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Produced by founding members Tony Banks and Mike Rutherford along with Phil Collins, this set collects 5 of the group's studio albums from their seminal Gabriel-fronted era, presenting them as expanded DVD/CD editions in 5.1 Surround Sound mixes, rare and previously unissued bonus audio and video, new interviews, and more. The 7-CD, 6-DVD ...
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After the tragic suicide of Joy Division's Ian Curtis, the band restructured. Guitarist Bernard Sumner, whose gift for combining the melodic with the hypnotic had been the band's cornerstone, stepped up to the microphone. The resulting debut MOVEMENT finds the group taking a brave step away from its unfortunate past. Preserved are Joy Division's dark edges--Sumner's guitar attack swerves deftly between funereal repetition and noisy bursts, while bassist Peter Hook continues to explore his instrument's upper registers.
From the slow, deliberate build and melodic interplay of its opening moment, the mid-tempo "Dreams never End," MOVEMENT boldly states the band's more experimental, slightly less emotionally turgid agenda. That Sumner is trapped under the influence of Curtis is undeniable--at times, the resemblance is alarming, but MOVEMENT is the sound of Sumner finding his voice. The spacey synth-pop of "The Him" foreshadows the sound New Order was to slowly develop, as Sumner became more comfortable with the upper reaches of his vocal range. Dynamic play abounds--the existentialist drone of "Truth" gives way to a crushing, chaotic ...
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Though some might argue that the Beatles' unprecedented evolution from British Invasion pin-ups to pop music visionaries began with BEATLES FOR SALE, RUBBER SOUL is without a doubt the first album to definitively put the Fab Four in the running for Greatest Band Ever. Virtually every aspect of the Liverpool quartet's incredibly diverse sound is in evidence here: the dark, irony-filled Dylanism ("Norwegian Wood," "Nowhere Man"), pop perfection ("In My Life"), the passion for classic tin pan alley balladry ("Girl," "Michelle"), and the love of good 'ol rock & roll music ("Drive My Car"). Peppered with nasty fuzz bass, exotic sitar, cartoonishly sped-up piano that sounds like harpsichord, and elements of country, Motown, and classical music, the album reveals a creative scope and willingness to experiment so revolutionary it can now only be termed "Beatlesque." Though the Fabs don't go as far out on a limb here as on the more overtly experimental REVOLVER, RUBBER SOUL is perhaps the Beatles' ...
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Originally released as 2 separate albums, CHRISTMAS PORTRAIT and AN OLD-FASHIONED CHRISTMAS.
Reissued concurrently with the delayed issue of Karen Carpenter's solo album, this import CD contains both Carpenters Christmas records, 1978's CHRISTMAS PORTRAIT and 1984's AN OLD FASHIONED CHRISTMAS. Both albums are remastered and appear in their entirety on CD for the first time.
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ABBEY ROAD, recorded in the summer of 1969, was the last album recorded by the Beatles (LET IT BE was released in 1970, but recorded in early '69).
After the laborious disorganization and infighting that characterized early 1969's LET IT BE sessions (as famously captured on film), the fractious four were willing to let George Martin take the reins and to work with him as a cohesive unit for the much more succinct production of their (and the decade's) swan song, ABBEY ROAD. The superb performances make the album an artistic high point for all members of the group. Paul McCartney inspired the suite of songs that begins with "You Never Give Me Your Money." Often thought of as two long medleys, the songs that fill most of the second half of ABBEY ROAD segue seamlessly into one another, but are programmed as separate CD tracks. George Harrison had his first A-side on a Beatles' single ("Something"); John Lennon contributed a pair of heavy rockers ("Come Together" and ...
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