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Fleck, Bela - Crossing The Tracks CD Cover Art
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Bela Fleck Crossing The Tracks CD

 Bela Fleck Discography of CDs

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 Our Price: $13.79  CD

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So entrenched is banjoist Bela Fleck's reputation as one of bluegrass's most innovative and boundary-demolishing musicians that it's hard to be surprised now by the sounds on his 1979 debut CROSSING THE TRACKS. But taken in historical context, ...    Full Description

Crossing The Tracks Music


Detailed Crossing The Tracks Music Information



List Price $17.97 (You save $4.18)
Category Rock/Pop Albums, Rock CDs, Country, Jazz Instrument, Bluegrass, Banjo
Label Rounder
Orig Year 1980
All Time Sales Rank   94194  
CD Universe Part number 6948314
Catalog number 610121
Discs 1
Release Date Oct 04, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Bela Fleck
Personnel Jerry Douglas - dobro
Sam Bush
Bela Fleck - banjo
Pat Enright - vocals
Russ Barenberg - guitar
Mark Schatz - upright bass
Randy Sabien - fiddle
Bob Applebaum - mandolin
Bela Fleck Crossing The Tracks Songs


Bela Fleck Crossing The Tracks Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Dear Old Dixie
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Inman Square
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Texas Barbeque
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Growling Old Man and the Grumbling Old Woman
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Spain
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Crossing the Tracks
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Spring Thaw
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.How Can You Face Me Now
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Twilight
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Frosty Morning
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Ain't Gonna Work Tomorrow

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Daybreak
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Crossing The Tracks album
CD $13.79  Audio Samples Definitive Album
Released the same year as PLACES, 1987's DAYBREAK has less of the eclecticism of the former outing, but still captures banjo player Bela Fleck merging his bluegrass roots with forays into other genres (fusions he would perfect with his '90s outfit the Flecktones). The lead-off track, "Texas Barbeque," shows Fleck can still pick his way masterfully through the bluegrass idiom, but the following cut, a version of Chick Corea's romantic, pulsing composition "Spain" (with banjo and mandolin taking the lead lines), proves Fleck is no straight-laced traditionalist. Likewise, the Celtic-flavored "Growling Old Man and the Grumbling Old Woman," the Fats Waller rag "How Can You Face Me Now," and the sweeping ballad "The Natural Bridge Suite" have Fleck moving all over the musical map with grace and ease. There are occasional ...
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Banjo player Bela Fleck and bassist Edgar Meyer are genre-benders extraordinaire--both incorporate elements of classical, jazz, bluegrass, and free improvisation into their unique, technically advanced music. On MUSIC FOR TWO, a selection of live performances recorded between 2001 and 2003, the duo displays their remarkable penchant for combining European classical structure with looser, improvisation-based American forms in a tightly knit, sympathetic fashion. Fleck's skill on the banjo is so formidable, and draws on such a wide range of musical influences, that the instrument is virtually liberated from its conventional associations (namely straight time and bluegrass motifs). Meyer's double bass, whether plucked or bowed, proves the perfect complement to the thin, high-end sound of ...
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Alison Krauss & Union Station: Ron Block (vocals, guitar, banjo); Dan Tyminski (vocals, guitar); Alison Krauss (vocals, fiddle, viola); Jerry Douglas (lap steel guitar, dobro); Barry Bales (bass instrument, background vocals). In a world where popular country music has lost much of its roots, Alison Krauss ...
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Over the years since Neil Young's godlike status has grown, it is easy to forget about the jaw-dropping breadth of talent that was Crosby, Stills & Nash, his sometimes former bandmates. Crosby had the silken voice and Nash the impossibly high harmony, but, as the remarkable official bootleg JUST ROLL TAPE: April 26th 1968 proves, Stephen Stills was a complete talent as a singer, writer, and guitarist. Reportedly recorded in one long take after he bribed the engineer of a Judy Collins session on the title date to continue recording long into the night, JUST ROLL TAPE is what its title suggests: a roll of inspired performances of songs from Still's embryonic ...
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