| | Marshall Crenshaw Field Day CD Marshall Crenshaw Discography of CDs
1983's FIELD DAY, Crenshaw's second album, took some fans of his sprightly debut by surprise. For this excursion, he had enlisted the help of hot producer Steve Lillywhite, whose approach to drum and guitar sounds had helped to create hits for U2, XTC, and others. The result was a sound notably different from anything heard in Crenshaw's previous work. The musician returned to simpler productions for later records, but FIELD DAY is an exceptional album.
FIELD DAY is brimming with beautifully crafted, Beatles-esque pop songs. Crenshaw's music is a delicious treat for the ears--as catchy as can be. Listening to these songs in the knowing glow of hindsight, it is shocking that none of them were enormous hits. Alas, it's a fickle world. Crenshaw's first three albums remain a dazzling display of rock & roll smarts, emotional resonance, and good old fashioned danceable fun.
Recorded at Power Station, New York, New York in Febuary 1983.
Personnel: Marshall Crenshaw (vocals, guitar); Chris Donato (vocals, bass guitar); Robert Crenshaw (vocals, drums).
Personnel: Marshall Crenshaw (vocals, guitar); Chris Donato (vocals, bass); Robert Crenshaw (vocals, drums); Mike Osborn (percussion); Tom Teeley, Bob Miller, John Crenshaw (background vocals).
Marshall Crenshaw Field Day Songs | 1. | Whenever You're on My Mind |
| 2. | Our Town |
| 3. | One More Reason |
| 4. | Try |
| 5. | One Day With You |
| 6. | For Her Love |
| 7. | Monday Morning Rock |
| 8. | All I Know Right Now |
| 9. | What Time Is It? |
| 10. | Hold It |
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Field Day Review
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Purchase Field Day CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Field Day album
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied. ~ Stephen Thomas Erlewine
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M!SSUNDAZTOOD was nominated for the 2003 Grammy Awards for Best Pop Vocal Album. "Get The Party Started" was nominated for the 2003 Grammy Awards for
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Blissful popsters Pas/Cal debuted their graceful pop sound with The Handbag Memoirs EP in 2002. Having impressed Le Grand Magistery owner Matthew Jacobson with their demo, the Detroit band quickly polished the six songs that would construct this impressive first effort. Opening with the cleverly titled "The Bronze Beached Boys (Come on Let's Go)," the song encapsulates the band's light and lively pop sound, rising and falling in unabashed glee, led by Casimer Pascal's brooding, falsetto lead vocals. While "I'd Bet Your Life That ...
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