| | Going To The Game: Chelsea FC CD (1 Customer Review)
This is a various artist compilation for fans of the Chelsea Football Club, including songs associated with the team and BBC commentary about the team.
Compilation of songs specially selected to get football fans in the mood for the game, furthermore personalised with Chelsea songs and commentary. Going To The Game: Chelsea FC Music Going To The Game: Chelsea FC Songs | 1. | Right Here Right Now - Fatboy Slim |
| 2. | Blue Is the Colour |
| 3. | Unbelievable - EMF |
| 4. | Commentary From the BBC - Classic Club |
| 5. | Blue Tomorrow - Chelsea & Co. |
| 6. | Ready to Go - Republica |
| 7. | Walk This Way - Run-D.M.C. |
| 8. | Commentary From the BBC - Classic Club |
| 9. | Blue Day (Stamford Bridge Mix) - Suggs |
| 10. | Two Tribes - Frankie Goes to Hollywood |
| 11. | Moving on Up - M People |
| 12. | Much Against Everyone's Advice - Soulwax |
| 13. | Commentary From the BBC - Classic Club |
| 14. | You Get What You Give (Radio Edit) - The New Radicals |
| 15. | My Favourite Game - The Cardigans |
| 16. | Loving Each Day - Ronan Keating |
| 17. | Out of the Sinking - Paul Weller |
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Going To The Game: Chelsea FC Music Review Purchase Going To The Game: Chelsea FC CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of ...
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Since Jimmy Buffett never leaves his comfort zone, it's hard to call 2009's Buffet Hotel a return to roots but, in a way, it is. Discounting the mock rap on "Turn Up the Heat and Chill the Rosé," this album doesn't even have the lingering ...
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| | Critters Buggin Bumpa CD (1998)
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These wicked dance/funk/soul/rock/avant garde/acid jazz/freak-out-ers have always been consistant in their stylistic inconsistancy. This Japanese edition of their acclaimed 1998 set includes the bonus track "New Luck Poodle Store," as well as "Flouride," "Brozo The Clone," "Bomb Ass Tick," and "Fast Johnson."
To be "buggin' out" is to be visibly obsessing and prone to exaggerated emotional displays. That is, when someone is "buggin' out," it is as if their eyes are about to "bug out" of their heads. Critters Buggin' freely "bug out" over a simple idea on this album of heavy rock-based electronica. The lineup of Critters is an impressive roster of traveled and experienced musicians that have, at various times, been part of Pearl Jam, John Doe's band, Spin Doctors, Edie Brickell's New Bohemians, Wayne Horvitz' group, and beyond. The opening cut is a tough, "funkoid" bassline that careens wildly (as an out of control truck) around ...
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| | Portastatic Bright Ideas CD (2005)
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Portastatic's Bright Ideas might just be their best record yet. Seeing as how the track record of Mac McCaughan's group is scattered with nothing but low-key gem after gem, that is high praise. It is the first full album he has released since his main band, Superchunk, went into the clichéd realm of indefinite hiatus, and while only Mac knows if any of these songs could have ended up as Superchunk songs, if they had the record they appeared on would have been hailed as a triumphant return to form. (Not that they really ever slumped anywhere except in the eyes of the indie press.) Those are really side issues though because all that really matters here is how wonderful Bright Ideas is. Broken into equal parts introspective and beautiful ballads and jumping rockers, the record is at once lively as heck and full of poetic insight. It feels like the product of a teenage heart and an adult (with kids) mind. As usual the music (as played by a core group of fellow Superchunker Jim Wilbur on bass and Matthew McCaughan on drums) is tighter than Tim Duncan on the free throw line during the NBA finals. McCaughan's vocals are pushed to the point of breaking, though he is able to apply the brakes now and then, and his lyrics are intimate, always interesting, ...
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Ever heard those early indie Devo recordings? The ones from before they signed with Warner Brothers and had Brian Eno produce their first album? They're an odd listen for anyone who heard them for the first time after the better-known major-label discs: they're more energetic, stripped down, and undeniably ...
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Young American baritone NMON FORD has wowed audiences in the US and Europe with a fire and passion that the San Francisco Chronicle calls "at once vigorous and suave." The Los Angeles Times proclaims him "a baritone of commanding voice and presence", while the San Jose Mercury News finds his performance "spontaneous and theatrical."THE SWEETEST BRILLIANCE, Ford's debut solo release, is a collection of thirteen songs by the duo of Pulitzer Prize-winner WILLIAM BOLCOM and ARNOLD WEINSTEIN. The selections are drawn from their notorious Cabaret Songs Vols. 1-4, whose contents, through quirky melody and unconventional rhyme, tell vivid stories of the seamier side of life and the lush bittersweetness of love. The combination of Ford's theatrical facility, operatically-trained voice make him uniquely qualified to interpret this repertoire. Furthermore, this is the first time the material ...
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This is a masterpiece in its own category, and possibly the best album recorded by anyone during the 1980s. After Larry Fischer's mother had him committed to a mental institution for singing in his room, the doctors "pronounced" him "normal" and released him. The whole idea of being certifiably sane or otherwise is something each person needs to confront, and Pronounced Normal might just be the perfect tool for the job. What makes this vastly superior to his 1977 Rhino LP Wildmania is the inspired instrumentation and overall creative production provided by the team of Barnes & Barnes. Fat beats and syntho-tones make the title track a delightful scream-along challenge to the entire American Psychiatric Association. "Don't Be a Singer" is a charming example of Fischer's consuming distrust of all who work in the entertainment industry. "It's Nice to Have Things" constitutes Fischer's debut as a jazz singer! Amazing lyrics listing marketable commodities are intoned ...
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