| | Oblivion CD Astor Piazzolla Discography of CDs
Recording information: Italian-Latin-American Institute.
Personnel: Astor Piazzolla (bandoneon); Oscar Lopez Ruiz (guitar); Hugo Baralis, Antonio Agri (violin); José Bragato (cello); Osvaldo Tarantino (piano).
Liner Note Author: Famke Damsté.
Oblivion Songs
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Click on the  buttons below to play song samples |
| |      | 1. | Jeanne y Paul, tango (for film, Cadaveri eccelente) |
     | 2. | penultimo, tango, El (for film, Cadaveri Eccelenti) |
     | 3. | Oblivion, tango |
     | 4. | Enrico IV, film score |
     | 5. | Tanti anni prima, tango (from film, Enrico IV; a.k.a. "Ave Maria") |
     | 6. | Remembrance, tango (from film, Enrico IV) |
     | 7. | Cavalcata, tango (from film, Enrico IV) |
     | 8. | Baires 72, tango |
     | 9. | Oda para un Hippie, tango |
     | 10. | Fuga 9, tango |
     | 11. | Homenaje a Cordoba, tango |
     | 12. | En 3 x 4, tango |
     | 13. | Mufa 72, tango |
| Oblivion Review
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Purchase Oblivion CD To buy, Click on price to add to cart | Canadian Tenors CD (2009)
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$14.79 This is an enchanced CD containing a full audio program as well as an "hypertext" file readable by any Web browser. Also contains two bonus tracks not on the original release.
Originally released on Columbia (31480). Includes liner notes by Wendy Carlos and Chris Nelson.
Even before Carlos knew of a film project concerning A Clockwork Orange, the composer had begun work on a composition (Timesteps) based on the book. It's the best piece of music in the score (and one of the most famed in the early history of electronic music), fitting in well next to late-'60s minimalist works by Terry Riley as well as the emerging Tangerine Dream (pre-Phaedra). Carlos also pioneered the effect of synthesized vocals (known as a vocoder), and their eerie nature perfectly complemented scenes from the film. Much of the rest of A Clockwork Orange is filled with rather cloying synthesizer versions of familiar classical pieces (from Beethoven's Ninth Symphony, Purcell's Music for the Funeral of Queen Mary, Rossini's The Thieving Magpie) similar to Carlos' previous Switched-On Bach recordings. Still, it's worthwhile if only for Timesteps. A Clockwork Orange was originally released as a Warner Bros. soundtrack, containing only film cuts (which edited Timesteps down from 13 minutes to only four). Though Carlos released ...
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