| | Rolling Stones Exile On Main Street CD Rolling Stones Discography of CDs
(1 Customer Review)
Still inspired by their STICKY FINGERS recording sessions in Muscle Shoals, Alabama, EXILE ON MAIN STREET found the Rolling Stones sounding more like a Southern fried juke-joint band than ever before. That EXILE was recorded in a basement is ... Full Descriptionno surprise, either--much of it sounds as if it was recorded live at a gospel revival, with a final mix that gives no hierarchy to specific instruments. The result is a swampy, most exhilarating chunk of rock & roll euphoria.
EXILE sharpens the country, blues, and gospel tendencies the Stones began exploring in the late '60s on albums like BEGGAR'S BANQUET. Here, armed with an assortment of backing musicians and vocalists, the band virtually inhabits the spirit of each style, distilling the whole to a ragged, soulful perfection. From the escalating, horn-driven vamps of "Rocks Off" through the back porch singalong "Sweet Virginia" to the mean blues stomp of "Ventilator Blues" and the church-like strains of "Shine a Light," EXILE's double-album length plays like a weary, boozed-up sermon on the very meaning of rock music. This is the closest the band ever came to religion, and it still has the power to convert.
The Rolling Stones: Mick Jagger (vocals, guitar, harmonica); Keith Richards (vocals, guitar, piano, bass); Mick Taylor (guitar, bass); Bill Wyman (bass); Charlie Watts (drums).
Additional personnel: Mac Rebennack (background vocals).
Additional personnel: Al Perkins (steel guitar); Bobby Keys (saxophone, percussion); Jim Price (trumpet, trombone, organ); Ian Stewart, Nicky Hopkins (piano); Billy Preston (keyboards); Amyl Nitrate (marimba); Bill Plummer (acoustic & electric basses); Jimmy Miller (drums, percussion); Clydie King, Vanetta, Jerry Kirkland, Tammi Lynn, Shirley Goodman, Joe Green, Kathi McDonald (background vocals).
Rolling Stone (12/11/03, p.90) - Ranked #7 in Rolling Stone's "500 Greatest Albums Of All Time" - "...EXILE ON MAIN STREET is the Stones at their fighting best, armed with blues, playing to win..." Rolling Stone (7/6/72, p.54) - "...continual topping of one's self can only go on for so long, after which one must sit back and sustain what has already been built. And with EXILE the Stones have chosen to sustain for the moment..." -Lenny Kaye Q (6/00, p.91) - Ranked #3 in Q's "100 Greatest British Albums" - "...The Stones were at their most creative. The music simply flowed. The sound that emerged was dirty, sexy, soulful, f!ed-up and funky....a dizzy peak which the Stones never scaled again..." NME (Magazine) (10/2/93, p.29) - Ranked #11 in NME's list of the `Greatest Albums Of All Time.' NME (Magazine) (9/11/93, p.18) - Ranked #5 among The Greatest Albums Of The '70s - "...Definitive cigarette-in-mouth, fall-about rock 'n' roll..." NME (Magazine) (7/9/94, p.43) - 10 - Classic - "...stands as perhaps the band's finest hour. A sprawling, dense yet compelling concoction of their romance with America's black musics..." Hide Description Exile On Main Street Music | Category | Rock/Pop Albums, Rock CDs, Oldies, 70's | | Label | Virgin | | Orig Year | 1972 | | All Time Sales Rank | 43160  | | CD Universe Part number | 6935678 | | Discs | 1 | | Release Date | Aug 30, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jimmy Miller | | Engineer | Andy Johns; Glyn Johns; Joe Zaganno | | Recording Time | 67 minutes | | Additional Info | Limited Edition |
Rolling Stones Exile On Main Street Songs | 1. | Rocks Off |
| 2. | Rip This Joint |
| 3. | Shake Your Hips |
| 4. | Casino Boogie |
| 5. | Tumbling Dice |
| 6. | Sweet Virginia |
| 7. | Torn and Frayed |
| 8. | Sweet Black Angel |
| 9. | Loving Cup |
| 10. | Happy |
| 11. | Turd on the Run |
| 12. | Ventilator Blues |
| 13. | I Just Want to See His Face |
| 14. | Let It Loose |
| 15. | All Down the Line |
| 16. | Stop Breaking Down |
| 17. | Shine a Light |
| 18. | Soul Survivor |
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$16.45 In a world where people often value speed of delivery over quality of product, it’s not surprising that a lot of today’s pop music is built for quick consumption, spat out at the masses and quickly forgotten. For the starved souls that still crave a tastefully crafted album, the options are few and far between.Meet In-Flight Safety.The Halifax-based quartet’s first full-length album The Coast Is Clear exceeds all expectations. The disc is a superb cinematic pop experiment that tugs at your heartstrings upon first listen.Starting out in Vancouver, the band began work on five tracks with producer Warne Livesey (Midnight Oil, 54-40), who took the band under his British wing for a month-long recording adventure. On their return to Halifax the band enlisted Laurence Currie (Sloan, Ghandharvas) to help bring the record towards the finish line. But, when it came time to sculpt the album into a satisfying wall of sound, In-Flight Safety opted for the hands on approach.Surprisingly, about half of The Coast Is Clear was recorded in a small home studio. “We put great care into each and every note on this album,” says vocalist/guitarist John Mullane, “This lends the music a warmth and intimacy that you can’t achieve while on the clock at a big budget studio.”“Since time wasn’t a constraint during the recording process, each of us got our own ideas into every song but, knowing when to let go became the bane of our existence. It’s a breath of fresh air to finally be able to share it with the world.”The hard work is apparent from the first note. Drummer Glen Nicholson’s forceful, steady pulse builds a sturdy foundation. Bassist Brad Goodsell supports the low end with thoughtful minimalism. Daniel Ledwell’s explorative piano passages tickle the ear, while John Mullane tops the proceedings with honey-like guitars and his richly textured voice. Add some sonic surprises to the mix â€" glockenspiels, grand pianos, fifteen-piece choirs, and sounds that they don’t even know the name of â€" and you have a disc that builds on the In-Flight Safety’s signature sound.The group’s first release, the 2003 mellow-pop gem Vacation Land, won over countless fans and critics upon release, landing the band two Music Industry Association of Nova Scotia Award nominations (Best New Artist and Best Alternative Album). The same bedroom recording helped score a green In-Flight Safety their first gig in Toronto at the NxNE Festival where the band won 2003’s “Fan Choice Award” â€" which led to a distribution deal with Universal Music.The disc, which recently received a “four ...
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