey Johnstone, Dean Parks, Eric Clapton, Larry Campbell, Mark Knopfler, Clem Clemson (guitar); Brandon Fields (saxophone); Gary Grant, Jerry Hey (trumpet); William Reichenbach (trombone); Luke Smith (Hammond b-3 organ); Chris Stainton, Guy Babylon, Robbie Buchanan, Brian Mitchell (keyboards); Leland Sklar, Bob Birch (electric bass); T-Bone Wolk, Yolanda Charles (bass guitar); Nigel Olsson, Russ Kunkel, Ian Thomas, Billy Ward (drums); John Mahon (percussion).
Released the week of B.B. King's 80th birthday, 80 is a star-studded duets album, the first B.B. released since 1997's Deuces Wild. It was recorded in a variety of locations in the spring of 2005 and features a variety of guest artists, ranging from the familiar (Van Morrison, Eric Clapton, Bobby Bland) to the unsurprising (Billy Gibbons, Mark Knopfler, Elton John, Sheryl Crow) to the frankly bewildering (John Mayer, Daryl Hall, Gloria Estefan). Unfortunately, the material isn't quite as wide-ranging -- in fact, it leans toward the overly familiar, with a pleasant, thoroughly bland version of "The Thrill Is Gone" with Eric Clapton sadly living up to its title. There are a couple other bum tracks -- most notably the turgid slow blues "There Must Be a Better World Somewhere," which drags on for an interminable seven minutes, or a full six minutes longer than needed to prove that sultry blues is not Gloria Estefan's forte -- but for the most part, 80 plays better than it reads on paper. Most of it is solid, straight-ahead big band blues, firmly within B.B.'s comfort zone and sounding appropriately comfortable -- not as in boring, but warm, relaxed, and friendly, whether he's playing with old friends like Bobby Bland or with John Mayer, who acquits himself well as a guitarist, even if his voice is overwhelmed by B.B.'s towering presence. There are couple of nice little surprises along the way, such as how "Ain't Nobody Home" with Daryl Hall works up a nice soulful groove or how Sheryl Crow reveals that she's a convincing blues singer (there are also some unpleasant surprises, as on "Tired of Your Jive," an otherwise fine track that's derailed by the realization that Billy Gibbons' voice has been torn to shreds, leaving a phlegmy mess behind), but the best moments come from the old guard of the British Invasion. Roger Daltrey proves that he's singing better than ever with "Never Make Your Move Too Soon," Elton John and his house band really cook on a terrific "Rock This House," but it's Van Morrison who steals the show with "Early in the Morning," a clean but down-and-dirty version of the standard. It's the best thing here, but it's unfortunate that it kicks off the album, since it suggests that this might be a harder-hitting blues album than normal from B.B. It's not -- it's a slick, stylish, professional record, one that's actually a little more straightforward than he's been at any time since, well, Deuces Wild. Coming after some truly interesting records over the last few years, the predictability of 80 is a bit of a disappointment, but there's still a bunch of good stuff to hear, and, no matter how you look at it, for B.B. to be recording and still sounding vital at 80 is a remarkable thing even if the album that commemorates his birthday falls short of the remarkable itself. ~ Stephen Thomas Erlewine
Although star-studded duet albums are often a mixed bag, when executed with appropriate collaborators and material the results can be impressive. Such is the case with many tracks on B.B. King's 80, which celebrates the blues legend's birthday with panache and, of course, a slew of high-profile guests. The 2005 album begins with "Early in the Morning," a pitch-perfect mid-tempo number performed with Van Morrison, and continues inEntertainment Weekly (No. 840, p.88) - "...King seems less an archetypal grizzled bluesman than a wise old Zen master, at peace with the world and himself. That doesn't mean he can't still sing and play some mean blues...." - Grade: B+