| | Mack 10 Hustla's Handbook CD Mack 10 Discography of CDs
 (14 Customer Reviews)
A decade into Mack 10's career, it seems high time this West Coast hip-hop impresario (founder of the mighty Hoo Bangin' Records empire) and tireless MC laid out a blueprint for precisely how it's done. He has recorded roughly an album a year since entering the game, and HUSTLA'S HANDBOOK works as the perfect title for Mack 10's eighth release. His philosophy is simple but effective, and is summed up perfectly by a line from the forceful opening track "Like This": "so hood/so classy." And with a vigorous delivery backed by reliable G-funk beats, the Inglewood MC unfolds stark tales of gangsta living with the ease of one who's been there and the artistry of one who knows how to rap about it. Mack 10 Hustla's Handbook Songs Hustla's Handbook Music Review Average Rating: (4.2 out of 5 stars)   List All Reviews classic
too me this is a classic album,alot of folks go on about lyricism and these so called lyriscm cannot make albums but this album got bangers from start too finish i think this is the best rap album on the westcoast right now is only one of a few that you can match up[ with the games classic dre beats assited album lol cool mack 10
Submitted by godszillla07 (coventry england) 
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 he's lost it
Not that good. kinda soft compared to his previous work
Submitted by caddykingpin (los angeles)
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-Good Album-
-Good Album I Dont Think It Tops The First One He Dropped But It Comes Close Get This If You Dont Got Worth Your Money 1-
Submitted by whitefolk517 (Lansing Michigan)
Was This Review Helpful? Yes No mack 10-best of them all
I like mack's music because I can listen to every track on CD. There are no bad songs. who can do that? only mack10
Submitted by miro (kransterdam, SLOVENIA)
Was This Review Helpful? Yes No what's next...???
Year in and year out mack 10 delivers great albums that are a MUST in every body's cd collection... Hustla's Handbook was wig splittin'... it was fresh... Skoop and Soprano show off their talent and pretty sure they got an album of their own in the works...its different he got east coast and midwest rappers on here which brings a whole new style to his music...Ruka Puff, Bigga Brown, and Red Cafe are hard on this album while keeping it Gangsta... Chingy shows his true colors on this album... "Like This" had Nate Dogg's name written all over it from day one...Mack 10 has had a great career, he knows that and he thanks god for that on "The Testimony" which is a song Mack wrote from his heart and is very inspiring and touching as well... Mack 10 no matter what, if its rapping on an album (Mack 10 is featured on a track with ICP, the album is called Forgotten FReshness Vol.4 due to be released November 15, 2005 also featured on that album are the legends 2 Live Krew, Mc Breed, Vanilla Ice, Esham, Bone Thugs N Harmony, Tech N9ne,and Kotton Mouth Kings that cd is gonna be Fresh be sure to pick it up...) , producing beats, writing movies, acting in movies (mack 10 will be starring in "Apocalypse and the Beauty Queen" i dont know when it will be out but im pretty sure sometime 2006, it should be fresh as heck thats for sure...), doing shows, or just cruising in his low riders, what ever he does is gonna be fresh, hes not a let down and will never be a let down hes to freakin' fresh... if your think hes run outta ideas he hits you from your blind side, i know i didnt expect Hustlas handbook to be this way and it blew my mind like if it was an atomic bomb... all in all Mack 10 is the best always has and always will be...
Submitted by Smiley (Duroc, Southern Cali)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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Having helped bring ghetto slang like "It's all good" and "fo'shezzy, fo'shizzle" to the mainstream (and all the way to the 'burbs in some cases), West Coaster E-40 has earned his place among hip-hop's groundbreakers. His 2006 album, MY GHETTO REPORT CARD, produced by Lil ...
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| | Playwutchyalike: The Best Of Digital Underground CD (2003)
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2003's Playwutchyalike differs significantly from 2001's No Nose Job in its treatment of Digital Underground's album material, and yet both compilations play to the group's strengths rather well. The only miscue worth truly griping about here is the absence of "The Return of the Crazy One"; aside from that, it comes down to weighing album tracks against one another. This disc smartly includes the album mix of "Underwater Rimes," and it also features a number of other tracks not found on No Nose Job: "Sex Packets," "Nuttin' Nis Funky," "Heartbeat Props," and "We Got More." However, the likes of "Carry the Way," "Flowin' On the D-Line," "Doo Woo You," and "Dope-a-Delic" -- all of which are present on No Nose Job -- are sacrificed. Again, some significant singles are found in their truncated radio-edit versions, which is detrimental to songs that are more enjoyable in the loosest form possible. The group's best material has aged extremely well, with "Same Song," "Doowutchyalike," and especially "Kiss You Back" proving that the group's most popular hit wasn't even their best. As with No Nose Job, Playwutchyalike ends the coverage at 1993's Body-Hat Syndrome, with none of the group's post-Tommy Boy material (wisely) considered. ~ Andy Kellman
Comprehensive overview of their groundbreaking Tommy Boy years drawn from the albums Sex Packets, Sons Of The P, The Body-Hat Syndrome, and the EP This Is An EP Release. 14 golden nose nuggitz. Tommy Boy/Rhino. 2003.
Includes liner notes by Davey D.
Personnel: PeeWee (vocals, rap vocals, keyboards, synthesizer); Ron "Money B" Brooks, Mark Moore, Mack-Mone, Blocko, Big Money Odis, Tupac Shakur (vocals, rap vocals); Kent Racker (vocals, bass guitar); Jeremy "Jay-Z" Jackson (vocals, programming, ...
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Critics have a hard time deciding what to call Saul Williams' music -- poetic hardcore, "punk-hop." It certainly isn't straightforward hip-hop by any means. On his self-titled album, Williams moves toward a slightly more accessible format (compared to his previous, more poetry driven work) with twisted guitar lines, heavy bass thumps, and a closer stab at singing from time to time. The album opens with poetry laid over a fairly sparse piano riff, then moves into a swooping, thumping bit of electronica where ...
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