| | Loretta Lynn 20th Century Masters: The Christmas Collection CD Loretta Lynn Discography of CDs
 (4 Customer Reviews)
Originally released as COUNTRY CHRISTMAS in 1966, this collection features Loretta Lynn lending her unmistakable voice to a set of Yuletide classics, in addition to a handful of self-penned holiday tunes, most notably the twangy "Country Christmas" ... Full Descriptionand the playful "To Heck with Ole Santa Claus." For fans of both the beloved Lynn and time-honored Christmas songs, this is a perfect disc for December days.
Personnel include: Loretta Lynn (vocals).
Hide Description 20th Century Masters: The Christmas Collection Music Loretta Lynn 20th Century Masters: The Christmas Collection Songs 20th Century Masters: The Christmas Collection Music Review Purchase 20th Century Masters: The Christmas Collection CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
20th Century Masters: The Christmas Collection album
 $17.25
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20th Century Masters: The Christmas Collection CD music
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Blister Pack
| | Philly Steps: Phila-La Of Soul & Arctic Records Remixed Hits CD (2004)
20th Century Masters: The Christmas Collection music CDs
$11.99 
| | Jan & Dean Surf City/Dead Man's Curve CD (1963) (Import) United Kingdom
20th Century Masters: The Christmas Collection songs
$19.15 
| | Alexis Korner Kornerstoned: Anthology 1958-1983 CD (2004) (Import) United Kingdom
20th Century Masters: The Christmas Collection album
$25.19
| | B B King Mr. Blues/Confessin' The Blues CD (1963) (Import) Remastered; United Kingdom
20th Century Masters: The Christmas Collection CD music
$19.09
| | Vince Two Eagles In America CD (1995)
20th Century Masters: The Christmas Collection music CDs
$13.29
| | Westworld Cyberdreams CD (2002) (Import) Bonus Track; Japan
20th Century Masters: The Christmas Collection songs
$42.05
| | Country Classics CDs (2005) (Import) Boxed Set
$16.95 | | G S Sachdev Two Moods CD (1999)
20th Century Masters: The Christmas Collection album
$14.79
| | Tom Russell Hotwalker: Charles Bukowski & A Ballad For Gone America CD (2005)
20th Century Masters: The Christmas Collection CD music
$10.15 
| | Very Best Of Kenny Rogers CDs (2006) (Import) Australia
20th Century Masters: The Christmas Collection music CDs
$12.65
| | Darkness Conclusion & Revival CD (2007) (Import)
20th Century Masters: The Christmas Collection songs
$31.55
| | Glenn Leffler Acoustic Journey CD (2007)
20th Century Masters: The Christmas Collection album
$15.19
I grew up listening to all types of music when I was young. My father had been a banjo player in the Dixieland era. The sound of a guitar captured me where other instruments didn’t. “It don’t mean a thing, if it ain’t got a string.” The first time I saw Chet Atkins play I was hooked, but it wasn’t until I heard Jimi Hendrix that I ask my parents for a six string guitar. I was mesmerized by Jimi’s playing and the sustained sound of his guitar. I also observed the way Eric Clapton bent the strings that made the blues come alive. The overdrive of the amplifier gave guitar a mighty voice, a power I wanted to possess. My first breakthrough on electric guitar came when Michael Bloomfield walked into my hotel room by accident. I was practicing on an old Gibson Les Paul, which got his attention. He taught me how to bend a string. He told me that “there is a world in one note if you play it right.” The ten minutes he spent with me changed my playing forever.At nineteen I was spending a fortune keeping my amplifier running. I started learning electronics before I went broke. I had no idea that in the future I would trade my passion for a steady paycheck in electronics. Consequently, I became a broadcast engineer. I never quit playing; it just happened after work. Acoustic Guitar was a new journey. So intimate, I didn’t have volume and sustain to hide behind. It wasn’t until I started studying classical and jazz guitar at the university level that I started exploring acoustic guitar’s complexities. I took Master Classes with Pepe Romero, Angel Romero, Christopher Parkining. To me classical guitar is beautiful and demanding, but leaves very little room for self expression. The rules are strict, rigid and limiting. I was told in my studies that Chet Atkins, Lenny Breau, Jimi Hendrix and Eric Clapton were not real guitar players, but pop heros. The attitude was wrong for me and I continued my degree in jazz only. I graduated with a Bachelor and Masters degree in performance and composition. I received some instruction from some great guitar players over the years; Steve Morse, Pat Martino, Eric Johnson, Les Wise, and John Knowles. I arranged some music for the El Paso Symphony in which the Jazz/fusion group I was playing in was the featured artist as well as opened different shows for some great players such as Albert King, Eric Johnson, Chick Correa and Herb Ellis, Roy Hanes, John Stowell, David Friesen .My son Sam was born in 1997. Something magical happened that day and after years of not writing at all a multitude of different styles of music emerged surprisingly on acoustic guitar and not electric. In 2002 I went to the CAAS convention in Nashville in which my life has never been the same since. I heard guitar playing that changed everything I ever thought about acoustic guitar. I saw Tommy Emmanuel, Doyle Dykes, Buster B. Jones, Stephen Bennett, Pete Huttlinger, Tony McManus, Ray Cummins, John Standefer, Bob Evans and Muriel Anderson to name a few. I had my own epiphany about playing acoustic guitar and found the place where I fit musically, something I don’t think I would ever have found on my own. I built a state of the art recording studio to focus more on my playing and composition. Music is life! To share that gift is my purpose. I have been playing guitar now for almost four decades and the only ...
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